serpentine malign

about. fics. art. comics. f/os. shrines. ocs.

art gallery

welcome to my art gallery! some pieces are from art trades/exchanges or requests. but the art is mostly fanart, and a lot of selfship.

if you would like to share pieces direct from me, i crosspost my art to tumblr, bluesky and mastodon. however, my system for which pieces get uploaded to which platform is completely esoteric and understandable only to me. (mostly i just forget lol)

fave pieces

these are, to me, the 'highlights' of my work. some nsfw works have been cropped so they can be included here.

Superhot fanart. Polygonal black and white digital portrait of a SUPERHOT player, wearing their VR headset. It is leaking a black fluid containing the text of the game's mantras, 'mind is software body is disposable the system will set me free'. Molotov from Venture Bros wearing an all-white outfit reminiscent of Elle Driver from Kill Bill. She poses and holds a parasol Hugo holds my tranced-out self-insert in his arms. POV shot (black and white paint/sketch). Minami from RGG lying shirtless, clearly having been cut up. Nishitani (offscreen) is digging a knife into the surface of his chest, while gripping his cock with the other hand. Majima is holding a knife to his throat. Mat Finish being choked and fucked by Charles Foster Offdensen offscreen. The drawing is black and white with harsh red accent lighting. Mat is stroking their clit with an enamoured, vacant look on their face. Charles looking down on someone with a serious look on his face. One arm reaches over. The drawing is black and white with harsh red accent lighting. Drawing of Evelyn Deavor from the Incredibles 2 in her own mind control goggles, naked and fucking herself. The background is psychedelic superimposed spirals similar to the ones she actually uses. Ryu Ga Gotoku fanart, inked with a painted, realistic colouring style. In low light, Watase is shirtless and tied up by Katsuya, who's in a suit. Katsuya grasps him by the throat and kisses him on the cheek. Watase's tattoos are on display. Black and white ink sketch. Man in a straitjacket behind bars sucks on a dildo slipped between the bars, held by a mystery person. Offscreen, the person holding the dildo says, 'subject almost ready for live trials'. Black and white ink portrait of Mat Finish, face covered in cum, smiling up at an unknown person (implied to be Hugo Strange, since they are wearing the lacy collar he gives them in my Hugo/Manikin timeline). Background is a thin spiral. An inked piece with blue and orange lighting. Mat stands horrified and teary in a corset, lingerie and lacy collar. Behind them, Hugo Strange (in a suit) smiles while he twiddles one of their nipples and holds them by the shoulder. Black and white ink sketch. Hugo and Mat are fucking on a bed, with Hugo's legs enveloping Mat. We can see his sexy sock garters. Mat is bunched up with their legs up. Hugo covers Mat's mouth with one hand and holds them with the other. Mat is saying 'please, please, plea--' but Hugo replies 'dolls do not speak without permission'. Mat on their knees in the Manikin lingerie, sucking on Hugo's fingers (Hugo is offscreen so we just see his sleeve and hand). Black and white ink drawing - mostly light ink on a black background, creating a dreamlike quality. Upper shot with a lot of the background of Hugo's office, with a big bookcase and glowing sconce light. Mat is naked and lying on a fainting couch. They are hypnotised by Hugo (mostly in shadow) with a pocket watch. He strokes their pussy. It's Vox in his TV room with a mystery demon (Fisheye, my OC) suspended by wires to the ceiling, with a big spiral playing on a ceiling monitor. They're transfixed and filled with wires - in their mouth, ears, and the socket on their groin. The atmosphere is gloomy. it's my oc getting fucked by 'eldritch' vox, with multiple screen 'heads', and whose body is just a mass of glowing blue/black wires, gills and shark muscle. there are cameras and screens all around them, they're restrained by his wire tentacles, and there is the classic hypno tentacle displaying vox's spiral right in front of their eyes, entrancing them. their nipples are being stimulated, their mouth full, their ear fucked. they have a port at their crotch with a huge 'cable' plugged into it, and a glowing voxtek 'womb tattoo' (though whether they have a womb is questionable). It's my hazbin oc fisheye getting earfucked by a shiny black, dripping tentacle. Blood drips from their mouth and their eyes are red. A red graphical starburst in the background explodes out of their ear. Their usb port nipples are on full show! it's eldritch vox and fisheye in a vague, glowy, glitchy environment. he only has the one head, a pulsating spiral screen. fisheye is tied up in vox's many many cable tentacles. their voxtek womb tattoo is visible. they're grinning and bleeding from the mouth. blood lines/dead pixels bleed down from vox's tentacles. Bust and full body of my OC Fisheye with their major details on show. They are black and white and stripy like a pilot fish. They have a barcode on their chin, sharp teeth, and complex facial markings. Their hair has a white 'halo' behind it (really more like an anglerfish bulb) and floats off as though perpetually submerged in water. They wear fishhook earrings and have sharp ears. The full body drawing shows their markings, a VoxTek womb tattoo, electronic port nipples and pussy, and sharp claws, as well as fins running all over their body. it's otto mentallis from psychonauts having a 'private moment' with a brain in his lab. that is, fucking it. he's leaning back in a big chair, with the brainframe looming behind him. this version has a pink/green/blue colour palette with a lot of hues having been flipped from his normal palette. it's otto as in the previous image, but in his canon colour scheme! It's Vox from Hazbin hotel! He's naked, with glowing nipples and an erect cock dripping glowing blue cum. The angle is positioned so the viewer is lower than Vox and as close as possible to his cock. Hugo and Mat in a fantasy autumnal scene, with some art nouveau stylings. The sun beats behind Hugo's head, angelic. Hugo is in his labcoat and holds a syringe, dripping an unknown red substance that turns into leaves. Mat's legs and arms are spread out; they are sweaty and naked save for a bondage harness. Hugo holds one of their eyes open - swirled, brainwashed. They have a surgery scar on their forehead. An addled, hypnotised Mat grasps onto an offscreen pair of legs. The legs belong to Otto Mentallis who in the next panel is smiling down on them. The background is gloomy and grey, spiralling... very unlike the actual rainbow of colour in his source material. Otto is hard, a clear tent beneath his pants. The hypnotised Mat begins to unfasten his trousers. But, Otto says, 'wait', grasping onto Mat's face. They drool from their mouth, with spirals in their eyes. He snaps his fingers to bring them out of trance. Mat, looking flustered and annoyed, sits in front of a cross-legged Otto, who is smirking ominously. One-page comic, inked and coloured in neon greens and reds. A Joker strongly based on the twinky one from Harleen gets socked in the mouth by what seems to be Batman's hand, blood exploding from his mouth. Joker, unimpressed, says 'Nope. Got nothing from that. Maybe don't quit your day job... oh wait. hahaha! Offscreen narration: 'I can put him worse places than Arkham. I can do what Wayne never could.' We now see that Joker is wearing no pants and is straddling his 'Batman', actually Hugo Strange dressed up as such (his beard is visible). Hugo holds Joker's throat. He squeezes Joker's throat, prompting Joker to make gagging noises. We see Joker's cock ejaculating. Offscreen narration: 'Correct the world. Permanently. By my fists. Hugo exhales. Joker says 'Hey!! I never said stop!' Title: Dollthing #1. A three panel comic strip. Panel 1: 2015. A faceless hairdresser points a mirror at the back of the protagonists head. They say, 'looks lovely, doesn't it? You're very brave, having it all lopped off'. The protagonist with the classic teenage transmasc bomber jacket, says, yeah, thanks. It looks great. They don't look enthused. Panel 2: 2022. a shadowy hallway. Protagonist is sobbing with lines of hopeless thought/mumbled desperation behind them in the mirror like they can't get a mastectomy and they'll never get on t. They are buzzing all their hair off, wearing a garbage bag tunic to catch the hair, though much of it is instead on the floor. Panel 3: 2024. Protagonist with shaved head in lingerie, taking a mirror selfie in a changing room. Thought bubble: it is doll! Of course! It is so simple! Dollthing #2. 2 panel comic. Dollthing is holding a lamp and its cable looking confused, in the dark. Offscreen someone says 'bottom!' Dollthing replies, 'yes?' Before realising they meant the base of the lamp. 'Oh.' They switch it on. it's dollthing #3! a two-panel comic. the titular character stops by a mirror and takes a moment to admire themselves. 'this face was made for the brainwashing chamber <3' Panel 1: Dollthing and Hugo Strange in matching lab coats, with a black background. They stand behind a subject with their skull sawn in half, brain exposed, bleeding profusely. Dollthing injects something into their brain. Dollthing: I modified the formula. This one should make the subject more docile. Hugo: good. Let's see it. Panel 2: Hugo, standing, head out of view, has Dollthing hypnotised with a pocket watch, while they jack him off through the fly of his suit pants. Dollthing wears some lacy lingerie, but is still bespectacled, to absolutely no effect (the pocket watch is too high to be seen in the lenses of their glasses). Hugo: my... Our other subjects could learn a lot from you. ❤️ TITLE: DEPRAVITY COMICS. The title is bleeding, and the picture is a full-page drawing in black and white ink. (All pages, including this one, are inked sharply in black and white.) It's night in Gotham, the full moon is out, and Hugo Strange is out on the rooftops dressed as Batman, proudly standing with hands on hips. His cowl envelops an androgynous adult dressed as Robin and saluting the camera, but holding a machine gun. SUBTITLE: Introducing MANIKIN. Hugo Strange's toy wonder! CONTENT WARNINGS: - Sexual abuse - Transphobia - Violence and torture - Brainwashing spoken about, like, incredibly lovingly Mature audiences only! DISCLAIMER: A Serpentine Malign Design. Transformative work, not for profit. NARRATION: I didn't always believe in a god. Not until he made me from scratch. FULL PAGE PANEL: Manikin is now kneeling invitingly in lingerie and stockings upon a tiger print rug, next to two other objects (houseplant and ottoman). They have plastic joints like a doll. In the lavish/tacky mirror behind them, Hugo Strange in a dressing gown, wielding a baseball bat. NARRATION: Six months ago. Valentine's Day. PANEL 1: Manikin in darkness, with a black eye and a bleeding nose. They wear a shock collar and are harshly lit against a light panel. OFFSCREEN: 'Fascinating.' PANEL 2: A hand gropes Manikin's crotch area - they're naked from the waist down. OFFSCREEN: 'Here I thought Falcone's men were all... well.' PANEL 3: Close-up on Manikin's bloody face, eyes cut off by the framing. OFFSCREEN: 'No matter, hm? Your instinct was right. Just not your destination.' Panels, in darkness. PANEL 1: Hugo standing in a light doorway. He's holding something. 'Who else knows you're here?' PANEL 2: Close-up of what he's got in his hand: a shock button. 'Answer quickly, now.' PANEL 3: Manikin's bloody face, defiant and disdainful. 'Fuck you,' they reply. PANELS 4, 5: Close-up of Hugo's mouth, then him pressing the button. 'A shame.' PANEL 6: Manikin is shocked, lightning surrounding them. Their eyes roll back and they sweat profusely. PANEL 7: Hugo in the doorway, smiling. 'I hate to damage perfectly fine goods. So let's try again.' PANELS 8, 9: The same profile shot of Manikin, sweat dripping off their face. In the second panel, they're smiling, saying 'You don't know who I am, do you? PANEL 1: Hugo, silhouetted in the foreground, observing a glaring Manikin, who we now see is straitjacketed and restrained against an odd set of panels that seem more German expressionist, form over function. They're hooked up to a machine that seems to be measuring their vitals... or delivering the shocks, like an ECT machine. The speech bubbles weave around Manikin. HUGO: 'Why, yes. You are probably orphaned, but certainly lacking a stable father figure. You are attempting to craft one inside yourself. Quite impressive on your own, truly. You turned to men like Falcone to validate your efforts. He made you feel useful. Filled the hole inside. For years you have associated PLEASURE with the pain of contorting your body into weaponry. You hope this will prevent you from going insane.' PANEL 2: This panel is smaller than the other. Close-up of Hugo's grinning face, along with spiral flourish behind him. He says, 'But let me ask you this. Do you know today's date?' PANEL 1: Manikin, with some weird cables behind them that absolutely look like fucking. Whether the fucking is Hugo with his dolls, or Falcone and Manikin, is up to the reader. 'Valentine's day,' they reply. 'He knew you'd be alone then.' PANEL 2: Hugo, silhouetted, shocks Manikin again, depicted as just a mess of scribbles of lightning. 'How interesting. And wrong.' PANELS 3-6: Shots of Hugo which get increasingly close to his face. He is holding a glass now. These panels envelop a shot of Manikin from behind, who envisions the interrogation as being at gunpoint. 'Do you remember being here before?' 'No.' 'How I captured you?' 'No.' 'Your name?' 'No.' (This speech bubble is smallest and most claustrophobic of all.) PANEL 1: Offscreen/past: 'Then, allow me to help you remember.' Darkness. Hugo's full-moon glasses are visible. Stars and thin spirals in the void. A metronome ticks, ticks, ticks. Caption: 'Before?' PANEL 2: Manikin's face with open mouth, looking a lot more docile, cupped by Hugo's hand. The rest of him is offscreen save for possibly his legs. Curtains fall behind them. PANEL 1: Hugo's 'therapy room', with the metronome visible in front of him, silhouetted (only his glasses are lit). The whole room is bleeding with ink, including a fanciful column with liquor and serving glasses on top, and that tacky mirror that was visible on the first page. HUGO: 'Memory loss is an INEXACT science.' PANEL 2: Manikin, eyes shut, looking down, back in the interrogation room, straitjacketed and hooked up to cables. They are surrounded everywhere by the mantra 'Not a person. Just a doll.' PANEL 3: Close-up of one half of Hugo's face, smirking. 'It's easier if the mind has something to fill the gaps.' PANEL 4: Manikin, distraught and close to screaming, still surrounded by the mantra. It's as though they need to yell over the noise in their head. 'What did you... what did you do to... WHAT DID YOU DO TO IT?!' PANEL 1: Closeup of Hugo's face, eyebrow raised, nothing behind him. He grins malevolently. ''IT'?' PANEL 2: Manikin open-mouthed, nose bleeding. Eyes cut off by the panel once more. PANEL 3: Manikin's face, much smaller in the frame, surrounded by darkness save for the panel they're restrained against, now somewhat coffin-shaped. They are distraught, not quite sure how this is possible. 'It-- it means... it's...' PANEL 4: Close-up of Hugo, showing his forehead down to his nose. His glasses are classic anime glasses - they reflect all the light, while his eyes are invisible. The background is completely dark. 'Stop fighting. Accept it and find peace.' PANELS 5-7: Various shots of Manikin accepting their training. Caption, repeated across each of these panels: 'Not a person, just a doll.' The first is a closeup of them looking vacant, seductive, wearing the lace collar they wore with their lingerie. Their eyes water, and Hugo's hands (wearing signet rings) cup their face and neck. The caption here covers their forehead. The second is Manikin sitting in Hugo's closet, surrounded by rejected plastic dolls. They are posed awkwardly as though discarded like a ragdoll, and they listen to their mantras through a tape recorder. The caption here covers their mouth. The third is Manikin aiming a gun at their prior employer, Don Falcone. The caption here covers their entire face. PANEL 1: Pulling out from the last shot of the previous page, another shot of the same action, Manikin aiming the gun at Falcone's head. The Gotham night skyline looms through the floor-to-ceiling window, while the frame is enveloped by thick curtains, pulled back with spiral clasps. Three boxes sit in front of him, labelled 'Mar', 'Apr', 'May'. Something looking like... hair? pokes out of each box. We now see Manikin's other hand holds a phone to Falcone's ear. HUGO (OVER THE PHONE): 'Thank you for your GENEROUS gift, Don Falcone. Please accept this gift of my own: that some weak links have been excised from your organisation... and that I have not directed ONE OF THEM to dispatch everyone in the building.' PANEL 2: Close-up of Falcone, frowning. Hugo, over the phone: 'Now, I trust that you'll leave us to our peace.' PANEL 3: The same close-up, but Falcone now looks more defeated. He replies: 'Consider our business terminated. But... one favour.' PANEL 4: Hugo, in darkness, sitting in his big armchair atop his ugly fucking tiger rug. He talks on his home phone. 'Yes?' PANEL 5: Top-down view of the contents of the boxes, on Falcone's polished wood desk. Confirmation that yes, they are indeed severed heads. FALCONE: 'Get these fucking heads out of my office.' PANEL 1: Hugo and Manikin, cuddling on the couch, a houseplant behind them. Manikin's mouth is out of shot. HUGO: 'It's your six-month anniversary, Manikin. That feels good, hm?' MANIKIN: 'Yes.' PANEL 2: A new shot of the same scene. Hugo tilts Manikin's chin. 'How fortunate that you fell into my lap.' MANIKIN (SMILING): 'Yes.' PANEL 3: Close-up of a lovestruck Manikin. They literally have heart pupils! HUGO: Come to bed. MANIKIN: 'YES.' (the speech bubble is a heart, even!) PANEL 4: CAPTION: 'Then.' It appears we've stepped back in time. A top-down shot of Hugo and Manikin in the 'therapy room', once more. Hugo has the metronome setup. Manikin reclines on the couch, naked, saying, 'I keep having this dream.' PANEL 1: Nearly takes up the entire page. The dream world, swirling with shadows. A chandelier hangs above. Manikin is literally a doll in a box, tied up with plastic cable ties with a 'try me' slit between their forcibly spread legs. A smile is plastered on their face. Hugo is in the foreground, approaching the doll box. OFFSCREEN: 'In the dream, I'm a doll. Looking out at the world through a plastic window. And you're always there. In the dream. Ready to try me.' HUGO: 'Well, a MANIKIN is a tutoring instrument. A tool with purpose. Much like a gun. Is a DOLL closer to your self-image? a NEEDLESS PLAYTHING? PANEL 2: Close-up of Manikin's smiling dollface, idealised. They seem to be wearing makeup, and a spiral is behind them. 'Dolls have more fun than weapons.' HUGO (OFFSCREEN): 'Then...' Full-page panel. It appears they have indeed gone to bed. Hugo sits Manikin atop his lap on the bed, cupping their ass in one hand and holding the small of their back. with the other. They embrace him with their arms, wearing lacy lingerie. The spiral of the previous panel is in the background, as are two discarded manikins behind the bed, both of them headless. OFFSCREEN: 'A doll you shall be.' END. one-page inked comic. panel 1: hugo strange has an arm around my self-insert, mat/manikin. he's speaking to deathstroke, whose arms are folded. hugo: 'though i have taken much care to secure the doll's subservience, its combat practice is unfortunately lacking, at least in my hands. so i would like you to spar with it. give it something deadlier with which to contend.' panel 2: deathstroke alone, same pose. 'and you don't mind if your doll gets broken?' panel 3: hugo and mat, same pose. hugo: 'its life, if you can call it that, is precious to me. but your training will keep it in peak condition. do anything short of murder if it makes the body stronger.' panel 4: montage of mat and deathstroke in combat training. deathstroke has the upper hand and puts a gun to mat's head. hugo voiceover from the previous scene: 'a word of advice. your usual methods of discipline may fail here. it is a shameless masochist. i had no interest in treating that proclivity when it made them easier to control. so, i'd rather you used it to your advantage. train out its weak points and reward it however makes it respond the best.' panel-in-panel: mat's bloodied face looking blissed out. they usually wear full-moon shades to match hugo's glasses), but they are broken here. deathstroke, again voiceover from the previous scene: 'that shouldn't be a problem. if anything, i'll enjoy having it around.' underneath the panel-in-panel is a close and personal shot of mat orally servicing deathstroke. their arms are tied. Black and white/grey ink sketch of Art the Clown, his face and clown suit splattered with blood. Black and white digital charcoal portrait. Hugo and Mat are doing ballet together. Dirty digital ink sketch with huge raked ink brush. Hugo whispers sweet nothings to Mat. A black and white gloomy 'portrait' of Hugo, sat presiding above his dolls Mat and Dollthing (draped over each other). A mirror looms behind them like a picture frame. A full-colour picture for a loved one, Star, a green-haired sweetheart! The Toymaker from Doctor Who (Neil Patrick Harris version) grasps their chin in his toyshop, leaning over his counter. Rough black and white sketch. Hugo kisses Mat's hand. Swirling ink portrait with abstract squiggly background. Mat in dramatic lighting, unseen hands touching their head and grasping their chin. Black and white sketch. Hugo and Mat cuddling on a couch, but the atmosphere is gloomy and forlorn. Black and white Yakuza 0 sketch with spiralling purple backdrop. Shimano tilts the chin of an exhausted, frightened Majima with a malevolent smile. Full colour ink/paint. Pegasus from Yu-Gi-Oh leans over a dead-eyed Kaiba, on a pretty red chaise longue. They are holding hands. Unfinished black and white sketch. Hugo sits with a glass of spirits in one hand and an arm round Mat, who is sitting in his lap wearing a Playboy bunny costume. Full colour. Hugo AS one of his lingerie-clad manikins, in a mildly suggestive pose. An ink sketch with Mat standing and smoking a cigarette. The ink is bleeding into shapes creating 'wings' behind them. Fisheye, the version of Mat belonging to Hazbin Hotel. Fisheye is a pilotfish demon, covered in mesmerising black-and-white stripes. They have a fishhook earring and flowing, 'underwater' style hair. A simple ink sketch portrait of Mat, smiling up at the camera. A simple reference sheet of Mat. mat has pale skin and brown undercut hair with bangs in the shape of an 'm', with lighter brown highlights towards the front of their hair. they have grey-brown eyes. they wear full-moon reflective shades and sometimes also have snakebite piercings. most of their clothes will be muted, greyscale or black, including when they're in lingerie. they are 5'7 and have a toned, light and masculine build. Outfit variation references for Mat - lacy lingerie and skimpy combat armour for Manikin, and a psychedelic colour scheme where they are blue for their Psychonauts version. A limited palette, inked 'collage' style of psychedelic interlocking patterns, half-there shapes (cat's eyes? snake eyes? flowers?), with Mat sitting in the middle smoking a cigarette and striking a cute pose. A black and white sketch of Max, a raven demon OC for Hazbin Hotel. Max's outfit is themed on cassette tapes with some nautical themes as well, and he has plastic tape tentacles. He also has notably a head of white hair (or perhaps additional feathers!) on top of his raven feathers. Hugo and Riddler in the Reevesverse. Hugo has a Giancarlo Esposito look about him, since he hasn't been cast yet. Riddler is in Arkham uniform; Hugo is injecting him with an unknown substance. A big buff Hugo in a cute catboy maid outfit holding a tray of drinks. Mat Finish, painted in green and red. An inked sketch for the Marlowe Lune Modern Gentleman redraw competition - a beautiful 20s-style trans man posing artfully with a cigarette holder and nice sock garters. My own take is black and white with lots of interlocking 'unreal' patterns. Greyscale sketch of Vox and Fisheye together in Vox's TV/surveillance room. Vox is much larger than Fisheye! caption: summary of my week (god i was meant to draw fucking machines this week). the author holding a game console controller being embraced by a grim reaper type while staring blankly forward. in the background, letters forming the word 'THE DISHES' in a melty style. a captioned panel, with the following text (black on a white background): "despite my first finished comics being autobiographical and mental health related, i've never actually published any of the sort. thanks to my own damage, i was discouraged by a meme post about cringy comic sins. like porn comics with sexless art styles, ugly political cartoons, and... this 'overdone' panel in every depression comic.' (the panel in question: a featureless person face down in a black void.) inside the same void, the following text: "but why can't we share our heavy-handed, 'clichéd' processing art? why does it carry less value for being unoriginal? isn't that the point - to connect to a human universal and desperately hope to be recognised? like, the metaphor we reach for in a crisis isn't going to be the clever, beautiful one. it's the pot noodle at the back of the cupboard. and that's how you survive to the next one." 3 panel ink comic. Panel 1: Hugo and Mat sit on a plane. Mat sits with headphones plugged into a cassette player. An attendant asks, 'Can I get you anything? Snacks, drinks?' Outside the panel is a caption of, presumably, the tape recording: 'And when we reach our destination, you will be mine.' Panel 2: Close-up of Hugo and Mat in the background. In the shadow of Mat is various brainwashing/hypnotic mantras around blank docility and obedience. Panel 3: Close-up of Hugo and Mat's hands, holding under the foldaway table. Hugo: 'Thank you, though.' Outside the panels again, the caption 'You are nothing until I tell you what to be.' A digital colour portrait of Megaera from Hades, with bright neon colours - her armour is outlined with a neon glow. A digital ink sketch of Charles Foster Offdensen from Metalocalypse, from the chest up. He rests his head on his closed fist. Sketch of Brock Samson, covered in blood in the outfit the Bride wears in Kill Bill. He is holding keys to the Russy Wagon. Sketch of Brock and Molotov from the Venture Bros. They're dressed as the Bride (Brock) and Elle Driver (Molotov) - Molotov holds a katana to Brock's throat while Brock has his Bowie knife to hers. An early reference sheet for Mat Finish, including them in a bondage harness and with painted toenails Bunny Lebowski style. Portrait of Mat, shirtless save for a bondage harness and lying on their stomach in a seductive posture. They cover their head partially with one hand while they lounge on a couch. Sketch of Majima and Minami from yakuza. Majima grins, holding a knife to Minami's throat while he holds his head in position. Minami, shirtless, blushes in anticipation. Sketch of Sagawa and Nishitani from Yakuza 0. Sagawa chokes a bloodied Nishitani while fucking his ass. Nishitani seems to be having fun. Sketch of Shimano and Sagawa, kissing while holding guns to each other's necks. Shimano grips his own huge cock in his other hand. Sketch of Shimano and Majima. Shimano eats out Majima's pussy (Majima is fairly young, probably just after the events of 0). Two sketch portraits of Hugo side by side - one in a sharp suit, one in a nice turtleneck. Sketch of Shimano and Majima. The sketch is unfinished but the places their tattoos should be are marked. The frame cuts off where their eyes would start, so you can just see their mouths kissing and a little of their noses. Shimano grips Majima's shoulder. Sketch of Herbert West and Carl Hill. It's top-down and mostly focused on a vulnerable Herbert, strapped to an operating table. Carl has his own severed head balanced bloodily on, presumably, his own torso. Carl's guts are wrapped around Herbert's torso and neck bondage-style (the same as in the last scene of the first Re-Animator film). Herbert is sweating, aroused, appears to have been lobotomised judging from the bloody bandage on one of his temples. Reevesverse Riddler is posing for a selfie with a bound-up, beaten and stripped Mat Finish. A messy colour sketch of a bloodied Malik Ishtar. A colour sketch of Noho Hank from Barry, in neon colours. Three panel sketch comic. Hugo is tending to a comic Riddler's wounds. Riddler looks with trepidation at Hugo's t-shirt. It says 'I like people on the table open'. Colour sketch portrait of Pegasus from Yu-Gi-Oh, his bangs curling dramatically over most of his face. Sketch portrait of Hugo with the moon out. He is wearing a suit and strokes his chin. Sketch of Mat kneeling, bound and blindfolded They smoke a cigarette. Silhouettes of cocks surround them akin to a firing squad. A drawing of Hugo like one of my French girls. He sits seductively holding a pen bleeding big Rorschach inkblots on the backdrop behind him. Sketch portrait of Hugo with heartbeat monitors in the background. Sketch portrait of Hugo leaning on his hand, wearing a pinstripe suit. A Hugo with cartoony proportions with his arms out, lightning and red scribbles crackling behind him. Cropped sketch portrait of Hugo - his glasses are only partly visible. He holds a pen to his mouth in a very Freudian way. A two-panel comic page showing hugo looking down over the spiralling, maddening staircases of Arkham. Portrait of Hugo from Prey, in his smoking jacket with a nice glass of whisky. A buff Hugo with a baseball bat, in his fake Batman costume. Strange sketch of Hugo holding a scalpel to the 'camera'. What we see seems to be cracked and slightly bizarre. The ink is white on black creating a slightly psychedelic effect. A chibi Hugo on a red background, sitting cutely. A painted portrait of Hugo, specifically the Gotham live action version. Hugo in his silly parka, again from Gotham. Low angle drawing of Hugo in a trenchcoat) holding a hand out in a looming, ominous cityscape (implied to be Arkham City). Hugo in Prey overlooking the Gotham skyline from his floor-to-ceiling apartment window. Hugo in a cozy dressing gown having a mug of tea. Hugo painting nails on a mannequin's detached hand. A neon sketch of Hugo, lounging in his Batman cosplay in the 'Alone on a Friday Night' meme pose but looking sad in spite of the bulge in his pants. A text caption reads: 'All alone on a Friday night... God, I'm pathetic.' Hugo in his trenchcoat from the Arkham City comics, his face dramatically shadowed. Side-view portrait of Hugo in a loose, smoky sketch style. He smokes a nice big fat cigar. A sharper portrait of Hugo with dramatic shadows. 3-panel of Hugo grinning and holding a gun to the viewer - gradually it appears from the change in angle that the viewer has dropped to their knees. Chibi Hugo in bed cuddling a Batman plushie. Hugo has a cup of coffee wearing a leather jacket. Hugo tunes his pocket watch, a spiral in the background. Hugo sits to one side with a swirl beside him. He is very lonely. Hugo in a check suit from the waist up. Messy sketches of Mat as Manikin - the first instance of their cross-shaped armour and lingerie. In the first sketch they hold knives and dangle from wires like a puppet. In the second sketch Hugo stands behind them and holds them close whispering in their ear. In both cases they look exhausted, blank and mindless. Mat and Hugo with interlocked arms. Mat has a gun, Hugo has a syringe. A heart is behind them in a grungy abstract background. Mat kneels in lingerie before Hugo, sitting above them and holding their face. They gape at him mindlessly. 3-panel comic. A TV and a Playstation. On the screen is the Psycho Mantis scene from Metal Gear Solid where he moves your PS1 controller by vibrating it. 'Now, put your controller on the ground', he says. But the player has their controller in between their legs like a vibrator. As though he can see them, he repeats, 'On the GROUND.'. Hugo grasps the chin of a hypnotised, drooling Mat, whose arms are tied to their own bondage harness. Hugo whispers to Mat, 'How helpful of you to provide your own restraints.'. Two sketched panels: Hugo and Mat are spooning in bed, under the covers. Caption: 'They're being cute! But what's underneath?' Underneath, Mat is restrained and gagged, listening to brainwashing audio. Caption: 'Ah, certified sicko mode. Carry on.' A 3-quarter bust portrait of Mat in their trademark turtleneck and bondage harness, akin to one you might find in a fighting game. 4-panel comic. panel 1: black screen, text only. person 1: 'if my understanding is correct, dr. [redacted]} you advocated strongly for the exclusive usage of our own operatives as test subjects. despite the risks to their physical and mental wellbeing. why? person 2: well, ma'am, if my understanding is correct, you would prefer we cracked a few of the enemy's eggs. except then, should any birds fly the nest, they've got our recipe. what then? title (in different, monospaced font): ACTION MEN IN PERIL panel 2: silhouettes of people surround a restrained man being jacked off by someone who holds 'subject notes' in the other hand. another silhouette behind him prepares a syringe. panel 3: a reverse shot of panel 2 with everyone silhouetted. a viewing window shows another silhouetted figure standing at the centre. the restrained man: please-- stop-- no more -- moRE -- MORE -- AH-- panel 4: dr. [redacted]} his face half in shadow, speaking into an old style microphone. he has a slight smile and a thought bubble shows him thinking about the sights in panel 2. "our experiments, like the rest of our operations, were essential for international security. ONLY our men could possibly have been involved.". Hugo and Mat have swapped outfits. Hugo is in a turtleneck and leather harness, with shiny leather gloves. Mat is in a three piece pinstripe suit, oversized for them. Panel 1: a lecture theatre. Hugo is standing at the foot, delivering a lecture. "That concludes today's lecture." Panel 2: Hugo holds the door for exiting students. "thank you to all those brave enough to volunteer today." Panel 3: Hugo blocks exit for mat, my self insert. "a moment, please. You realise my classes can't be audited?" Panel 4: close up of mats face. Mat says, "I'm sorry. I know. Registration was full. But your class was my first choice... my only choice, actually." Panel 5: the two of them face to face. Hugo: "how single-minded of you. Not the best approach for a college education. But then, that's not why you're here, is it?" Panel 6: Hugo snaps his fingers and grabs Mat by the head. "in fact, don't tell me. Sleep for me instead." Panel 7: Hugo holding mat gently by the back of the head. They lean on his chest, arms limp and blank faced. "you can tell me who you work for soon enough. But first..." Hugo's hand points towards a drawing. It's mat tied up in some bondage. Red lines indicate muscles and blue lines indicate bones, variably displayed throughout the drawing. He says, "and there's another hole I've been inside... and there... You were sedated for that one, so you probably don't remember..." Mat sits in lingerie in front of a mirror, Hugo behind them. He ties their 'corset' style collar around their neck. Mat smiles up (presumably at Hugo), wearing their new collar with the twinkle of the most utterly brainwashed love. An ink sketch comic. Hugo pours tea for Mat, saying, 'I've poisoned your tea, but you'll drink it for me anyway, won't you?' The words echo in Mat's background ominously; they bare their teeth. But, in the subsequent panel, they drink up. Caption: Of course. Without question. Hugo says 'Good. Now swallow and show me the cup.' Mat shows the cup is now empty. A full-page comic panel. Hugo walks with an arm around Mat who is blushing profusely. A swirly heart comes from them, indicating their arousal. Hugo: 'You trusted me that it was poison, and you were unable to resist drinking, even at risk to your life. You're blossoming into quite the perfect puppet. Have you figured out what I actually put in your tea? An ink sketch portrait of Robert California, with a swirly background. A black and white ink sketch redesign of Vox to be edgy, buff and vaguely 90s/y2k. He has a thick iMac style head with the speaker being his mouth, and spiky TV satellite shoulderpads. One arm has a power glove, the other has claws made from lightning. He has on a half-wrecked suit jacket giving big wrestling promoter vibes, and a chain necklace made from connection cables, as well as a cable knit sweater. He has a belt displaying live statistics (TV ratings) and skinny jeans. A series of concepts for Vox's genitalia, with close-ups of the examples. HDMI: Classic, reliable. One of the highest fidelity ways to get fucked. VGA cable: a POV shot of tightening the cable in an anonymous character's pussy. They exclaim, 'it's-- it's stuck!' to which Vox replies 'Just securing the connection, babe.' Another version is the red, white and yellow RCA cables. Interchangeable ports, less fiddly than the real thing. Small enough for ear fucking! Retractable with a button like one of those vacuums. There is a sketch of Vox plugging one cable into a hypnotised anon's pussy, another into their ear and one in their mouth. The final option is a shiny latex black version, with a screen on top like a smartwatch or The Bad iPod. it is seen with a spiral display hypnotising an anon. Cocknosis potential. He sells an equivalent as a VoxTek smart cockring. You can suck him off and play Candy Crush at the same time. it's a little robot! he wears a propeller hat. he is sitting on a circle covered in grass and flowers, with bugs around him. he has a picnic blanket and a plate with a jam sandwich. the background is abstract with cartoon clouds and sun. Design notes for Fisheye, my hazbin hotel oc. One drawing notes the barcode marking on their chin with the number VXTK69. caption: “fisheye is barcoded after signing with vox. Previously their chin has teardrops a la prison tattoos/the classic mat snakebites/blood dripping from chin. Their collar can also hide their direct affiliation with vox.” Another drawing shows their initial teardrop pattern on their chin. Another drawing shows fisheye hypnotised by vox, with red concentric eyes and pupils matching vox’s, blood dripping beneath the barcode. They are collared with the chains of their soul contract. Their stripes have been washed out in white. Caption: “when under vox’s control, fisheye loses the black in their palette (pilot fish can change colour in heightened sensory states). Their ruff collar and fishhook earring can emote depending on their current state.”. A gift for my partner, depicting their Hazbin Hotel angel OC, Harmony. Harmony has a pastel colour palette, a blue swirl for hair, big glasses and glowy rainbow wings. my hazbin ocs, max and mat. max is embracing mat in a hug, who is much smaller in stature and has literally been lifted off the ground to achieve this. max: you fucked shit up before they got you, i hope. mat: i thought i'd never see you again (heart) mat: ... so. since i died an adult-- max: it's still a no. sorry, kiddo. A messy sketch of Chairman Rose from Pokemon Sword and Shield. It's vox and my oc fisheye. He holds them in his lap on a chair, dribbling blood into their mouth from the dead pixels on his screen. They are transfixed by his hypnotic eye. black and white sketch. aligned with a famous shot from the movie secretary, vox has his assistant demon bent over his desk, poised to spank him. Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Fisheye. In the second mirror, Fisheye is on Vox's complex, with VoxTek logos and onlooking tentacles reaching out to them. The captions read: 'It's you!' and 'Despite everything, it's still you.' Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Manikin. The second mirror is one of Hugo's ornate antique mirrors. The captions read: 'It's you!' and 'Despite everything, it's still you.'

erotic & nsfw works

all things sexy and ego dissolution. my kinks do tend to show up in my sfw art too, but this is where things get really id-driven.

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individual pieces

Superhot fanart. Polygonal black and white digital portrait of a SUPERHOT player, wearing their VR headset. It is leaking a black fluid containing the text of the game's mantras, 'mind is software body is disposable the system will set me free'. Molotov from Venture Bros wearing an all-white outfit reminiscent of Elle Driver from Kill Bill. She poses and holds a parasol Hugo holds my tranced-out self-insert in his arms. POV shot (black and white paint/sketch). Minami from RGG lying shirtless, clearly having been cut up. Nishitani (offscreen) is digging a knife into the surface of his chest, while gripping his cock with the other hand. Majima is holding a knife to his throat. Mat Finish being choked and fucked by Charles Foster Offdensen offscreen. The drawing is black and white with harsh red accent lighting. Mat is stroking their clit with an enamoured, vacant look on their face. Charles looking down on someone with a serious look on his face. One arm reaches over. The drawing is black and white with harsh red accent lighting. Drawing of Evelyn Deavor from the Incredibles 2 in her own mind control goggles, naked and fucking herself. The background is psychedelic superimposed spirals similar to the ones she actually uses. Ryu Ga Gotoku fanart, inked with a painted, realistic colouring style. In low light, Watase is shirtless and tied up by Katsuya, who's in a suit. Katsuya grasps him by the throat and kisses him on the cheek. Watase's tattoos are on display. Black and white ink sketch. Man in a straitjacket behind bars sucks on a dildo slipped between the bars, held by a mystery person. Offscreen, the person holding the dildo says, 'subject almost ready for live trials'. Black and white ink portrait of Mat Finish, face covered in cum, smiling up at an unknown person (implied to be Hugo Strange, since they are wearing the lacy collar he gives them in my Hugo/Manikin timeline). Background is a thin spiral. An inked piece with blue and orange lighting. Mat stands horrified and teary in a corset, lingerie and lacy collar. Behind them, Hugo Strange (in a suit) smiles while he twiddles one of their nipples and holds them by the shoulder. Black and white ink sketch. Hugo and Mat are fucking on a bed, with Hugo's legs enveloping Mat. We can see his sexy sock garters. Mat is bunched up with their legs up. Hugo covers Mat's mouth with one hand and holds them with the other. Mat is saying 'please, please, plea--' but Hugo replies 'dolls do not speak without permission'. Mat on their knees in the Manikin lingerie, sucking on Hugo's fingers (Hugo is offscreen so we just see his sleeve and hand). Black and white ink drawing - mostly light ink on a black background, creating a dreamlike quality. Upper shot with a lot of the background of Hugo's office, with a big bookcase and glowing sconce light. Mat is naked and lying on a fainting couch. They are hypnotised by Hugo (mostly in shadow) with a pocket watch. He strokes their pussy. It's Vox in his TV room with a mystery demon (Fisheye, my OC) suspended by wires to the ceiling, with a big spiral playing on a ceiling monitor. They're transfixed and filled with wires - in their mouth, ears, and the socket on their groin. The atmosphere is gloomy. it's my oc getting fucked by 'eldritch' vox, with multiple screen 'heads', and whose body is just a mass of glowing blue/black wires, gills and shark muscle. there are cameras and screens all around them, they're restrained by his wire tentacles, and there is the classic hypno tentacle displaying vox's spiral right in front of their eyes, entrancing them. their nipples are being stimulated, their mouth full, their ear fucked. they have a port at their crotch with a huge 'cable' plugged into it, and a glowing voxtek 'womb tattoo' (though whether they have a womb is questionable). It's my hazbin oc fisheye getting earfucked by a shiny black, dripping tentacle. Blood drips from their mouth and their eyes are red. A red graphical starburst in the background explodes out of their ear. Their usb port nipples are on full show! it's eldritch vox and fisheye in a vague, glowy, glitchy environment. he only has the one head, a pulsating spiral screen. fisheye is tied up in vox's many many cable tentacles. their voxtek womb tattoo is visible. they're grinning and bleeding from the mouth. blood lines/dead pixels bleed down from vox's tentacles. Bust and full body of my OC Fisheye with their major details on show. They are black and white and stripy like a pilot fish. They have a barcode on their chin, sharp teeth, and complex facial markings. Their hair has a white 'halo' behind it (really more like an anglerfish bulb) and floats off as though perpetually submerged in water. They wear fishhook earrings and have sharp ears. The full body drawing shows their markings, a VoxTek womb tattoo, electronic port nipples and pussy, and sharp claws, as well as fins running all over their body. it's otto mentallis from psychonauts having a 'private moment' with a brain in his lab. that is, fucking it. he's leaning back in a big chair, with the brainframe looming behind him. this version has a pink/green/blue colour palette with a lot of hues having been flipped from his normal palette. it's otto as in the previous image, but in his canon colour scheme! It's Vox from Hazbin hotel! He's naked, with glowing nipples and an erect cock dripping glowing blue cum. The angle is positioned so the viewer is lower than Vox and as close as possible to his cock. Hugo and Mat in a fantasy autumnal scene, with some art nouveau stylings. The sun beats behind Hugo's head, angelic. Hugo is in his labcoat and holds a syringe, dripping an unknown red substance that turns into leaves. Mat's legs and arms are spread out; they are sweaty and naked save for a bondage harness. Hugo holds one of their eyes open - swirled, brainwashed. They have a surgery scar on their forehead. An addled, hypnotised Mat grasps onto an offscreen pair of legs. The legs belong to Otto Mentallis who in the next panel is smiling down on them. The background is gloomy and grey, spiralling... very unlike the actual rainbow of colour in his source material. Otto is hard, a clear tent beneath his pants. The hypnotised Mat begins to unfasten his trousers. But, Otto says, 'wait', grasping onto Mat's face. They drool from their mouth, with spirals in their eyes. He snaps his fingers to bring them out of trance. Mat, looking flustered and annoyed, sits in front of a cross-legged Otto, who is smirking ominously. One-page comic, inked and coloured in neon greens and reds. A Joker strongly based on the twinky one from Harleen gets socked in the mouth by what seems to be Batman's hand, blood exploding from his mouth. Joker, unimpressed, says 'Nope. Got nothing from that. Maybe don't quit your day job... oh wait. hahaha! Offscreen narration: 'I can put him worse places than Arkham. I can do what Wayne never could.' We now see that Joker is wearing no pants and is straddling his 'Batman', actually Hugo Strange dressed up as such (his beard is visible). Hugo holds Joker's throat. He squeezes Joker's throat, prompting Joker to make gagging noises. We see Joker's cock ejaculating. Offscreen narration: 'Correct the world. Permanently. By my fists. Hugo exhales. Joker says 'Hey!! I never said stop!' Title: Dollthing #1. A three panel comic strip. Panel 1: 2015. A faceless hairdresser points a mirror at the back of the protagonists head. They say, 'looks lovely, doesn't it? You're very brave, having it all lopped off'. The protagonist with the classic teenage transmasc bomber jacket, says, yeah, thanks. It looks great. They don't look enthused. Panel 2: 2022. a shadowy hallway. Protagonist is sobbing with lines of hopeless thought/mumbled desperation behind them in the mirror like they can't get a mastectomy and they'll never get on t. They are buzzing all their hair off, wearing a garbage bag tunic to catch the hair, though much of it is instead on the floor. Panel 3: 2024. Protagonist with shaved head in lingerie, taking a mirror selfie in a changing room. Thought bubble: it is doll! Of course! It is so simple! Dollthing #2. 2 panel comic. Dollthing is holding a lamp and its cable looking confused, in the dark. Offscreen someone says 'bottom!' Dollthing replies, 'yes?' Before realising they meant the base of the lamp. 'Oh.' They switch it on. it's dollthing #3! a two-panel comic. the titular character stops by a mirror and takes a moment to admire themselves. 'this face was made for the brainwashing chamber <3' Panel 1: Dollthing and Hugo Strange in matching lab coats, with a black background. They stand behind a subject with their skull sawn in half, brain exposed, bleeding profusely. Dollthing injects something into their brain. Dollthing: I modified the formula. This one should make the subject more docile. Hugo: good. Let's see it. Panel 2: Hugo, standing, head out of view, has Dollthing hypnotised with a pocket watch, while they jack him off through the fly of his suit pants. Dollthing wears some lacy lingerie, but is still bespectacled, to absolutely no effect (the pocket watch is too high to be seen in the lenses of their glasses). Hugo: my... Our other subjects could learn a lot from you. ❤️ TITLE: DEPRAVITY COMICS. The title is bleeding, and the picture is a full-page drawing in black and white ink. (All pages, including this one, are inked sharply in black and white.) It's night in Gotham, the full moon is out, and Hugo Strange is out on the rooftops dressed as Batman, proudly standing with hands on hips. His cowl envelops an androgynous adult dressed as Robin and saluting the camera, but holding a machine gun. SUBTITLE: Introducing MANIKIN. Hugo Strange's toy wonder! CONTENT WARNINGS: - Sexual abuse - Transphobia - Violence and torture - Brainwashing spoken about, like, incredibly lovingly Mature audiences only! DISCLAIMER: A Serpentine Malign Design. Transformative work, not for profit. NARRATION: I didn't always believe in a god. Not until he made me from scratch. FULL PAGE PANEL: Manikin is now kneeling invitingly in lingerie and stockings upon a tiger print rug, next to two other objects (houseplant and ottoman). They have plastic joints like a doll. In the lavish/tacky mirror behind them, Hugo Strange in a dressing gown, wielding a baseball bat. NARRATION: Six months ago. Valentine's Day. PANEL 1: Manikin in darkness, with a black eye and a bleeding nose. They wear a shock collar and are harshly lit against a light panel. OFFSCREEN: 'Fascinating.' PANEL 2: A hand gropes Manikin's crotch area - they're naked from the waist down. OFFSCREEN: 'Here I thought Falcone's men were all... well.' PANEL 3: Close-up on Manikin's bloody face, eyes cut off by the framing. OFFSCREEN: 'No matter, hm? Your instinct was right. Just not your destination.' Panels, in darkness. PANEL 1: Hugo standing in a light doorway. He's holding something. 'Who else knows you're here?' PANEL 2: Close-up of what he's got in his hand: a shock button. 'Answer quickly, now.' PANEL 3: Manikin's bloody face, defiant and disdainful. 'Fuck you,' they reply. PANELS 4, 5: Close-up of Hugo's mouth, then him pressing the button. 'A shame.' PANEL 6: Manikin is shocked, lightning surrounding them. Their eyes roll back and they sweat profusely. PANEL 7: Hugo in the doorway, smiling. 'I hate to damage perfectly fine goods. So let's try again.' PANELS 8, 9: The same profile shot of Manikin, sweat dripping off their face. In the second panel, they're smiling, saying 'You don't know who I am, do you? PANEL 1: Hugo, silhouetted in the foreground, observing a glaring Manikin, who we now see is straitjacketed and restrained against an odd set of panels that seem more German expressionist, form over function. They're hooked up to a machine that seems to be measuring their vitals... or delivering the shocks, like an ECT machine. The speech bubbles weave around Manikin. HUGO: 'Why, yes. You are probably orphaned, but certainly lacking a stable father figure. You are attempting to craft one inside yourself. Quite impressive on your own, truly. You turned to men like Falcone to validate your efforts. He made you feel useful. Filled the hole inside. For years you have associated PLEASURE with the pain of contorting your body into weaponry. You hope this will prevent you from going insane.' PANEL 2: This panel is smaller than the other. Close-up of Hugo's grinning face, along with spiral flourish behind him. He says, 'But let me ask you this. Do you know today's date?' PANEL 1: Manikin, with some weird cables behind them that absolutely look like fucking. Whether the fucking is Hugo with his dolls, or Falcone and Manikin, is up to the reader. 'Valentine's day,' they reply. 'He knew you'd be alone then.' PANEL 2: Hugo, silhouetted, shocks Manikin again, depicted as just a mess of scribbles of lightning. 'How interesting. And wrong.' PANELS 3-6: Shots of Hugo which get increasingly close to his face. He is holding a glass now. These panels envelop a shot of Manikin from behind, who envisions the interrogation as being at gunpoint. 'Do you remember being here before?' 'No.' 'How I captured you?' 'No.' 'Your name?' 'No.' (This speech bubble is smallest and most claustrophobic of all.) PANEL 1: Offscreen/past: 'Then, allow me to help you remember.' Darkness. Hugo's full-moon glasses are visible. Stars and thin spirals in the void. A metronome ticks, ticks, ticks. Caption: 'Before?' PANEL 2: Manikin's face with open mouth, looking a lot more docile, cupped by Hugo's hand. The rest of him is offscreen save for possibly his legs. Curtains fall behind them. PANEL 1: Hugo's 'therapy room', with the metronome visible in front of him, silhouetted (only his glasses are lit). The whole room is bleeding with ink, including a fanciful column with liquor and serving glasses on top, and that tacky mirror that was visible on the first page. HUGO: 'Memory loss is an INEXACT science.' PANEL 2: Manikin, eyes shut, looking down, back in the interrogation room, straitjacketed and hooked up to cables. They are surrounded everywhere by the mantra 'Not a person. Just a doll.' PANEL 3: Close-up of one half of Hugo's face, smirking. 'It's easier if the mind has something to fill the gaps.' PANEL 4: Manikin, distraught and close to screaming, still surrounded by the mantra. It's as though they need to yell over the noise in their head. 'What did you... what did you do to... WHAT DID YOU DO TO IT?!' PANEL 1: Closeup of Hugo's face, eyebrow raised, nothing behind him. He grins malevolently. ''IT'?' PANEL 2: Manikin open-mouthed, nose bleeding. Eyes cut off by the panel once more. PANEL 3: Manikin's face, much smaller in the frame, surrounded by darkness save for the panel they're restrained against, now somewhat coffin-shaped. They are distraught, not quite sure how this is possible. 'It-- it means... it's...' PANEL 4: Close-up of Hugo, showing his forehead down to his nose. His glasses are classic anime glasses - they reflect all the light, while his eyes are invisible. The background is completely dark. 'Stop fighting. Accept it and find peace.' PANELS 5-7: Various shots of Manikin accepting their training. Caption, repeated across each of these panels: 'Not a person, just a doll.' The first is a closeup of them looking vacant, seductive, wearing the lace collar they wore with their lingerie. Their eyes water, and Hugo's hands (wearing signet rings) cup their face and neck. The caption here covers their forehead. The second is Manikin sitting in Hugo's closet, surrounded by rejected plastic dolls. They are posed awkwardly as though discarded like a ragdoll, and they listen to their mantras through a tape recorder. The caption here covers their mouth. The third is Manikin aiming a gun at their prior employer, Don Falcone. The caption here covers their entire face. PANEL 1: Pulling out from the last shot of the previous page, another shot of the same action, Manikin aiming the gun at Falcone's head. The Gotham night skyline looms through the floor-to-ceiling window, while the frame is enveloped by thick curtains, pulled back with spiral clasps. Three boxes sit in front of him, labelled 'Mar', 'Apr', 'May'. Something looking like... hair? pokes out of each box. We now see Manikin's other hand holds a phone to Falcone's ear. HUGO (OVER THE PHONE): 'Thank you for your GENEROUS gift, Don Falcone. Please accept this gift of my own: that some weak links have been excised from your organisation... and that I have not directed ONE OF THEM to dispatch everyone in the building.' PANEL 2: Close-up of Falcone, frowning. Hugo, over the phone: 'Now, I trust that you'll leave us to our peace.' PANEL 3: The same close-up, but Falcone now looks more defeated. He replies: 'Consider our business terminated. But... one favour.' PANEL 4: Hugo, in darkness, sitting in his big armchair atop his ugly fucking tiger rug. He talks on his home phone. 'Yes?' PANEL 5: Top-down view of the contents of the boxes, on Falcone's polished wood desk. Confirmation that yes, they are indeed severed heads. FALCONE: 'Get these fucking heads out of my office.' PANEL 1: Hugo and Manikin, cuddling on the couch, a houseplant behind them. Manikin's mouth is out of shot. HUGO: 'It's your six-month anniversary, Manikin. That feels good, hm?' MANIKIN: 'Yes.' PANEL 2: A new shot of the same scene. Hugo tilts Manikin's chin. 'How fortunate that you fell into my lap.' MANIKIN (SMILING): 'Yes.' PANEL 3: Close-up of a lovestruck Manikin. They literally have heart pupils! HUGO: Come to bed. MANIKIN: 'YES.' (the speech bubble is a heart, even!) PANEL 4: CAPTION: 'Then.' It appears we've stepped back in time. A top-down shot of Hugo and Manikin in the 'therapy room', once more. Hugo has the metronome setup. Manikin reclines on the couch, naked, saying, 'I keep having this dream.' PANEL 1: Nearly takes up the entire page. The dream world, swirling with shadows. A chandelier hangs above. Manikin is literally a doll in a box, tied up with plastic cable ties with a 'try me' slit between their forcibly spread legs. A smile is plastered on their face. Hugo is in the foreground, approaching the doll box. OFFSCREEN: 'In the dream, I'm a doll. Looking out at the world through a plastic window. And you're always there. In the dream. Ready to try me.' HUGO: 'Well, a MANIKIN is a tutoring instrument. A tool with purpose. Much like a gun. Is a DOLL closer to your self-image? a NEEDLESS PLAYTHING? PANEL 2: Close-up of Manikin's smiling dollface, idealised. They seem to be wearing makeup, and a spiral is behind them. 'Dolls have more fun than weapons.' HUGO (OFFSCREEN): 'Then...' Full-page panel. It appears they have indeed gone to bed. Hugo sits Manikin atop his lap on the bed, cupping their ass in one hand and holding the small of their back. with the other. They embrace him with their arms, wearing lacy lingerie. The spiral of the previous panel is in the background, as are two discarded manikins behind the bed, both of them headless. OFFSCREEN: 'A doll you shall be.' END. one-page inked comic. panel 1: hugo strange has an arm around my self-insert, mat/manikin. he's speaking to deathstroke, whose arms are folded. hugo: 'though i have taken much care to secure the doll's subservience, its combat practice is unfortunately lacking, at least in my hands. so i would like you to spar with it. give it something deadlier with which to contend.' panel 2: deathstroke alone, same pose. 'and you don't mind if your doll gets broken?' panel 3: hugo and mat, same pose. hugo: 'its life, if you can call it that, is precious to me. but your training will keep it in peak condition. do anything short of murder if it makes the body stronger.' panel 4: montage of mat and deathstroke in combat training. deathstroke has the upper hand and puts a gun to mat's head. hugo voiceover from the previous scene: 'a word of advice. your usual methods of discipline may fail here. it is a shameless masochist. i had no interest in treating that proclivity when it made them easier to control. so, i'd rather you used it to your advantage. train out its weak points and reward it however makes it respond the best.' panel-in-panel: mat's bloodied face looking blissed out. they usually wear full-moon shades to match hugo's glasses), but they are broken here. deathstroke, again voiceover from the previous scene: 'that shouldn't be a problem. if anything, i'll enjoy having it around.' underneath the panel-in-panel is a close and personal shot of mat orally servicing deathstroke. their arms are tied. Black and white/grey ink sketch of Art the Clown, his face and clown suit splattered with blood. Black and white digital charcoal portrait. Hugo and Mat are doing ballet together. Dirty digital ink sketch with huge raked ink brush. Hugo whispers sweet nothings to Mat. A black and white gloomy 'portrait' of Hugo, sat presiding above his dolls Mat and Dollthing (draped over each other). A mirror looms behind them like a picture frame. A full-colour picture for a loved one, Star, a green-haired sweetheart! The Toymaker from Doctor Who (Neil Patrick Harris version) grasps their chin in his toyshop, leaning over his counter. Rough black and white sketch. Hugo kisses Mat's hand. Swirling ink portrait with abstract squiggly background. Mat in dramatic lighting, unseen hands touching their head and grasping their chin. Black and white sketch. Hugo and Mat cuddling on a couch, but the atmosphere is gloomy and forlorn. Black and white Yakuza 0 sketch with spiralling purple backdrop. Shimano tilts the chin of an exhausted, frightened Majima with a malevolent smile. Full colour ink/paint. Pegasus from Yu-Gi-Oh leans over a dead-eyed Kaiba, on a pretty red chaise longue. They are holding hands. Unfinished black and white sketch. Hugo sits with a glass of spirits in one hand and an arm round Mat, who is sitting in his lap wearing a Playboy bunny costume. Full colour. Hugo AS one of his lingerie-clad manikins, in a mildly suggestive pose. An ink sketch with Mat standing and smoking a cigarette. The ink is bleeding into shapes creating 'wings' behind them. Fisheye, the version of Mat belonging to Hazbin Hotel. Fisheye is a pilotfish demon, covered in mesmerising black-and-white stripes. They have a fishhook earring and flowing, 'underwater' style hair. A simple ink sketch portrait of Mat, smiling up at the camera. A simple reference sheet of Mat. mat has pale skin and brown undercut hair with bangs in the shape of an 'm', with lighter brown highlights towards the front of their hair. they have grey-brown eyes. they wear full-moon reflective shades and sometimes also have snakebite piercings. most of their clothes will be muted, greyscale or black, including when they're in lingerie. they are 5'7 and have a toned, light and masculine build. Outfit variation references for Mat - lacy lingerie and skimpy combat armour for Manikin, and a psychedelic colour scheme where they are blue for their Psychonauts version. A limited palette, inked 'collage' style of psychedelic interlocking patterns, half-there shapes (cat's eyes? snake eyes? flowers?), with Mat sitting in the middle smoking a cigarette and striking a cute pose. A black and white sketch of Max, a raven demon OC for Hazbin Hotel. Max's outfit is themed on cassette tapes with some nautical themes as well, and he has plastic tape tentacles. He also has notably a head of white hair (or perhaps additional feathers!) on top of his raven feathers. Hugo and Riddler in the Reevesverse. Hugo has a Giancarlo Esposito look about him, since he hasn't been cast yet. Riddler is in Arkham uniform; Hugo is injecting him with an unknown substance. A big buff Hugo in a cute catboy maid outfit holding a tray of drinks. Mat Finish, painted in green and red. An inked sketch for the Marlowe Lune Modern Gentleman redraw competition - a beautiful 20s-style trans man posing artfully with a cigarette holder and nice sock garters. My own take is black and white with lots of interlocking 'unreal' patterns. Greyscale sketch of Vox and Fisheye together in Vox's TV/surveillance room. Vox is much larger than Fisheye! caption: summary of my week (god i was meant to draw fucking machines this week). the author holding a game console controller being embraced by a grim reaper type while staring blankly forward. in the background, letters forming the word 'THE DISHES' in a melty style. a captioned panel, with the following text (black on a white background): "despite my first finished comics being autobiographical and mental health related, i've never actually published any of the sort. thanks to my own damage, i was discouraged by a meme post about cringy comic sins. like porn comics with sexless art styles, ugly political cartoons, and... this 'overdone' panel in every depression comic.' (the panel in question: a featureless person face down in a black void.) inside the same void, the following text: "but why can't we share our heavy-handed, 'clichéd' processing art? why does it carry less value for being unoriginal? isn't that the point - to connect to a human universal and desperately hope to be recognised? like, the metaphor we reach for in a crisis isn't going to be the clever, beautiful one. it's the pot noodle at the back of the cupboard. and that's how you survive to the next one." 3 panel ink comic. Panel 1: Hugo and Mat sit on a plane. Mat sits with headphones plugged into a cassette player. An attendant asks, 'Can I get you anything? Snacks, drinks?' Outside the panel is a caption of, presumably, the tape recording: 'And when we reach our destination, you will be mine.' Panel 2: Close-up of Hugo and Mat in the background. In the shadow of Mat is various brainwashing/hypnotic mantras around blank docility and obedience. Panel 3: Close-up of Hugo and Mat's hands, holding under the foldaway table. Hugo: 'Thank you, though.' Outside the panels again, the caption 'You are nothing until I tell you what to be.' A digital colour portrait of Megaera from Hades, with bright neon colours - her armour is outlined with a neon glow. A digital ink sketch of Charles Foster Offdensen from Metalocalypse, from the chest up. He rests his head on his closed fist. Sketch of Brock Samson, covered in blood in the outfit the Bride wears in Kill Bill. He is holding keys to the Russy Wagon. Sketch of Brock and Molotov from the Venture Bros. They're dressed as the Bride (Brock) and Elle Driver (Molotov) - Molotov holds a katana to Brock's throat while Brock has his Bowie knife to hers. An early reference sheet for Mat Finish, including them in a bondage harness and with painted toenails Bunny Lebowski style. Portrait of Mat, shirtless save for a bondage harness and lying on their stomach in a seductive posture. They cover their head partially with one hand while they lounge on a couch. Sketch of Majima and Minami from yakuza. Majima grins, holding a knife to Minami's throat while he holds his head in position. Minami, shirtless, blushes in anticipation. Sketch of Sagawa and Nishitani from Yakuza 0. Sagawa chokes a bloodied Nishitani while fucking his ass. Nishitani seems to be having fun. Sketch of Shimano and Sagawa, kissing while holding guns to each other's necks. Shimano grips his own huge cock in his other hand. Sketch of Shimano and Majima. Shimano eats out Majima's pussy (Majima is fairly young, probably just after the events of 0). Two sketch portraits of Hugo side by side - one in a sharp suit, one in a nice turtleneck. Sketch of Shimano and Majima. The sketch is unfinished but the places their tattoos should be are marked. The frame cuts off where their eyes would start, so you can just see their mouths kissing and a little of their noses. Shimano grips Majima's shoulder. Sketch of Herbert West and Carl Hill. It's top-down and mostly focused on a vulnerable Herbert, strapped to an operating table. Carl has his own severed head balanced bloodily on, presumably, his own torso. Carl's guts are wrapped around Herbert's torso and neck bondage-style (the same as in the last scene of the first Re-Animator film). Herbert is sweating, aroused, appears to have been lobotomised judging from the bloody bandage on one of his temples. Reevesverse Riddler is posing for a selfie with a bound-up, beaten and stripped Mat Finish. A messy colour sketch of a bloodied Malik Ishtar. A colour sketch of Noho Hank from Barry, in neon colours. Three panel sketch comic. Hugo is tending to a comic Riddler's wounds. Riddler looks with trepidation at Hugo's t-shirt. It says 'I like people on the table open'. Colour sketch portrait of Pegasus from Yu-Gi-Oh, his bangs curling dramatically over most of his face. Sketch portrait of Hugo with the moon out. He is wearing a suit and strokes his chin. Sketch of Mat kneeling, bound and blindfolded They smoke a cigarette. Silhouettes of cocks surround them akin to a firing squad. A drawing of Hugo like one of my French girls. He sits seductively holding a pen bleeding big Rorschach inkblots on the backdrop behind him. Sketch portrait of Hugo with heartbeat monitors in the background. Sketch portrait of Hugo leaning on his hand, wearing a pinstripe suit. A Hugo with cartoony proportions with his arms out, lightning and red scribbles crackling behind him. Cropped sketch portrait of Hugo - his glasses are only partly visible. He holds a pen to his mouth in a very Freudian way. A two-panel comic page showing hugo looking down over the spiralling, maddening staircases of Arkham. Portrait of Hugo from Prey, in his smoking jacket with a nice glass of whisky. A buff Hugo with a baseball bat, in his fake Batman costume. Strange sketch of Hugo holding a scalpel to the 'camera'. What we see seems to be cracked and slightly bizarre. The ink is white on black creating a slightly psychedelic effect. A chibi Hugo on a red background, sitting cutely. A painted portrait of Hugo, specifically the Gotham live action version. Hugo in his silly parka, again from Gotham. Low angle drawing of Hugo in a trenchcoat) holding a hand out in a looming, ominous cityscape (implied to be Arkham City). Hugo in Prey overlooking the Gotham skyline from his floor-to-ceiling apartment window. Hugo in a cozy dressing gown having a mug of tea. Hugo painting nails on a mannequin's detached hand. A neon sketch of Hugo, lounging in his Batman cosplay in the 'Alone on a Friday Night' meme pose but looking sad in spite of the bulge in his pants. A text caption reads: 'All alone on a Friday night... God, I'm pathetic.' Hugo in his trenchcoat from the Arkham City comics, his face dramatically shadowed. Side-view portrait of Hugo in a loose, smoky sketch style. He smokes a nice big fat cigar. A sharper portrait of Hugo with dramatic shadows. 3-panel of Hugo grinning and holding a gun to the viewer - gradually it appears from the change in angle that the viewer has dropped to their knees. Chibi Hugo in bed cuddling a Batman plushie. Hugo has a cup of coffee wearing a leather jacket. Hugo tunes his pocket watch, a spiral in the background. Hugo sits to one side with a swirl beside him. He is very lonely. Hugo in a check suit from the waist up. Messy sketches of Mat as Manikin - the first instance of their cross-shaped armour and lingerie. In the first sketch they hold knives and dangle from wires like a puppet. In the second sketch Hugo stands behind them and holds them close whispering in their ear. In both cases they look exhausted, blank and mindless. Mat and Hugo with interlocked arms. Mat has a gun, Hugo has a syringe. A heart is behind them in a grungy abstract background. Mat kneels in lingerie before Hugo, sitting above them and holding their face. They gape at him mindlessly. 3-panel comic. A TV and a Playstation. On the screen is the Psycho Mantis scene from Metal Gear Solid where he moves your PS1 controller by vibrating it. 'Now, put your controller on the ground', he says. But the player has their controller in between their legs like a vibrator. As though he can see them, he repeats, 'On the GROUND.'. Hugo grasps the chin of a hypnotised, drooling Mat, whose arms are tied to their own bondage harness. Hugo whispers to Mat, 'How helpful of you to provide your own restraints.'. Two sketched panels: Hugo and Mat are spooning in bed, under the covers. Caption: 'They're being cute! But what's underneath?' Underneath, Mat is restrained and gagged, listening to brainwashing audio. Caption: 'Ah, certified sicko mode. Carry on.' A 3-quarter bust portrait of Mat in their trademark turtleneck and bondage harness, akin to one you might find in a fighting game. 4-panel comic. panel 1: black screen, text only. person 1: 'if my understanding is correct, dr. [redacted]} you advocated strongly for the exclusive usage of our own operatives as test subjects. despite the risks to their physical and mental wellbeing. why? person 2: well, ma'am, if my understanding is correct, you would prefer we cracked a few of the enemy's eggs. except then, should any birds fly the nest, they've got our recipe. what then? title (in different, monospaced font): ACTION MEN IN PERIL panel 2: silhouettes of people surround a restrained man being jacked off by someone who holds 'subject notes' in the other hand. another silhouette behind him prepares a syringe. panel 3: a reverse shot of panel 2 with everyone silhouetted. a viewing window shows another silhouetted figure standing at the centre. the restrained man: please-- stop-- no more -- moRE -- MORE -- AH-- panel 4: dr. [redacted]} his face half in shadow, speaking into an old style microphone. he has a slight smile and a thought bubble shows him thinking about the sights in panel 2. "our experiments, like the rest of our operations, were essential for international security. ONLY our men could possibly have been involved.". Hugo and Mat have swapped outfits. Hugo is in a turtleneck and leather harness, with shiny leather gloves. Mat is in a three piece pinstripe suit, oversized for them. Panel 1: a lecture theatre. Hugo is standing at the foot, delivering a lecture. "That concludes today's lecture." Panel 2: Hugo holds the door for exiting students. "thank you to all those brave enough to volunteer today." Panel 3: Hugo blocks exit for mat, my self insert. "a moment, please. You realise my classes can't be audited?" Panel 4: close up of mats face. Mat says, "I'm sorry. I know. Registration was full. But your class was my first choice... my only choice, actually." Panel 5: the two of them face to face. Hugo: "how single-minded of you. Not the best approach for a college education. But then, that's not why you're here, is it?" Panel 6: Hugo snaps his fingers and grabs Mat by the head. "in fact, don't tell me. Sleep for me instead." Panel 7: Hugo holding mat gently by the back of the head. They lean on his chest, arms limp and blank faced. "you can tell me who you work for soon enough. But first..." Hugo's hand points towards a drawing. It's mat tied up in some bondage. Red lines indicate muscles and blue lines indicate bones, variably displayed throughout the drawing. He says, "and there's another hole I've been inside... and there... You were sedated for that one, so you probably don't remember..." Mat sits in lingerie in front of a mirror, Hugo behind them. He ties their 'corset' style collar around their neck. Mat smiles up (presumably at Hugo), wearing their new collar with the twinkle of the most utterly brainwashed love. An ink sketch comic. Hugo pours tea for Mat, saying, 'I've poisoned your tea, but you'll drink it for me anyway, won't you?' The words echo in Mat's background ominously; they bare their teeth. But, in the subsequent panel, they drink up. Caption: Of course. Without question. Hugo says 'Good. Now swallow and show me the cup.' Mat shows the cup is now empty. A full-page comic panel. Hugo walks with an arm around Mat who is blushing profusely. A swirly heart comes from them, indicating their arousal. Hugo: 'You trusted me that it was poison, and you were unable to resist drinking, even at risk to your life. You're blossoming into quite the perfect puppet. Have you figured out what I actually put in your tea? An ink sketch portrait of Robert California, with a swirly background. A black and white ink sketch redesign of Vox to be edgy, buff and vaguely 90s/y2k. He has a thick iMac style head with the speaker being his mouth, and spiky TV satellite shoulderpads. One arm has a power glove, the other has claws made from lightning. He has on a half-wrecked suit jacket giving big wrestling promoter vibes, and a chain necklace made from connection cables, as well as a cable knit sweater. He has a belt displaying live statistics (TV ratings) and skinny jeans. A series of concepts for Vox's genitalia, with close-ups of the examples. HDMI: Classic, reliable. One of the highest fidelity ways to get fucked. VGA cable: a POV shot of tightening the cable in an anonymous character's pussy. They exclaim, 'it's-- it's stuck!' to which Vox replies 'Just securing the connection, babe.' Another version is the red, white and yellow RCA cables. Interchangeable ports, less fiddly than the real thing. Small enough for ear fucking! Retractable with a button like one of those vacuums. There is a sketch of Vox plugging one cable into a hypnotised anon's pussy, another into their ear and one in their mouth. The final option is a shiny latex black version, with a screen on top like a smartwatch or The Bad iPod. it is seen with a spiral display hypnotising an anon. Cocknosis potential. He sells an equivalent as a VoxTek smart cockring. You can suck him off and play Candy Crush at the same time. it's a little robot! he wears a propeller hat. he is sitting on a circle covered in grass and flowers, with bugs around him. he has a picnic blanket and a plate with a jam sandwich. the background is abstract with cartoon clouds and sun. Design notes for Fisheye, my hazbin hotel oc. One drawing notes the barcode marking on their chin with the number VXTK69. caption: “fisheye is barcoded after signing with vox. Previously their chin has teardrops a la prison tattoos/the classic mat snakebites/blood dripping from chin. Their collar can also hide their direct affiliation with vox.” Another drawing shows their initial teardrop pattern on their chin. Another drawing shows fisheye hypnotised by vox, with red concentric eyes and pupils matching vox’s, blood dripping beneath the barcode. They are collared with the chains of their soul contract. Their stripes have been washed out in white. Caption: “when under vox’s control, fisheye loses the black in their palette (pilot fish can change colour in heightened sensory states). Their ruff collar and fishhook earring can emote depending on their current state.”. A gift for my partner, depicting their Hazbin Hotel angel OC, Harmony. Harmony has a pastel colour palette, a blue swirl for hair, big glasses and glowy rainbow wings. my hazbin ocs, max and mat. max is embracing mat in a hug, who is much smaller in stature and has literally been lifted off the ground to achieve this. max: you fucked shit up before they got you, i hope. mat: i thought i'd never see you again (heart) mat: ... so. since i died an adult-- max: it's still a no. sorry, kiddo. A messy sketch of Chairman Rose from Pokemon Sword and Shield. It's vox and my oc fisheye. He holds them in his lap on a chair, dribbling blood into their mouth from the dead pixels on his screen. They are transfixed by his hypnotic eye. black and white sketch. aligned with a famous shot from the movie secretary, vox has his assistant demon bent over his desk, poised to spank him. Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Fisheye. In the second mirror, Fisheye is on Vox's complex, with VoxTek logos and onlooking tentacles reaching out to them. The captions read: 'It's you!' and 'Despite everything, it's still you.' Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Manikin. The second mirror is one of Hugo's ornate antique mirrors. The captions read: 'It's you!' and 'Despite everything, it's still you.'

comics

Superhot fanart. Polygonal black and white digital portrait of a SUPERHOT player, wearing their VR headset. It is leaking a black fluid containing the text of the game's mantras, 'mind is software body is disposable the system will set me free'. Molotov from Venture Bros wearing an all-white outfit reminiscent of Elle Driver from Kill Bill. She poses and holds a parasol Hugo holds my tranced-out self-insert in his arms. POV shot (black and white paint/sketch). Minami from RGG lying shirtless, clearly having been cut up. Nishitani (offscreen) is digging a knife into the surface of his chest, while gripping his cock with the other hand. Majima is holding a knife to his throat. Mat Finish being choked and fucked by Charles Foster Offdensen offscreen. The drawing is black and white with harsh red accent lighting. Mat is stroking their clit with an enamoured, vacant look on their face. Charles looking down on someone with a serious look on his face. One arm reaches over. The drawing is black and white with harsh red accent lighting. Drawing of Evelyn Deavor from the Incredibles 2 in her own mind control goggles, naked and fucking herself. The background is psychedelic superimposed spirals similar to the ones she actually uses. Ryu Ga Gotoku fanart, inked with a painted, realistic colouring style. In low light, Watase is shirtless and tied up by Katsuya, who's in a suit. Katsuya grasps him by the throat and kisses him on the cheek. Watase's tattoos are on display. Black and white ink sketch. Man in a straitjacket behind bars sucks on a dildo slipped between the bars, held by a mystery person. Offscreen, the person holding the dildo says, 'subject almost ready for live trials'. Black and white ink portrait of Mat Finish, face covered in cum, smiling up at an unknown person (implied to be Hugo Strange, since they are wearing the lacy collar he gives them in my Hugo/Manikin timeline). Background is a thin spiral. An inked piece with blue and orange lighting. Mat stands horrified and teary in a corset, lingerie and lacy collar. Behind them, Hugo Strange (in a suit) smiles while he twiddles one of their nipples and holds them by the shoulder. Black and white ink sketch. Hugo and Mat are fucking on a bed, with Hugo's legs enveloping Mat. We can see his sexy sock garters. Mat is bunched up with their legs up. Hugo covers Mat's mouth with one hand and holds them with the other. Mat is saying 'please, please, plea--' but Hugo replies 'dolls do not speak without permission'. Mat on their knees in the Manikin lingerie, sucking on Hugo's fingers (Hugo is offscreen so we just see his sleeve and hand). Black and white ink drawing - mostly light ink on a black background, creating a dreamlike quality. Upper shot with a lot of the background of Hugo's office, with a big bookcase and glowing sconce light. Mat is naked and lying on a fainting couch. They are hypnotised by Hugo (mostly in shadow) with a pocket watch. He strokes their pussy. It's Vox in his TV room with a mystery demon (Fisheye, my OC) suspended by wires to the ceiling, with a big spiral playing on a ceiling monitor. They're transfixed and filled with wires - in their mouth, ears, and the socket on their groin. The atmosphere is gloomy. it's my oc getting fucked by 'eldritch' vox, with multiple screen 'heads', and whose body is just a mass of glowing blue/black wires, gills and shark muscle. there are cameras and screens all around them, they're restrained by his wire tentacles, and there is the classic hypno tentacle displaying vox's spiral right in front of their eyes, entrancing them. their nipples are being stimulated, their mouth full, their ear fucked. they have a port at their crotch with a huge 'cable' plugged into it, and a glowing voxtek 'womb tattoo' (though whether they have a womb is questionable). It's my hazbin oc fisheye getting earfucked by a shiny black, dripping tentacle. Blood drips from their mouth and their eyes are red. A red graphical starburst in the background explodes out of their ear. Their usb port nipples are on full show! it's eldritch vox and fisheye in a vague, glowy, glitchy environment. he only has the one head, a pulsating spiral screen. fisheye is tied up in vox's many many cable tentacles. their voxtek womb tattoo is visible. they're grinning and bleeding from the mouth. blood lines/dead pixels bleed down from vox's tentacles. Bust and full body of my OC Fisheye with their major details on show. They are black and white and stripy like a pilot fish. They have a barcode on their chin, sharp teeth, and complex facial markings. Their hair has a white 'halo' behind it (really more like an anglerfish bulb) and floats off as though perpetually submerged in water. They wear fishhook earrings and have sharp ears. The full body drawing shows their markings, a VoxTek womb tattoo, electronic port nipples and pussy, and sharp claws, as well as fins running all over their body. it's otto mentallis from psychonauts having a 'private moment' with a brain in his lab. that is, fucking it. he's leaning back in a big chair, with the brainframe looming behind him. this version has a pink/green/blue colour palette with a lot of hues having been flipped from his normal palette. it's otto as in the previous image, but in his canon colour scheme! It's Vox from Hazbin hotel! He's naked, with glowing nipples and an erect cock dripping glowing blue cum. The angle is positioned so the viewer is lower than Vox and as close as possible to his cock. Hugo and Mat in a fantasy autumnal scene, with some art nouveau stylings. The sun beats behind Hugo's head, angelic. Hugo is in his labcoat and holds a syringe, dripping an unknown red substance that turns into leaves. Mat's legs and arms are spread out; they are sweaty and naked save for a bondage harness. Hugo holds one of their eyes open - swirled, brainwashed. They have a surgery scar on their forehead. An addled, hypnotised Mat grasps onto an offscreen pair of legs. The legs belong to Otto Mentallis who in the next panel is smiling down on them. The background is gloomy and grey, spiralling... very unlike the actual rainbow of colour in his source material. Otto is hard, a clear tent beneath his pants. The hypnotised Mat begins to unfasten his trousers. But, Otto says, 'wait', grasping onto Mat's face. They drool from their mouth, with spirals in their eyes. He snaps his fingers to bring them out of trance. Mat, looking flustered and annoyed, sits in front of a cross-legged Otto, who is smirking ominously. One-page comic, inked and coloured in neon greens and reds. A Joker strongly based on the twinky one from Harleen gets socked in the mouth by what seems to be Batman's hand, blood exploding from his mouth. Joker, unimpressed, says 'Nope. Got nothing from that. Maybe don't quit your day job... oh wait. hahaha! Offscreen narration: 'I can put him worse places than Arkham. I can do what Wayne never could.' We now see that Joker is wearing no pants and is straddling his 'Batman', actually Hugo Strange dressed up as such (his beard is visible). Hugo holds Joker's throat. He squeezes Joker's throat, prompting Joker to make gagging noises. We see Joker's cock ejaculating. Offscreen narration: 'Correct the world. Permanently. By my fists. Hugo exhales. Joker says 'Hey!! I never said stop!' Title: Dollthing #1. A three panel comic strip. Panel 1: 2015. A faceless hairdresser points a mirror at the back of the protagonists head. They say, 'looks lovely, doesn't it? You're very brave, having it all lopped off'. The protagonist with the classic teenage transmasc bomber jacket, says, yeah, thanks. It looks great. They don't look enthused. Panel 2: 2022. a shadowy hallway. Protagonist is sobbing with lines of hopeless thought/mumbled desperation behind them in the mirror like they can't get a mastectomy and they'll never get on t. They are buzzing all their hair off, wearing a garbage bag tunic to catch the hair, though much of it is instead on the floor. Panel 3: 2024. Protagonist with shaved head in lingerie, taking a mirror selfie in a changing room. Thought bubble: it is doll! Of course! It is so simple! Dollthing #2. 2 panel comic. Dollthing is holding a lamp and its cable looking confused, in the dark. Offscreen someone says 'bottom!' Dollthing replies, 'yes?' Before realising they meant the base of the lamp. 'Oh.' They switch it on. it's dollthing #3! a two-panel comic. the titular character stops by a mirror and takes a moment to admire themselves. 'this face was made for the brainwashing chamber <3' Panel 1: Dollthing and Hugo Strange in matching lab coats, with a black background. They stand behind a subject with their skull sawn in half, brain exposed, bleeding profusely. Dollthing injects something into their brain. Dollthing: I modified the formula. This one should make the subject more docile. Hugo: good. Let's see it. Panel 2: Hugo, standing, head out of view, has Dollthing hypnotised with a pocket watch, while they jack him off through the fly of his suit pants. Dollthing wears some lacy lingerie, but is still bespectacled, to absolutely no effect (the pocket watch is too high to be seen in the lenses of their glasses). Hugo: my... Our other subjects could learn a lot from you. ❤️ TITLE: DEPRAVITY COMICS. The title is bleeding, and the picture is a full-page drawing in black and white ink. (All pages, including this one, are inked sharply in black and white.) It's night in Gotham, the full moon is out, and Hugo Strange is out on the rooftops dressed as Batman, proudly standing with hands on hips. His cowl envelops an androgynous adult dressed as Robin and saluting the camera, but holding a machine gun. SUBTITLE: Introducing MANIKIN. Hugo Strange's toy wonder! CONTENT WARNINGS: - Sexual abuse - Transphobia - Violence and torture - Brainwashing spoken about, like, incredibly lovingly Mature audiences only! DISCLAIMER: A Serpentine Malign Design. Transformative work, not for profit. NARRATION: I didn't always believe in a god. Not until he made me from scratch. FULL PAGE PANEL: Manikin is now kneeling invitingly in lingerie and stockings upon a tiger print rug, next to two other objects (houseplant and ottoman). They have plastic joints like a doll. In the lavish/tacky mirror behind them, Hugo Strange in a dressing gown, wielding a baseball bat. NARRATION: Six months ago. Valentine's Day. PANEL 1: Manikin in darkness, with a black eye and a bleeding nose. They wear a shock collar and are harshly lit against a light panel. OFFSCREEN: 'Fascinating.' PANEL 2: A hand gropes Manikin's crotch area - they're naked from the waist down. OFFSCREEN: 'Here I thought Falcone's men were all... well.' PANEL 3: Close-up on Manikin's bloody face, eyes cut off by the framing. OFFSCREEN: 'No matter, hm? Your instinct was right. Just not your destination.' Panels, in darkness. PANEL 1: Hugo standing in a light doorway. He's holding something. 'Who else knows you're here?' PANEL 2: Close-up of what he's got in his hand: a shock button. 'Answer quickly, now.' PANEL 3: Manikin's bloody face, defiant and disdainful. 'Fuck you,' they reply. PANELS 4, 5: Close-up of Hugo's mouth, then him pressing the button. 'A shame.' PANEL 6: Manikin is shocked, lightning surrounding them. Their eyes roll back and they sweat profusely. PANEL 7: Hugo in the doorway, smiling. 'I hate to damage perfectly fine goods. So let's try again.' PANELS 8, 9: The same profile shot of Manikin, sweat dripping off their face. In the second panel, they're smiling, saying 'You don't know who I am, do you? PANEL 1: Hugo, silhouetted in the foreground, observing a glaring Manikin, who we now see is straitjacketed and restrained against an odd set of panels that seem more German expressionist, form over function. They're hooked up to a machine that seems to be measuring their vitals... or delivering the shocks, like an ECT machine. The speech bubbles weave around Manikin. HUGO: 'Why, yes. You are probably orphaned, but certainly lacking a stable father figure. You are attempting to craft one inside yourself. Quite impressive on your own, truly. You turned to men like Falcone to validate your efforts. He made you feel useful. Filled the hole inside. For years you have associated PLEASURE with the pain of contorting your body into weaponry. You hope this will prevent you from going insane.' PANEL 2: This panel is smaller than the other. Close-up of Hugo's grinning face, along with spiral flourish behind him. He says, 'But let me ask you this. Do you know today's date?' PANEL 1: Manikin, with some weird cables behind them that absolutely look like fucking. Whether the fucking is Hugo with his dolls, or Falcone and Manikin, is up to the reader. 'Valentine's day,' they reply. 'He knew you'd be alone then.' PANEL 2: Hugo, silhouetted, shocks Manikin again, depicted as just a mess of scribbles of lightning. 'How interesting. And wrong.' PANELS 3-6: Shots of Hugo which get increasingly close to his face. He is holding a glass now. These panels envelop a shot of Manikin from behind, who envisions the interrogation as being at gunpoint. 'Do you remember being here before?' 'No.' 'How I captured you?' 'No.' 'Your name?' 'No.' (This speech bubble is smallest and most claustrophobic of all.) PANEL 1: Offscreen/past: 'Then, allow me to help you remember.' Darkness. Hugo's full-moon glasses are visible. Stars and thin spirals in the void. A metronome ticks, ticks, ticks. Caption: 'Before?' PANEL 2: Manikin's face with open mouth, looking a lot more docile, cupped by Hugo's hand. The rest of him is offscreen save for possibly his legs. Curtains fall behind them. PANEL 1: Hugo's 'therapy room', with the metronome visible in front of him, silhouetted (only his glasses are lit). The whole room is bleeding with ink, including a fanciful column with liquor and serving glasses on top, and that tacky mirror that was visible on the first page. HUGO: 'Memory loss is an INEXACT science.' PANEL 2: Manikin, eyes shut, looking down, back in the interrogation room, straitjacketed and hooked up to cables. They are surrounded everywhere by the mantra 'Not a person. Just a doll.' PANEL 3: Close-up of one half of Hugo's face, smirking. 'It's easier if the mind has something to fill the gaps.' PANEL 4: Manikin, distraught and close to screaming, still surrounded by the mantra. It's as though they need to yell over the noise in their head. 'What did you... what did you do to... WHAT DID YOU DO TO IT?!' PANEL 1: Closeup of Hugo's face, eyebrow raised, nothing behind him. He grins malevolently. ''IT'?' PANEL 2: Manikin open-mouthed, nose bleeding. Eyes cut off by the panel once more. PANEL 3: Manikin's face, much smaller in the frame, surrounded by darkness save for the panel they're restrained against, now somewhat coffin-shaped. They are distraught, not quite sure how this is possible. 'It-- it means... it's...' PANEL 4: Close-up of Hugo, showing his forehead down to his nose. His glasses are classic anime glasses - they reflect all the light, while his eyes are invisible. The background is completely dark. 'Stop fighting. Accept it and find peace.' PANELS 5-7: Various shots of Manikin accepting their training. Caption, repeated across each of these panels: 'Not a person, just a doll.' The first is a closeup of them looking vacant, seductive, wearing the lace collar they wore with their lingerie. Their eyes water, and Hugo's hands (wearing signet rings) cup their face and neck. The caption here covers their forehead. The second is Manikin sitting in Hugo's closet, surrounded by rejected plastic dolls. They are posed awkwardly as though discarded like a ragdoll, and they listen to their mantras through a tape recorder. The caption here covers their mouth. The third is Manikin aiming a gun at their prior employer, Don Falcone. The caption here covers their entire face. PANEL 1: Pulling out from the last shot of the previous page, another shot of the same action, Manikin aiming the gun at Falcone's head. The Gotham night skyline looms through the floor-to-ceiling window, while the frame is enveloped by thick curtains, pulled back with spiral clasps. Three boxes sit in front of him, labelled 'Mar', 'Apr', 'May'. Something looking like... hair? pokes out of each box. We now see Manikin's other hand holds a phone to Falcone's ear. HUGO (OVER THE PHONE): 'Thank you for your GENEROUS gift, Don Falcone. Please accept this gift of my own: that some weak links have been excised from your organisation... and that I have not directed ONE OF THEM to dispatch everyone in the building.' PANEL 2: Close-up of Falcone, frowning. Hugo, over the phone: 'Now, I trust that you'll leave us to our peace.' PANEL 3: The same close-up, but Falcone now looks more defeated. He replies: 'Consider our business terminated. But... one favour.' PANEL 4: Hugo, in darkness, sitting in his big armchair atop his ugly fucking tiger rug. He talks on his home phone. 'Yes?' PANEL 5: Top-down view of the contents of the boxes, on Falcone's polished wood desk. Confirmation that yes, they are indeed severed heads. FALCONE: 'Get these fucking heads out of my office.' PANEL 1: Hugo and Manikin, cuddling on the couch, a houseplant behind them. Manikin's mouth is out of shot. HUGO: 'It's your six-month anniversary, Manikin. That feels good, hm?' MANIKIN: 'Yes.' PANEL 2: A new shot of the same scene. Hugo tilts Manikin's chin. 'How fortunate that you fell into my lap.' MANIKIN (SMILING): 'Yes.' PANEL 3: Close-up of a lovestruck Manikin. They literally have heart pupils! HUGO: Come to bed. MANIKIN: 'YES.' (the speech bubble is a heart, even!) PANEL 4: CAPTION: 'Then.' It appears we've stepped back in time. A top-down shot of Hugo and Manikin in the 'therapy room', once more. Hugo has the metronome setup. Manikin reclines on the couch, naked, saying, 'I keep having this dream.' PANEL 1: Nearly takes up the entire page. The dream world, swirling with shadows. A chandelier hangs above. Manikin is literally a doll in a box, tied up with plastic cable ties with a 'try me' slit between their forcibly spread legs. A smile is plastered on their face. Hugo is in the foreground, approaching the doll box. OFFSCREEN: 'In the dream, I'm a doll. Looking out at the world through a plastic window. And you're always there. In the dream. Ready to try me.' HUGO: 'Well, a MANIKIN is a tutoring instrument. A tool with purpose. Much like a gun. Is a DOLL closer to your self-image? a NEEDLESS PLAYTHING? PANEL 2: Close-up of Manikin's smiling dollface, idealised. They seem to be wearing makeup, and a spiral is behind them. 'Dolls have more fun than weapons.' HUGO (OFFSCREEN): 'Then...' Full-page panel. It appears they have indeed gone to bed. Hugo sits Manikin atop his lap on the bed, cupping their ass in one hand and holding the small of their back. with the other. They embrace him with their arms, wearing lacy lingerie. The spiral of the previous panel is in the background, as are two discarded manikins behind the bed, both of them headless. OFFSCREEN: 'A doll you shall be.' END. one-page inked comic. panel 1: hugo strange has an arm around my self-insert, mat/manikin. he's speaking to deathstroke, whose arms are folded. hugo: 'though i have taken much care to secure the doll's subservience, its combat practice is unfortunately lacking, at least in my hands. so i would like you to spar with it. give it something deadlier with which to contend.' panel 2: deathstroke alone, same pose. 'and you don't mind if your doll gets broken?' panel 3: hugo and mat, same pose. hugo: 'its life, if you can call it that, is precious to me. but your training will keep it in peak condition. do anything short of murder if it makes the body stronger.' panel 4: montage of mat and deathstroke in combat training. deathstroke has the upper hand and puts a gun to mat's head. hugo voiceover from the previous scene: 'a word of advice. your usual methods of discipline may fail here. it is a shameless masochist. i had no interest in treating that proclivity when it made them easier to control. so, i'd rather you used it to your advantage. train out its weak points and reward it however makes it respond the best.' panel-in-panel: mat's bloodied face looking blissed out. they usually wear full-moon shades to match hugo's glasses), but they are broken here. deathstroke, again voiceover from the previous scene: 'that shouldn't be a problem. if anything, i'll enjoy having it around.' underneath the panel-in-panel is a close and personal shot of mat orally servicing deathstroke. their arms are tied. Black and white/grey ink sketch of Art the Clown, his face and clown suit splattered with blood. Black and white digital charcoal portrait. Hugo and Mat are doing ballet together. Dirty digital ink sketch with huge raked ink brush. Hugo whispers sweet nothings to Mat. A black and white gloomy 'portrait' of Hugo, sat presiding above his dolls Mat and Dollthing (draped over each other). A mirror looms behind them like a picture frame. A full-colour picture for a loved one, Star, a green-haired sweetheart! The Toymaker from Doctor Who (Neil Patrick Harris version) grasps their chin in his toyshop, leaning over his counter. Rough black and white sketch. Hugo kisses Mat's hand. Swirling ink portrait with abstract squiggly background. Mat in dramatic lighting, unseen hands touching their head and grasping their chin. Black and white sketch. Hugo and Mat cuddling on a couch, but the atmosphere is gloomy and forlorn. Black and white Yakuza 0 sketch with spiralling purple backdrop. Shimano tilts the chin of an exhausted, frightened Majima with a malevolent smile. Full colour ink/paint. Pegasus from Yu-Gi-Oh leans over a dead-eyed Kaiba, on a pretty red chaise longue. They are holding hands. Unfinished black and white sketch. Hugo sits with a glass of spirits in one hand and an arm round Mat, who is sitting in his lap wearing a Playboy bunny costume. Full colour. Hugo AS one of his lingerie-clad manikins, in a mildly suggestive pose. An ink sketch with Mat standing and smoking a cigarette. The ink is bleeding into shapes creating 'wings' behind them. Fisheye, the version of Mat belonging to Hazbin Hotel. Fisheye is a pilotfish demon, covered in mesmerising black-and-white stripes. They have a fishhook earring and flowing, 'underwater' style hair. A simple ink sketch portrait of Mat, smiling up at the camera. A simple reference sheet of Mat. mat has pale skin and brown undercut hair with bangs in the shape of an 'm', with lighter brown highlights towards the front of their hair. they have grey-brown eyes. they wear full-moon reflective shades and sometimes also have snakebite piercings. most of their clothes will be muted, greyscale or black, including when they're in lingerie. they are 5'7 and have a toned, light and masculine build. Outfit variation references for Mat - lacy lingerie and skimpy combat armour for Manikin, and a psychedelic colour scheme where they are blue for their Psychonauts version. A limited palette, inked 'collage' style of psychedelic interlocking patterns, half-there shapes (cat's eyes? snake eyes? flowers?), with Mat sitting in the middle smoking a cigarette and striking a cute pose. A black and white sketch of Max, a raven demon OC for Hazbin Hotel. Max's outfit is themed on cassette tapes with some nautical themes as well, and he has plastic tape tentacles. He also has notably a head of white hair (or perhaps additional feathers!) on top of his raven feathers. Hugo and Riddler in the Reevesverse. Hugo has a Giancarlo Esposito look about him, since he hasn't been cast yet. Riddler is in Arkham uniform; Hugo is injecting him with an unknown substance. A big buff Hugo in a cute catboy maid outfit holding a tray of drinks. Mat Finish, painted in green and red. An inked sketch for the Marlowe Lune Modern Gentleman redraw competition - a beautiful 20s-style trans man posing artfully with a cigarette holder and nice sock garters. My own take is black and white with lots of interlocking 'unreal' patterns. Greyscale sketch of Vox and Fisheye together in Vox's TV/surveillance room. Vox is much larger than Fisheye! caption: summary of my week (god i was meant to draw fucking machines this week). the author holding a game console controller being embraced by a grim reaper type while staring blankly forward. in the background, letters forming the word 'THE DISHES' in a melty style. a captioned panel, with the following text (black on a white background): "despite my first finished comics being autobiographical and mental health related, i've never actually published any of the sort. thanks to my own damage, i was discouraged by a meme post about cringy comic sins. like porn comics with sexless art styles, ugly political cartoons, and... this 'overdone' panel in every depression comic.' (the panel in question: a featureless person face down in a black void.) inside the same void, the following text: "but why can't we share our heavy-handed, 'clichéd' processing art? why does it carry less value for being unoriginal? isn't that the point - to connect to a human universal and desperately hope to be recognised? like, the metaphor we reach for in a crisis isn't going to be the clever, beautiful one. it's the pot noodle at the back of the cupboard. and that's how you survive to the next one." 3 panel ink comic. Panel 1: Hugo and Mat sit on a plane. Mat sits with headphones plugged into a cassette player. An attendant asks, 'Can I get you anything? Snacks, drinks?' Outside the panel is a caption of, presumably, the tape recording: 'And when we reach our destination, you will be mine.' Panel 2: Close-up of Hugo and Mat in the background. In the shadow of Mat is various brainwashing/hypnotic mantras around blank docility and obedience. Panel 3: Close-up of Hugo and Mat's hands, holding under the foldaway table. Hugo: 'Thank you, though.' Outside the panels again, the caption 'You are nothing until I tell you what to be.' A digital colour portrait of Megaera from Hades, with bright neon colours - her armour is outlined with a neon glow. A digital ink sketch of Charles Foster Offdensen from Metalocalypse, from the chest up. He rests his head on his closed fist. Sketch of Brock Samson, covered in blood in the outfit the Bride wears in Kill Bill. He is holding keys to the Russy Wagon. Sketch of Brock and Molotov from the Venture Bros. They're dressed as the Bride (Brock) and Elle Driver (Molotov) - Molotov holds a katana to Brock's throat while Brock has his Bowie knife to hers. An early reference sheet for Mat Finish, including them in a bondage harness and with painted toenails Bunny Lebowski style. Portrait of Mat, shirtless save for a bondage harness and lying on their stomach in a seductive posture. They cover their head partially with one hand while they lounge on a couch. Sketch of Majima and Minami from yakuza. Majima grins, holding a knife to Minami's throat while he holds his head in position. Minami, shirtless, blushes in anticipation. Sketch of Sagawa and Nishitani from Yakuza 0. Sagawa chokes a bloodied Nishitani while fucking his ass. Nishitani seems to be having fun. Sketch of Shimano and Sagawa, kissing while holding guns to each other's necks. Shimano grips his own huge cock in his other hand. Sketch of Shimano and Majima. Shimano eats out Majima's pussy (Majima is fairly young, probably just after the events of 0). Two sketch portraits of Hugo side by side - one in a sharp suit, one in a nice turtleneck. Sketch of Shimano and Majima. The sketch is unfinished but the places their tattoos should be are marked. The frame cuts off where their eyes would start, so you can just see their mouths kissing and a little of their noses. Shimano grips Majima's shoulder. Sketch of Herbert West and Carl Hill. It's top-down and mostly focused on a vulnerable Herbert, strapped to an operating table. Carl has his own severed head balanced bloodily on, presumably, his own torso. Carl's guts are wrapped around Herbert's torso and neck bondage-style (the same as in the last scene of the first Re-Animator film). Herbert is sweating, aroused, appears to have been lobotomised judging from the bloody bandage on one of his temples. Reevesverse Riddler is posing for a selfie with a bound-up, beaten and stripped Mat Finish. A messy colour sketch of a bloodied Malik Ishtar. A colour sketch of Noho Hank from Barry, in neon colours. Three panel sketch comic. Hugo is tending to a comic Riddler's wounds. Riddler looks with trepidation at Hugo's t-shirt. It says 'I like people on the table open'. Colour sketch portrait of Pegasus from Yu-Gi-Oh, his bangs curling dramatically over most of his face. Sketch portrait of Hugo with the moon out. He is wearing a suit and strokes his chin. Sketch of Mat kneeling, bound and blindfolded They smoke a cigarette. Silhouettes of cocks surround them akin to a firing squad. A drawing of Hugo like one of my French girls. He sits seductively holding a pen bleeding big Rorschach inkblots on the backdrop behind him. Sketch portrait of Hugo with heartbeat monitors in the background. Sketch portrait of Hugo leaning on his hand, wearing a pinstripe suit. A Hugo with cartoony proportions with his arms out, lightning and red scribbles crackling behind him. Cropped sketch portrait of Hugo - his glasses are only partly visible. He holds a pen to his mouth in a very Freudian way. A two-panel comic page showing hugo looking down over the spiralling, maddening staircases of Arkham. Portrait of Hugo from Prey, in his smoking jacket with a nice glass of whisky. A buff Hugo with a baseball bat, in his fake Batman costume. Strange sketch of Hugo holding a scalpel to the 'camera'. What we see seems to be cracked and slightly bizarre. The ink is white on black creating a slightly psychedelic effect. A chibi Hugo on a red background, sitting cutely. A painted portrait of Hugo, specifically the Gotham live action version. Hugo in his silly parka, again from Gotham. Low angle drawing of Hugo in a trenchcoat) holding a hand out in a looming, ominous cityscape (implied to be Arkham City). Hugo in Prey overlooking the Gotham skyline from his floor-to-ceiling apartment window. Hugo in a cozy dressing gown having a mug of tea. Hugo painting nails on a mannequin's detached hand. A neon sketch of Hugo, lounging in his Batman cosplay in the 'Alone on a Friday Night' meme pose but looking sad in spite of the bulge in his pants. A text caption reads: 'All alone on a Friday night... God, I'm pathetic.' Hugo in his trenchcoat from the Arkham City comics, his face dramatically shadowed. Side-view portrait of Hugo in a loose, smoky sketch style. He smokes a nice big fat cigar. A sharper portrait of Hugo with dramatic shadows. 3-panel of Hugo grinning and holding a gun to the viewer - gradually it appears from the change in angle that the viewer has dropped to their knees. Chibi Hugo in bed cuddling a Batman plushie. Hugo has a cup of coffee wearing a leather jacket. Hugo tunes his pocket watch, a spiral in the background. Hugo sits to one side with a swirl beside him. He is very lonely. Hugo in a check suit from the waist up. Messy sketches of Mat as Manikin - the first instance of their cross-shaped armour and lingerie. In the first sketch they hold knives and dangle from wires like a puppet. In the second sketch Hugo stands behind them and holds them close whispering in their ear. In both cases they look exhausted, blank and mindless. Mat and Hugo with interlocked arms. Mat has a gun, Hugo has a syringe. A heart is behind them in a grungy abstract background. Mat kneels in lingerie before Hugo, sitting above them and holding their face. They gape at him mindlessly. 3-panel comic. A TV and a Playstation. On the screen is the Psycho Mantis scene from Metal Gear Solid where he moves your PS1 controller by vibrating it. 'Now, put your controller on the ground', he says. But the player has their controller in between their legs like a vibrator. As though he can see them, he repeats, 'On the GROUND.'. Hugo grasps the chin of a hypnotised, drooling Mat, whose arms are tied to their own bondage harness. Hugo whispers to Mat, 'How helpful of you to provide your own restraints.'. Two sketched panels: Hugo and Mat are spooning in bed, under the covers. Caption: 'They're being cute! But what's underneath?' Underneath, Mat is restrained and gagged, listening to brainwashing audio. Caption: 'Ah, certified sicko mode. Carry on.' A 3-quarter bust portrait of Mat in their trademark turtleneck and bondage harness, akin to one you might find in a fighting game. 4-panel comic. panel 1: black screen, text only. person 1: 'if my understanding is correct, dr. [redacted]} you advocated strongly for the exclusive usage of our own operatives as test subjects. despite the risks to their physical and mental wellbeing. why? person 2: well, ma'am, if my understanding is correct, you would prefer we cracked a few of the enemy's eggs. except then, should any birds fly the nest, they've got our recipe. what then? title (in different, monospaced font): ACTION MEN IN PERIL panel 2: silhouettes of people surround a restrained man being jacked off by someone who holds 'subject notes' in the other hand. another silhouette behind him prepares a syringe. panel 3: a reverse shot of panel 2 with everyone silhouetted. a viewing window shows another silhouetted figure standing at the centre. the restrained man: please-- stop-- no more -- moRE -- MORE -- AH-- panel 4: dr. [redacted]} his face half in shadow, speaking into an old style microphone. he has a slight smile and a thought bubble shows him thinking about the sights in panel 2. "our experiments, like the rest of our operations, were essential for international security. ONLY our men could possibly have been involved.". Hugo and Mat have swapped outfits. Hugo is in a turtleneck and leather harness, with shiny leather gloves. Mat is in a three piece pinstripe suit, oversized for them. Panel 1: a lecture theatre. Hugo is standing at the foot, delivering a lecture. "That concludes today's lecture." Panel 2: Hugo holds the door for exiting students. "thank you to all those brave enough to volunteer today." Panel 3: Hugo blocks exit for mat, my self insert. "a moment, please. You realise my classes can't be audited?" Panel 4: close up of mats face. Mat says, "I'm sorry. I know. Registration was full. But your class was my first choice... my only choice, actually." Panel 5: the two of them face to face. Hugo: "how single-minded of you. Not the best approach for a college education. But then, that's not why you're here, is it?" Panel 6: Hugo snaps his fingers and grabs Mat by the head. "in fact, don't tell me. Sleep for me instead." Panel 7: Hugo holding mat gently by the back of the head. They lean on his chest, arms limp and blank faced. "you can tell me who you work for soon enough. But first..." Hugo's hand points towards a drawing. It's mat tied up in some bondage. Red lines indicate muscles and blue lines indicate bones, variably displayed throughout the drawing. He says, "and there's another hole I've been inside... and there... You were sedated for that one, so you probably don't remember..." Mat sits in lingerie in front of a mirror, Hugo behind them. He ties their 'corset' style collar around their neck. Mat smiles up (presumably at Hugo), wearing their new collar with the twinkle of the most utterly brainwashed love. An ink sketch comic. Hugo pours tea for Mat, saying, 'I've poisoned your tea, but you'll drink it for me anyway, won't you?' The words echo in Mat's background ominously; they bare their teeth. But, in the subsequent panel, they drink up. Caption: Of course. Without question. Hugo says 'Good. Now swallow and show me the cup.' Mat shows the cup is now empty. A full-page comic panel. Hugo walks with an arm around Mat who is blushing profusely. A swirly heart comes from them, indicating their arousal. Hugo: 'You trusted me that it was poison, and you were unable to resist drinking, even at risk to your life. You're blossoming into quite the perfect puppet. Have you figured out what I actually put in your tea? An ink sketch portrait of Robert California, with a swirly background. A black and white ink sketch redesign of Vox to be edgy, buff and vaguely 90s/y2k. He has a thick iMac style head with the speaker being his mouth, and spiky TV satellite shoulderpads. One arm has a power glove, the other has claws made from lightning. He has on a half-wrecked suit jacket giving big wrestling promoter vibes, and a chain necklace made from connection cables, as well as a cable knit sweater. He has a belt displaying live statistics (TV ratings) and skinny jeans. A series of concepts for Vox's genitalia, with close-ups of the examples. HDMI: Classic, reliable. One of the highest fidelity ways to get fucked. VGA cable: a POV shot of tightening the cable in an anonymous character's pussy. They exclaim, 'it's-- it's stuck!' to which Vox replies 'Just securing the connection, babe.' Another version is the red, white and yellow RCA cables. Interchangeable ports, less fiddly than the real thing. Small enough for ear fucking! Retractable with a button like one of those vacuums. There is a sketch of Vox plugging one cable into a hypnotised anon's pussy, another into their ear and one in their mouth. The final option is a shiny latex black version, with a screen on top like a smartwatch or The Bad iPod. it is seen with a spiral display hypnotising an anon. Cocknosis potential. He sells an equivalent as a VoxTek smart cockring. You can suck him off and play Candy Crush at the same time. it's a little robot! he wears a propeller hat. he is sitting on a circle covered in grass and flowers, with bugs around him. he has a picnic blanket and a plate with a jam sandwich. the background is abstract with cartoon clouds and sun. Design notes for Fisheye, my hazbin hotel oc. One drawing notes the barcode marking on their chin with the number VXTK69. caption: “fisheye is barcoded after signing with vox. Previously their chin has teardrops a la prison tattoos/the classic mat snakebites/blood dripping from chin. Their collar can also hide their direct affiliation with vox.” Another drawing shows their initial teardrop pattern on their chin. Another drawing shows fisheye hypnotised by vox, with red concentric eyes and pupils matching vox’s, blood dripping beneath the barcode. They are collared with the chains of their soul contract. Their stripes have been washed out in white. Caption: “when under vox’s control, fisheye loses the black in their palette (pilot fish can change colour in heightened sensory states). Their ruff collar and fishhook earring can emote depending on their current state.”. A gift for my partner, depicting their Hazbin Hotel angel OC, Harmony. Harmony has a pastel colour palette, a blue swirl for hair, big glasses and glowy rainbow wings. my hazbin ocs, max and mat. max is embracing mat in a hug, who is much smaller in stature and has literally been lifted off the ground to achieve this. max: you fucked shit up before they got you, i hope. mat: i thought i'd never see you again (heart) mat: ... so. since i died an adult-- max: it's still a no. sorry, kiddo. A messy sketch of Chairman Rose from Pokemon Sword and Shield. It's vox and my oc fisheye. He holds them in his lap on a chair, dribbling blood into their mouth from the dead pixels on his screen. They are transfixed by his hypnotic eye. black and white sketch. aligned with a famous shot from the movie secretary, vox has his assistant demon bent over his desk, poised to spank him. Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Fisheye. In the second mirror, Fisheye is on Vox's complex, with VoxTek logos and onlooking tentacles reaching out to them. The captions read: 'It's you!' and 'Despite everything, it's still you.' Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Manikin. The second mirror is one of Hugo's ornate antique mirrors. The captions read: 'It's you!' and 'Despite everything, it's still you.'

general works

Superhot fanart. Polygonal black and white digital portrait of a SUPERHOT player, wearing their VR headset. It is leaking a black fluid containing the text of the game's mantras, 'mind is software body is disposable the system will set me free'. Molotov from Venture Bros wearing an all-white outfit reminiscent of Elle Driver from Kill Bill. She poses and holds a parasol Hugo holds my tranced-out self-insert in his arms. POV shot (black and white paint/sketch). Minami from RGG lying shirtless, clearly having been cut up. Nishitani (offscreen) is digging a knife into the surface of his chest, while gripping his cock with the other hand. Majima is holding a knife to his throat. Mat Finish being choked and fucked by Charles Foster Offdensen offscreen. The drawing is black and white with harsh red accent lighting. Mat is stroking their clit with an enamoured, vacant look on their face. Charles looking down on someone with a serious look on his face. One arm reaches over. The drawing is black and white with harsh red accent lighting. Drawing of Evelyn Deavor from the Incredibles 2 in her own mind control goggles, naked and fucking herself. The background is psychedelic superimposed spirals similar to the ones she actually uses. Ryu Ga Gotoku fanart, inked with a painted, realistic colouring style. In low light, Watase is shirtless and tied up by Katsuya, who's in a suit. Katsuya grasps him by the throat and kisses him on the cheek. Watase's tattoos are on display. Black and white ink sketch. Man in a straitjacket behind bars sucks on a dildo slipped between the bars, held by a mystery person. Offscreen, the person holding the dildo says, 'subject almost ready for live trials'. Black and white ink portrait of Mat Finish, face covered in cum, smiling up at an unknown person (implied to be Hugo Strange, since they are wearing the lacy collar he gives them in my Hugo/Manikin timeline). Background is a thin spiral. An inked piece with blue and orange lighting. Mat stands horrified and teary in a corset, lingerie and lacy collar. Behind them, Hugo Strange (in a suit) smiles while he twiddles one of their nipples and holds them by the shoulder. Black and white ink sketch. Hugo and Mat are fucking on a bed, with Hugo's legs enveloping Mat. We can see his sexy sock garters. Mat is bunched up with their legs up. Hugo covers Mat's mouth with one hand and holds them with the other. Mat is saying 'please, please, plea--' but Hugo replies 'dolls do not speak without permission'. Mat on their knees in the Manikin lingerie, sucking on Hugo's fingers (Hugo is offscreen so we just see his sleeve and hand). Black and white ink drawing - mostly light ink on a black background, creating a dreamlike quality. Upper shot with a lot of the background of Hugo's office, with a big bookcase and glowing sconce light. Mat is naked and lying on a fainting couch. They are hypnotised by Hugo (mostly in shadow) with a pocket watch. He strokes their pussy. It's Vox in his TV room with a mystery demon (Fisheye, my OC) suspended by wires to the ceiling, with a big spiral playing on a ceiling monitor. They're transfixed and filled with wires - in their mouth, ears, and the socket on their groin. The atmosphere is gloomy. it's my oc getting fucked by 'eldritch' vox, with multiple screen 'heads', and whose body is just a mass of glowing blue/black wires, gills and shark muscle. there are cameras and screens all around them, they're restrained by his wire tentacles, and there is the classic hypno tentacle displaying vox's spiral right in front of their eyes, entrancing them. their nipples are being stimulated, their mouth full, their ear fucked. they have a port at their crotch with a huge 'cable' plugged into it, and a glowing voxtek 'womb tattoo' (though whether they have a womb is questionable). It's my hazbin oc fisheye getting earfucked by a shiny black, dripping tentacle. Blood drips from their mouth and their eyes are red. A red graphical starburst in the background explodes out of their ear. Their usb port nipples are on full show! it's eldritch vox and fisheye in a vague, glowy, glitchy environment. he only has the one head, a pulsating spiral screen. fisheye is tied up in vox's many many cable tentacles. their voxtek womb tattoo is visible. they're grinning and bleeding from the mouth. blood lines/dead pixels bleed down from vox's tentacles. Bust and full body of my OC Fisheye with their major details on show. They are black and white and stripy like a pilot fish. They have a barcode on their chin, sharp teeth, and complex facial markings. Their hair has a white 'halo' behind it (really more like an anglerfish bulb) and floats off as though perpetually submerged in water. They wear fishhook earrings and have sharp ears. The full body drawing shows their markings, a VoxTek womb tattoo, electronic port nipples and pussy, and sharp claws, as well as fins running all over their body. it's otto mentallis from psychonauts having a 'private moment' with a brain in his lab. that is, fucking it. he's leaning back in a big chair, with the brainframe looming behind him. this version has a pink/green/blue colour palette with a lot of hues having been flipped from his normal palette. it's otto as in the previous image, but in his canon colour scheme! It's Vox from Hazbin hotel! He's naked, with glowing nipples and an erect cock dripping glowing blue cum. The angle is positioned so the viewer is lower than Vox and as close as possible to his cock. Hugo and Mat in a fantasy autumnal scene, with some art nouveau stylings. The sun beats behind Hugo's head, angelic. Hugo is in his labcoat and holds a syringe, dripping an unknown red substance that turns into leaves. Mat's legs and arms are spread out; they are sweaty and naked save for a bondage harness. Hugo holds one of their eyes open - swirled, brainwashed. They have a surgery scar on their forehead. An addled, hypnotised Mat grasps onto an offscreen pair of legs. The legs belong to Otto Mentallis who in the next panel is smiling down on them. The background is gloomy and grey, spiralling... very unlike the actual rainbow of colour in his source material. Otto is hard, a clear tent beneath his pants. The hypnotised Mat begins to unfasten his trousers. But, Otto says, 'wait', grasping onto Mat's face. They drool from their mouth, with spirals in their eyes. He snaps his fingers to bring them out of trance. Mat, looking flustered and annoyed, sits in front of a cross-legged Otto, who is smirking ominously. One-page comic, inked and coloured in neon greens and reds. A Joker strongly based on the twinky one from Harleen gets socked in the mouth by what seems to be Batman's hand, blood exploding from his mouth. Joker, unimpressed, says 'Nope. Got nothing from that. Maybe don't quit your day job... oh wait. hahaha! Offscreen narration: 'I can put him worse places than Arkham. I can do what Wayne never could.' We now see that Joker is wearing no pants and is straddling his 'Batman', actually Hugo Strange dressed up as such (his beard is visible). Hugo holds Joker's throat. He squeezes Joker's throat, prompting Joker to make gagging noises. We see Joker's cock ejaculating. Offscreen narration: 'Correct the world. Permanently. By my fists. Hugo exhales. Joker says 'Hey!! I never said stop!' Title: Dollthing #1. A three panel comic strip. Panel 1: 2015. A faceless hairdresser points a mirror at the back of the protagonists head. They say, 'looks lovely, doesn't it? You're very brave, having it all lopped off'. The protagonist with the classic teenage transmasc bomber jacket, says, yeah, thanks. It looks great. They don't look enthused. Panel 2: 2022. a shadowy hallway. Protagonist is sobbing with lines of hopeless thought/mumbled desperation behind them in the mirror like they can't get a mastectomy and they'll never get on t. They are buzzing all their hair off, wearing a garbage bag tunic to catch the hair, though much of it is instead on the floor. Panel 3: 2024. Protagonist with shaved head in lingerie, taking a mirror selfie in a changing room. Thought bubble: it is doll! Of course! It is so simple! Dollthing #2. 2 panel comic. Dollthing is holding a lamp and its cable looking confused, in the dark. Offscreen someone says 'bottom!' Dollthing replies, 'yes?' Before realising they meant the base of the lamp. 'Oh.' They switch it on. it's dollthing #3! a two-panel comic. the titular character stops by a mirror and takes a moment to admire themselves. 'this face was made for the brainwashing chamber <3' Panel 1: Dollthing and Hugo Strange in matching lab coats, with a black background. They stand behind a subject with their skull sawn in half, brain exposed, bleeding profusely. Dollthing injects something into their brain. Dollthing: I modified the formula. This one should make the subject more docile. Hugo: good. Let's see it. Panel 2: Hugo, standing, head out of view, has Dollthing hypnotised with a pocket watch, while they jack him off through the fly of his suit pants. Dollthing wears some lacy lingerie, but is still bespectacled, to absolutely no effect (the pocket watch is too high to be seen in the lenses of their glasses). Hugo: my... Our other subjects could learn a lot from you. ❤️ TITLE: DEPRAVITY COMICS. The title is bleeding, and the picture is a full-page drawing in black and white ink. (All pages, including this one, are inked sharply in black and white.) It's night in Gotham, the full moon is out, and Hugo Strange is out on the rooftops dressed as Batman, proudly standing with hands on hips. His cowl envelops an androgynous adult dressed as Robin and saluting the camera, but holding a machine gun. SUBTITLE: Introducing MANIKIN. Hugo Strange's toy wonder! CONTENT WARNINGS: - Sexual abuse - Transphobia - Violence and torture - Brainwashing spoken about, like, incredibly lovingly Mature audiences only! DISCLAIMER: A Serpentine Malign Design. Transformative work, not for profit. NARRATION: I didn't always believe in a god. Not until he made me from scratch. FULL PAGE PANEL: Manikin is now kneeling invitingly in lingerie and stockings upon a tiger print rug, next to two other objects (houseplant and ottoman). They have plastic joints like a doll. In the lavish/tacky mirror behind them, Hugo Strange in a dressing gown, wielding a baseball bat. NARRATION: Six months ago. Valentine's Day. PANEL 1: Manikin in darkness, with a black eye and a bleeding nose. They wear a shock collar and are harshly lit against a light panel. OFFSCREEN: 'Fascinating.' PANEL 2: A hand gropes Manikin's crotch area - they're naked from the waist down. OFFSCREEN: 'Here I thought Falcone's men were all... well.' PANEL 3: Close-up on Manikin's bloody face, eyes cut off by the framing. OFFSCREEN: 'No matter, hm? Your instinct was right. Just not your destination.' Panels, in darkness. PANEL 1: Hugo standing in a light doorway. He's holding something. 'Who else knows you're here?' PANEL 2: Close-up of what he's got in his hand: a shock button. 'Answer quickly, now.' PANEL 3: Manikin's bloody face, defiant and disdainful. 'Fuck you,' they reply. PANELS 4, 5: Close-up of Hugo's mouth, then him pressing the button. 'A shame.' PANEL 6: Manikin is shocked, lightning surrounding them. Their eyes roll back and they sweat profusely. PANEL 7: Hugo in the doorway, smiling. 'I hate to damage perfectly fine goods. So let's try again.' PANELS 8, 9: The same profile shot of Manikin, sweat dripping off their face. In the second panel, they're smiling, saying 'You don't know who I am, do you? PANEL 1: Hugo, silhouetted in the foreground, observing a glaring Manikin, who we now see is straitjacketed and restrained against an odd set of panels that seem more German expressionist, form over function. They're hooked up to a machine that seems to be measuring their vitals... or delivering the shocks, like an ECT machine. The speech bubbles weave around Manikin. HUGO: 'Why, yes. You are probably orphaned, but certainly lacking a stable father figure. You are attempting to craft one inside yourself. Quite impressive on your own, truly. You turned to men like Falcone to validate your efforts. He made you feel useful. Filled the hole inside. For years you have associated PLEASURE with the pain of contorting your body into weaponry. You hope this will prevent you from going insane.' PANEL 2: This panel is smaller than the other. Close-up of Hugo's grinning face, along with spiral flourish behind him. He says, 'But let me ask you this. Do you know today's date?' PANEL 1: Manikin, with some weird cables behind them that absolutely look like fucking. Whether the fucking is Hugo with his dolls, or Falcone and Manikin, is up to the reader. 'Valentine's day,' they reply. 'He knew you'd be alone then.' PANEL 2: Hugo, silhouetted, shocks Manikin again, depicted as just a mess of scribbles of lightning. 'How interesting. And wrong.' PANELS 3-6: Shots of Hugo which get increasingly close to his face. He is holding a glass now. These panels envelop a shot of Manikin from behind, who envisions the interrogation as being at gunpoint. 'Do you remember being here before?' 'No.' 'How I captured you?' 'No.' 'Your name?' 'No.' (This speech bubble is smallest and most claustrophobic of all.) PANEL 1: Offscreen/past: 'Then, allow me to help you remember.' Darkness. Hugo's full-moon glasses are visible. Stars and thin spirals in the void. A metronome ticks, ticks, ticks. Caption: 'Before?' PANEL 2: Manikin's face with open mouth, looking a lot more docile, cupped by Hugo's hand. The rest of him is offscreen save for possibly his legs. Curtains fall behind them. PANEL 1: Hugo's 'therapy room', with the metronome visible in front of him, silhouetted (only his glasses are lit). The whole room is bleeding with ink, including a fanciful column with liquor and serving glasses on top, and that tacky mirror that was visible on the first page. HUGO: 'Memory loss is an INEXACT science.' PANEL 2: Manikin, eyes shut, looking down, back in the interrogation room, straitjacketed and hooked up to cables. They are surrounded everywhere by the mantra 'Not a person. Just a doll.' PANEL 3: Close-up of one half of Hugo's face, smirking. 'It's easier if the mind has something to fill the gaps.' PANEL 4: Manikin, distraught and close to screaming, still surrounded by the mantra. It's as though they need to yell over the noise in their head. 'What did you... what did you do to... WHAT DID YOU DO TO IT?!' PANEL 1: Closeup of Hugo's face, eyebrow raised, nothing behind him. He grins malevolently. ''IT'?' PANEL 2: Manikin open-mouthed, nose bleeding. Eyes cut off by the panel once more. PANEL 3: Manikin's face, much smaller in the frame, surrounded by darkness save for the panel they're restrained against, now somewhat coffin-shaped. They are distraught, not quite sure how this is possible. 'It-- it means... it's...' PANEL 4: Close-up of Hugo, showing his forehead down to his nose. His glasses are classic anime glasses - they reflect all the light, while his eyes are invisible. The background is completely dark. 'Stop fighting. Accept it and find peace.' PANELS 5-7: Various shots of Manikin accepting their training. Caption, repeated across each of these panels: 'Not a person, just a doll.' The first is a closeup of them looking vacant, seductive, wearing the lace collar they wore with their lingerie. Their eyes water, and Hugo's hands (wearing signet rings) cup their face and neck. The caption here covers their forehead. The second is Manikin sitting in Hugo's closet, surrounded by rejected plastic dolls. They are posed awkwardly as though discarded like a ragdoll, and they listen to their mantras through a tape recorder. The caption here covers their mouth. The third is Manikin aiming a gun at their prior employer, Don Falcone. The caption here covers their entire face. PANEL 1: Pulling out from the last shot of the previous page, another shot of the same action, Manikin aiming the gun at Falcone's head. The Gotham night skyline looms through the floor-to-ceiling window, while the frame is enveloped by thick curtains, pulled back with spiral clasps. Three boxes sit in front of him, labelled 'Mar', 'Apr', 'May'. Something looking like... hair? pokes out of each box. We now see Manikin's other hand holds a phone to Falcone's ear. HUGO (OVER THE PHONE): 'Thank you for your GENEROUS gift, Don Falcone. Please accept this gift of my own: that some weak links have been excised from your organisation... and that I have not directed ONE OF THEM to dispatch everyone in the building.' PANEL 2: Close-up of Falcone, frowning. Hugo, over the phone: 'Now, I trust that you'll leave us to our peace.' PANEL 3: The same close-up, but Falcone now looks more defeated. He replies: 'Consider our business terminated. But... one favour.' PANEL 4: Hugo, in darkness, sitting in his big armchair atop his ugly fucking tiger rug. He talks on his home phone. 'Yes?' PANEL 5: Top-down view of the contents of the boxes, on Falcone's polished wood desk. Confirmation that yes, they are indeed severed heads. FALCONE: 'Get these fucking heads out of my office.' PANEL 1: Hugo and Manikin, cuddling on the couch, a houseplant behind them. Manikin's mouth is out of shot. HUGO: 'It's your six-month anniversary, Manikin. That feels good, hm?' MANIKIN: 'Yes.' PANEL 2: A new shot of the same scene. Hugo tilts Manikin's chin. 'How fortunate that you fell into my lap.' MANIKIN (SMILING): 'Yes.' PANEL 3: Close-up of a lovestruck Manikin. They literally have heart pupils! HUGO: Come to bed. MANIKIN: 'YES.' (the speech bubble is a heart, even!) PANEL 4: CAPTION: 'Then.' It appears we've stepped back in time. A top-down shot of Hugo and Manikin in the 'therapy room', once more. Hugo has the metronome setup. Manikin reclines on the couch, naked, saying, 'I keep having this dream.' PANEL 1: Nearly takes up the entire page. The dream world, swirling with shadows. A chandelier hangs above. Manikin is literally a doll in a box, tied up with plastic cable ties with a 'try me' slit between their forcibly spread legs. A smile is plastered on their face. Hugo is in the foreground, approaching the doll box. OFFSCREEN: 'In the dream, I'm a doll. Looking out at the world through a plastic window. And you're always there. In the dream. Ready to try me.' HUGO: 'Well, a MANIKIN is a tutoring instrument. A tool with purpose. Much like a gun. Is a DOLL closer to your self-image? a NEEDLESS PLAYTHING? PANEL 2: Close-up of Manikin's smiling dollface, idealised. They seem to be wearing makeup, and a spiral is behind them. 'Dolls have more fun than weapons.' HUGO (OFFSCREEN): 'Then...' Full-page panel. It appears they have indeed gone to bed. Hugo sits Manikin atop his lap on the bed, cupping their ass in one hand and holding the small of their back. with the other. They embrace him with their arms, wearing lacy lingerie. The spiral of the previous panel is in the background, as are two discarded manikins behind the bed, both of them headless. OFFSCREEN: 'A doll you shall be.' END. one-page inked comic. panel 1: hugo strange has an arm around my self-insert, mat/manikin. he's speaking to deathstroke, whose arms are folded. hugo: 'though i have taken much care to secure the doll's subservience, its combat practice is unfortunately lacking, at least in my hands. so i would like you to spar with it. give it something deadlier with which to contend.' panel 2: deathstroke alone, same pose. 'and you don't mind if your doll gets broken?' panel 3: hugo and mat, same pose. hugo: 'its life, if you can call it that, is precious to me. but your training will keep it in peak condition. do anything short of murder if it makes the body stronger.' panel 4: montage of mat and deathstroke in combat training. deathstroke has the upper hand and puts a gun to mat's head. hugo voiceover from the previous scene: 'a word of advice. your usual methods of discipline may fail here. it is a shameless masochist. i had no interest in treating that proclivity when it made them easier to control. so, i'd rather you used it to your advantage. train out its weak points and reward it however makes it respond the best.' panel-in-panel: mat's bloodied face looking blissed out. they usually wear full-moon shades to match hugo's glasses), but they are broken here. deathstroke, again voiceover from the previous scene: 'that shouldn't be a problem. if anything, i'll enjoy having it around.' underneath the panel-in-panel is a close and personal shot of mat orally servicing deathstroke. their arms are tied. Black and white/grey ink sketch of Art the Clown, his face and clown suit splattered with blood. Black and white digital charcoal portrait. Hugo and Mat are doing ballet together. Dirty digital ink sketch with huge raked ink brush. Hugo whispers sweet nothings to Mat. A black and white gloomy 'portrait' of Hugo, sat presiding above his dolls Mat and Dollthing (draped over each other). A mirror looms behind them like a picture frame. A full-colour picture for a loved one, Star, a green-haired sweetheart! The Toymaker from Doctor Who (Neil Patrick Harris version) grasps their chin in his toyshop, leaning over his counter. Rough black and white sketch. Hugo kisses Mat's hand. Swirling ink portrait with abstract squiggly background. Mat in dramatic lighting, unseen hands touching their head and grasping their chin. Black and white sketch. Hugo and Mat cuddling on a couch, but the atmosphere is gloomy and forlorn. Black and white Yakuza 0 sketch with spiralling purple backdrop. Shimano tilts the chin of an exhausted, frightened Majima with a malevolent smile. Full colour ink/paint. Pegasus from Yu-Gi-Oh leans over a dead-eyed Kaiba, on a pretty red chaise longue. They are holding hands. Unfinished black and white sketch. Hugo sits with a glass of spirits in one hand and an arm round Mat, who is sitting in his lap wearing a Playboy bunny costume. Full colour. Hugo AS one of his lingerie-clad manikins, in a mildly suggestive pose. An ink sketch with Mat standing and smoking a cigarette. The ink is bleeding into shapes creating 'wings' behind them. Fisheye, the version of Mat belonging to Hazbin Hotel. Fisheye is a pilotfish demon, covered in mesmerising black-and-white stripes. They have a fishhook earring and flowing, 'underwater' style hair. A simple ink sketch portrait of Mat, smiling up at the camera. A simple reference sheet of Mat. mat has pale skin and brown undercut hair with bangs in the shape of an 'm', with lighter brown highlights towards the front of their hair. they have grey-brown eyes. they wear full-moon reflective shades and sometimes also have snakebite piercings. most of their clothes will be muted, greyscale or black, including when they're in lingerie. they are 5'7 and have a toned, light and masculine build. Outfit variation references for Mat - lacy lingerie and skimpy combat armour for Manikin, and a psychedelic colour scheme where they are blue for their Psychonauts version. A limited palette, inked 'collage' style of psychedelic interlocking patterns, half-there shapes (cat's eyes? snake eyes? flowers?), with Mat sitting in the middle smoking a cigarette and striking a cute pose. A black and white sketch of Max, a raven demon OC for Hazbin Hotel. Max's outfit is themed on cassette tapes with some nautical themes as well, and he has plastic tape tentacles. He also has notably a head of white hair (or perhaps additional feathers!) on top of his raven feathers. Hugo and Riddler in the Reevesverse. Hugo has a Giancarlo Esposito look about him, since he hasn't been cast yet. Riddler is in Arkham uniform; Hugo is injecting him with an unknown substance. A big buff Hugo in a cute catboy maid outfit holding a tray of drinks. Mat Finish, painted in green and red. An inked sketch for the Marlowe Lune Modern Gentleman redraw competition - a beautiful 20s-style trans man posing artfully with a cigarette holder and nice sock garters. My own take is black and white with lots of interlocking 'unreal' patterns. Greyscale sketch of Vox and Fisheye together in Vox's TV/surveillance room. Vox is much larger than Fisheye! caption: summary of my week (god i was meant to draw fucking machines this week). the author holding a game console controller being embraced by a grim reaper type while staring blankly forward. in the background, letters forming the word 'THE DISHES' in a melty style. a captioned panel, with the following text (black on a white background): "despite my first finished comics being autobiographical and mental health related, i've never actually published any of the sort. thanks to my own damage, i was discouraged by a meme post about cringy comic sins. like porn comics with sexless art styles, ugly political cartoons, and... this 'overdone' panel in every depression comic.' (the panel in question: a featureless person face down in a black void.) inside the same void, the following text: "but why can't we share our heavy-handed, 'clichéd' processing art? why does it carry less value for being unoriginal? isn't that the point - to connect to a human universal and desperately hope to be recognised? like, the metaphor we reach for in a crisis isn't going to be the clever, beautiful one. it's the pot noodle at the back of the cupboard. and that's how you survive to the next one." 3 panel ink comic. Panel 1: Hugo and Mat sit on a plane. Mat sits with headphones plugged into a cassette player. An attendant asks, 'Can I get you anything? Snacks, drinks?' Outside the panel is a caption of, presumably, the tape recording: 'And when we reach our destination, you will be mine.' Panel 2: Close-up of Hugo and Mat in the background. In the shadow of Mat is various brainwashing/hypnotic mantras around blank docility and obedience. Panel 3: Close-up of Hugo and Mat's hands, holding under the foldaway table. Hugo: 'Thank you, though.' Outside the panels again, the caption 'You are nothing until I tell you what to be.' A digital colour portrait of Megaera from Hades, with bright neon colours - her armour is outlined with a neon glow. A digital ink sketch of Charles Foster Offdensen from Metalocalypse, from the chest up. He rests his head on his closed fist. Sketch of Brock Samson, covered in blood in the outfit the Bride wears in Kill Bill. He is holding keys to the Russy Wagon. Sketch of Brock and Molotov from the Venture Bros. They're dressed as the Bride (Brock) and Elle Driver (Molotov) - Molotov holds a katana to Brock's throat while Brock has his Bowie knife to hers. An early reference sheet for Mat Finish, including them in a bondage harness and with painted toenails Bunny Lebowski style. Portrait of Mat, shirtless save for a bondage harness and lying on their stomach in a seductive posture. They cover their head partially with one hand while they lounge on a couch. Sketch of Majima and Minami from yakuza. Majima grins, holding a knife to Minami's throat while he holds his head in position. Minami, shirtless, blushes in anticipation. Sketch of Sagawa and Nishitani from Yakuza 0. Sagawa chokes a bloodied Nishitani while fucking his ass. Nishitani seems to be having fun. Sketch of Shimano and Sagawa, kissing while holding guns to each other's necks. Shimano grips his own huge cock in his other hand. Sketch of Shimano and Majima. Shimano eats out Majima's pussy (Majima is fairly young, probably just after the events of 0). Two sketch portraits of Hugo side by side - one in a sharp suit, one in a nice turtleneck. Sketch of Shimano and Majima. The sketch is unfinished but the places their tattoos should be are marked. The frame cuts off where their eyes would start, so you can just see their mouths kissing and a little of their noses. Shimano grips Majima's shoulder. Sketch of Herbert West and Carl Hill. It's top-down and mostly focused on a vulnerable Herbert, strapped to an operating table. Carl has his own severed head balanced bloodily on, presumably, his own torso. Carl's guts are wrapped around Herbert's torso and neck bondage-style (the same as in the last scene of the first Re-Animator film). Herbert is sweating, aroused, appears to have been lobotomised judging from the bloody bandage on one of his temples. Reevesverse Riddler is posing for a selfie with a bound-up, beaten and stripped Mat Finish. A messy colour sketch of a bloodied Malik Ishtar. A colour sketch of Noho Hank from Barry, in neon colours. Three panel sketch comic. Hugo is tending to a comic Riddler's wounds. Riddler looks with trepidation at Hugo's t-shirt. It says 'I like people on the table open'. Colour sketch portrait of Pegasus from Yu-Gi-Oh, his bangs curling dramatically over most of his face. Sketch portrait of Hugo with the moon out. He is wearing a suit and strokes his chin. Sketch of Mat kneeling, bound and blindfolded They smoke a cigarette. Silhouettes of cocks surround them akin to a firing squad. A drawing of Hugo like one of my French girls. He sits seductively holding a pen bleeding big Rorschach inkblots on the backdrop behind him. Sketch portrait of Hugo with heartbeat monitors in the background. Sketch portrait of Hugo leaning on his hand, wearing a pinstripe suit. A Hugo with cartoony proportions with his arms out, lightning and red scribbles crackling behind him. Cropped sketch portrait of Hugo - his glasses are only partly visible. He holds a pen to his mouth in a very Freudian way. A two-panel comic page showing hugo looking down over the spiralling, maddening staircases of Arkham. Portrait of Hugo from Prey, in his smoking jacket with a nice glass of whisky. A buff Hugo with a baseball bat, in his fake Batman costume. Strange sketch of Hugo holding a scalpel to the 'camera'. What we see seems to be cracked and slightly bizarre. The ink is white on black creating a slightly psychedelic effect. A chibi Hugo on a red background, sitting cutely. A painted portrait of Hugo, specifically the Gotham live action version. Hugo in his silly parka, again from Gotham. Low angle drawing of Hugo in a trenchcoat) holding a hand out in a looming, ominous cityscape (implied to be Arkham City). Hugo in Prey overlooking the Gotham skyline from his floor-to-ceiling apartment window. Hugo in a cozy dressing gown having a mug of tea. Hugo painting nails on a mannequin's detached hand. A neon sketch of Hugo, lounging in his Batman cosplay in the 'Alone on a Friday Night' meme pose but looking sad in spite of the bulge in his pants. A text caption reads: 'All alone on a Friday night... God, I'm pathetic.' Hugo in his trenchcoat from the Arkham City comics, his face dramatically shadowed. Side-view portrait of Hugo in a loose, smoky sketch style. He smokes a nice big fat cigar. A sharper portrait of Hugo with dramatic shadows. 3-panel of Hugo grinning and holding a gun to the viewer - gradually it appears from the change in angle that the viewer has dropped to their knees. Chibi Hugo in bed cuddling a Batman plushie. Hugo has a cup of coffee wearing a leather jacket. Hugo tunes his pocket watch, a spiral in the background. Hugo sits to one side with a swirl beside him. He is very lonely. Hugo in a check suit from the waist up. Messy sketches of Mat as Manikin - the first instance of their cross-shaped armour and lingerie. In the first sketch they hold knives and dangle from wires like a puppet. In the second sketch Hugo stands behind them and holds them close whispering in their ear. In both cases they look exhausted, blank and mindless. Mat and Hugo with interlocked arms. Mat has a gun, Hugo has a syringe. A heart is behind them in a grungy abstract background. Mat kneels in lingerie before Hugo, sitting above them and holding their face. They gape at him mindlessly. 3-panel comic. A TV and a Playstation. On the screen is the Psycho Mantis scene from Metal Gear Solid where he moves your PS1 controller by vibrating it. 'Now, put your controller on the ground', he says. But the player has their controller in between their legs like a vibrator. As though he can see them, he repeats, 'On the GROUND.'. Hugo grasps the chin of a hypnotised, drooling Mat, whose arms are tied to their own bondage harness. Hugo whispers to Mat, 'How helpful of you to provide your own restraints.'. Two sketched panels: Hugo and Mat are spooning in bed, under the covers. Caption: 'They're being cute! But what's underneath?' Underneath, Mat is restrained and gagged, listening to brainwashing audio. Caption: 'Ah, certified sicko mode. Carry on.' A 3-quarter bust portrait of Mat in their trademark turtleneck and bondage harness, akin to one you might find in a fighting game. 4-panel comic. panel 1: black screen, text only. person 1: 'if my understanding is correct, dr. [redacted]} you advocated strongly for the exclusive usage of our own operatives as test subjects. despite the risks to their physical and mental wellbeing. why? person 2: well, ma'am, if my understanding is correct, you would prefer we cracked a few of the enemy's eggs. except then, should any birds fly the nest, they've got our recipe. what then? title (in different, monospaced font): ACTION MEN IN PERIL panel 2: silhouettes of people surround a restrained man being jacked off by someone who holds 'subject notes' in the other hand. another silhouette behind him prepares a syringe. panel 3: a reverse shot of panel 2 with everyone silhouetted. a viewing window shows another silhouetted figure standing at the centre. the restrained man: please-- stop-- no more -- moRE -- MORE -- AH-- panel 4: dr. [redacted]} his face half in shadow, speaking into an old style microphone. he has a slight smile and a thought bubble shows him thinking about the sights in panel 2. "our experiments, like the rest of our operations, were essential for international security. ONLY our men could possibly have been involved.". Hugo and Mat have swapped outfits. Hugo is in a turtleneck and leather harness, with shiny leather gloves. Mat is in a three piece pinstripe suit, oversized for them. Panel 1: a lecture theatre. Hugo is standing at the foot, delivering a lecture. "That concludes today's lecture." Panel 2: Hugo holds the door for exiting students. "thank you to all those brave enough to volunteer today." Panel 3: Hugo blocks exit for mat, my self insert. "a moment, please. You realise my classes can't be audited?" Panel 4: close up of mats face. Mat says, "I'm sorry. I know. Registration was full. But your class was my first choice... my only choice, actually." Panel 5: the two of them face to face. Hugo: "how single-minded of you. Not the best approach for a college education. But then, that's not why you're here, is it?" Panel 6: Hugo snaps his fingers and grabs Mat by the head. "in fact, don't tell me. Sleep for me instead." Panel 7: Hugo holding mat gently by the back of the head. They lean on his chest, arms limp and blank faced. "you can tell me who you work for soon enough. But first..." Hugo's hand points towards a drawing. It's mat tied up in some bondage. Red lines indicate muscles and blue lines indicate bones, variably displayed throughout the drawing. He says, "and there's another hole I've been inside... and there... You were sedated for that one, so you probably don't remember..." Mat sits in lingerie in front of a mirror, Hugo behind them. He ties their 'corset' style collar around their neck. Mat smiles up (presumably at Hugo), wearing their new collar with the twinkle of the most utterly brainwashed love. An ink sketch comic. Hugo pours tea for Mat, saying, 'I've poisoned your tea, but you'll drink it for me anyway, won't you?' The words echo in Mat's background ominously; they bare their teeth. But, in the subsequent panel, they drink up. Caption: Of course. Without question. Hugo says 'Good. Now swallow and show me the cup.' Mat shows the cup is now empty. A full-page comic panel. Hugo walks with an arm around Mat who is blushing profusely. A swirly heart comes from them, indicating their arousal. Hugo: 'You trusted me that it was poison, and you were unable to resist drinking, even at risk to your life. You're blossoming into quite the perfect puppet. Have you figured out what I actually put in your tea? An ink sketch portrait of Robert California, with a swirly background. A black and white ink sketch redesign of Vox to be edgy, buff and vaguely 90s/y2k. He has a thick iMac style head with the speaker being his mouth, and spiky TV satellite shoulderpads. One arm has a power glove, the other has claws made from lightning. He has on a half-wrecked suit jacket giving big wrestling promoter vibes, and a chain necklace made from connection cables, as well as a cable knit sweater. He has a belt displaying live statistics (TV ratings) and skinny jeans. A series of concepts for Vox's genitalia, with close-ups of the examples. HDMI: Classic, reliable. One of the highest fidelity ways to get fucked. VGA cable: a POV shot of tightening the cable in an anonymous character's pussy. They exclaim, 'it's-- it's stuck!' to which Vox replies 'Just securing the connection, babe.' Another version is the red, white and yellow RCA cables. Interchangeable ports, less fiddly than the real thing. Small enough for ear fucking! Retractable with a button like one of those vacuums. There is a sketch of Vox plugging one cable into a hypnotised anon's pussy, another into their ear and one in their mouth. The final option is a shiny latex black version, with a screen on top like a smartwatch or The Bad iPod. it is seen with a spiral display hypnotising an anon. Cocknosis potential. He sells an equivalent as a VoxTek smart cockring. You can suck him off and play Candy Crush at the same time. it's a little robot! he wears a propeller hat. he is sitting on a circle covered in grass and flowers, with bugs around him. he has a picnic blanket and a plate with a jam sandwich. the background is abstract with cartoon clouds and sun. Design notes for Fisheye, my hazbin hotel oc. One drawing notes the barcode marking on their chin with the number VXTK69. caption: “fisheye is barcoded after signing with vox. Previously their chin has teardrops a la prison tattoos/the classic mat snakebites/blood dripping from chin. Their collar can also hide their direct affiliation with vox.” Another drawing shows their initial teardrop pattern on their chin. Another drawing shows fisheye hypnotised by vox, with red concentric eyes and pupils matching vox’s, blood dripping beneath the barcode. They are collared with the chains of their soul contract. Their stripes have been washed out in white. Caption: “when under vox’s control, fisheye loses the black in their palette (pilot fish can change colour in heightened sensory states). Their ruff collar and fishhook earring can emote depending on their current state.”. A gift for my partner, depicting their Hazbin Hotel angel OC, Harmony. Harmony has a pastel colour palette, a blue swirl for hair, big glasses and glowy rainbow wings. my hazbin ocs, max and mat. max is embracing mat in a hug, who is much smaller in stature and has literally been lifted off the ground to achieve this. max: you fucked shit up before they got you, i hope. mat: i thought i'd never see you again (heart) mat: ... so. since i died an adult-- max: it's still a no. sorry, kiddo. A messy sketch of Chairman Rose from Pokemon Sword and Shield. It's vox and my oc fisheye. He holds them in his lap on a chair, dribbling blood into their mouth from the dead pixels on his screen. They are transfixed by his hypnotic eye. black and white sketch. aligned with a famous shot from the movie secretary, vox has his assistant demon bent over his desk, poised to spank him. Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Fisheye. In the second mirror, Fisheye is on Vox's complex, with VoxTek logos and onlooking tentacles reaching out to them. The captions read: 'It's you!' and 'Despite everything, it's still you.' Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Manikin. The second mirror is one of Hugo's ornate antique mirrors. The captions read: 'It's you!' and 'Despite everything, it's still you.'

sketchlog & archive

looser pieces and less refined material, stored here for posterity! there is a mix of sfw and nsfw pieces.

by clicking this box, you confirm you are over 18 and consent to viewing violent & sexually explicit content.

2024

Superhot fanart. Polygonal black and white digital portrait of a SUPERHOT player, wearing their VR headset. It is leaking a black fluid containing the text of the game's mantras, 'mind is software body is disposable the system will set me free'. Molotov from Venture Bros wearing an all-white outfit reminiscent of Elle Driver from Kill Bill. She poses and holds a parasol Hugo holds my tranced-out self-insert in his arms. POV shot (black and white paint/sketch). Minami from RGG lying shirtless, clearly having been cut up. Nishitani (offscreen) is digging a knife into the surface of his chest, while gripping his cock with the other hand. Majima is holding a knife to his throat. Mat Finish being choked and fucked by Charles Foster Offdensen offscreen. The drawing is black and white with harsh red accent lighting. Mat is stroking their clit with an enamoured, vacant look on their face. Charles looking down on someone with a serious look on his face. One arm reaches over. The drawing is black and white with harsh red accent lighting. Drawing of Evelyn Deavor from the Incredibles 2 in her own mind control goggles, naked and fucking herself. The background is psychedelic superimposed spirals similar to the ones she actually uses. Ryu Ga Gotoku fanart, inked with a painted, realistic colouring style. In low light, Watase is shirtless and tied up by Katsuya, who's in a suit. Katsuya grasps him by the throat and kisses him on the cheek. Watase's tattoos are on display. Black and white ink sketch. Man in a straitjacket behind bars sucks on a dildo slipped between the bars, held by a mystery person. Offscreen, the person holding the dildo says, 'subject almost ready for live trials'. Black and white ink portrait of Mat Finish, face covered in cum, smiling up at an unknown person (implied to be Hugo Strange, since they are wearing the lacy collar he gives them in my Hugo/Manikin timeline). Background is a thin spiral. An inked piece with blue and orange lighting. Mat stands horrified and teary in a corset, lingerie and lacy collar. Behind them, Hugo Strange (in a suit) smiles while he twiddles one of their nipples and holds them by the shoulder. Black and white ink sketch. Hugo and Mat are fucking on a bed, with Hugo's legs enveloping Mat. We can see his sexy sock garters. Mat is bunched up with their legs up. Hugo covers Mat's mouth with one hand and holds them with the other. Mat is saying 'please, please, plea--' but Hugo replies 'dolls do not speak without permission'. Mat on their knees in the Manikin lingerie, sucking on Hugo's fingers (Hugo is offscreen so we just see his sleeve and hand). Black and white ink drawing - mostly light ink on a black background, creating a dreamlike quality. Upper shot with a lot of the background of Hugo's office, with a big bookcase and glowing sconce light. Mat is naked and lying on a fainting couch. They are hypnotised by Hugo (mostly in shadow) with a pocket watch. He strokes their pussy. It's Vox in his TV room with a mystery demon (Fisheye, my OC) suspended by wires to the ceiling, with a big spiral playing on a ceiling monitor. They're transfixed and filled with wires - in their mouth, ears, and the socket on their groin. The atmosphere is gloomy. it's my oc getting fucked by 'eldritch' vox, with multiple screen 'heads', and whose body is just a mass of glowing blue/black wires, gills and shark muscle. there are cameras and screens all around them, they're restrained by his wire tentacles, and there is the classic hypno tentacle displaying vox's spiral right in front of their eyes, entrancing them. their nipples are being stimulated, their mouth full, their ear fucked. they have a port at their crotch with a huge 'cable' plugged into it, and a glowing voxtek 'womb tattoo' (though whether they have a womb is questionable). It's my hazbin oc fisheye getting earfucked by a shiny black, dripping tentacle. Blood drips from their mouth and their eyes are red. A red graphical starburst in the background explodes out of their ear. Their usb port nipples are on full show! it's eldritch vox and fisheye in a vague, glowy, glitchy environment. he only has the one head, a pulsating spiral screen. fisheye is tied up in vox's many many cable tentacles. their voxtek womb tattoo is visible. they're grinning and bleeding from the mouth. blood lines/dead pixels bleed down from vox's tentacles. Bust and full body of my OC Fisheye with their major details on show. They are black and white and stripy like a pilot fish. They have a barcode on their chin, sharp teeth, and complex facial markings. Their hair has a white 'halo' behind it (really more like an anglerfish bulb) and floats off as though perpetually submerged in water. They wear fishhook earrings and have sharp ears. The full body drawing shows their markings, a VoxTek womb tattoo, electronic port nipples and pussy, and sharp claws, as well as fins running all over their body. it's otto mentallis from psychonauts having a 'private moment' with a brain in his lab. that is, fucking it. he's leaning back in a big chair, with the brainframe looming behind him. this version has a pink/green/blue colour palette with a lot of hues having been flipped from his normal palette. it's otto as in the previous image, but in his canon colour scheme! It's Vox from Hazbin hotel! He's naked, with glowing nipples and an erect cock dripping glowing blue cum. The angle is positioned so the viewer is lower than Vox and as close as possible to his cock. Hugo and Mat in a fantasy autumnal scene, with some art nouveau stylings. The sun beats behind Hugo's head, angelic. Hugo is in his labcoat and holds a syringe, dripping an unknown red substance that turns into leaves. Mat's legs and arms are spread out; they are sweaty and naked save for a bondage harness. Hugo holds one of their eyes open - swirled, brainwashed. They have a surgery scar on their forehead. An addled, hypnotised Mat grasps onto an offscreen pair of legs. The legs belong to Otto Mentallis who in the next panel is smiling down on them. The background is gloomy and grey, spiralling... very unlike the actual rainbow of colour in his source material. Otto is hard, a clear tent beneath his pants. The hypnotised Mat begins to unfasten his trousers. But, Otto says, 'wait', grasping onto Mat's face. They drool from their mouth, with spirals in their eyes. He snaps his fingers to bring them out of trance. Mat, looking flustered and annoyed, sits in front of a cross-legged Otto, who is smirking ominously. One-page comic, inked and coloured in neon greens and reds. A Joker strongly based on the twinky one from Harleen gets socked in the mouth by what seems to be Batman's hand, blood exploding from his mouth. Joker, unimpressed, says 'Nope. Got nothing from that. Maybe don't quit your day job... oh wait. hahaha! Offscreen narration: 'I can put him worse places than Arkham. I can do what Wayne never could.' We now see that Joker is wearing no pants and is straddling his 'Batman', actually Hugo Strange dressed up as such (his beard is visible). Hugo holds Joker's throat. He squeezes Joker's throat, prompting Joker to make gagging noises. We see Joker's cock ejaculating. Offscreen narration: 'Correct the world. Permanently. By my fists. Hugo exhales. Joker says 'Hey!! I never said stop!' Title: Dollthing #1. A three panel comic strip. Panel 1: 2015. A faceless hairdresser points a mirror at the back of the protagonists head. They say, 'looks lovely, doesn't it? You're very brave, having it all lopped off'. The protagonist with the classic teenage transmasc bomber jacket, says, yeah, thanks. It looks great. They don't look enthused. Panel 2: 2022. a shadowy hallway. Protagonist is sobbing with lines of hopeless thought/mumbled desperation behind them in the mirror like they can't get a mastectomy and they'll never get on t. They are buzzing all their hair off, wearing a garbage bag tunic to catch the hair, though much of it is instead on the floor. Panel 3: 2024. Protagonist with shaved head in lingerie, taking a mirror selfie in a changing room. Thought bubble: it is doll! Of course! It is so simple! Dollthing #2. 2 panel comic. Dollthing is holding a lamp and its cable looking confused, in the dark. Offscreen someone says 'bottom!' Dollthing replies, 'yes?' Before realising they meant the base of the lamp. 'Oh.' They switch it on. it's dollthing #3! a two-panel comic. the titular character stops by a mirror and takes a moment to admire themselves. 'this face was made for the brainwashing chamber <3' Panel 1: Dollthing and Hugo Strange in matching lab coats, with a black background. They stand behind a subject with their skull sawn in half, brain exposed, bleeding profusely. Dollthing injects something into their brain. Dollthing: I modified the formula. This one should make the subject more docile. Hugo: good. Let's see it. Panel 2: Hugo, standing, head out of view, has Dollthing hypnotised with a pocket watch, while they jack him off through the fly of his suit pants. Dollthing wears some lacy lingerie, but is still bespectacled, to absolutely no effect (the pocket watch is too high to be seen in the lenses of their glasses). Hugo: my... Our other subjects could learn a lot from you. ❤️ TITLE: DEPRAVITY COMICS. The title is bleeding, and the picture is a full-page drawing in black and white ink. (All pages, including this one, are inked sharply in black and white.) It's night in Gotham, the full moon is out, and Hugo Strange is out on the rooftops dressed as Batman, proudly standing with hands on hips. His cowl envelops an androgynous adult dressed as Robin and saluting the camera, but holding a machine gun. SUBTITLE: Introducing MANIKIN. Hugo Strange's toy wonder! CONTENT WARNINGS: - Sexual abuse - Transphobia - Violence and torture - Brainwashing spoken about, like, incredibly lovingly Mature audiences only! DISCLAIMER: A Serpentine Malign Design. Transformative work, not for profit. NARRATION: I didn't always believe in a god. Not until he made me from scratch. FULL PAGE PANEL: Manikin is now kneeling invitingly in lingerie and stockings upon a tiger print rug, next to two other objects (houseplant and ottoman). They have plastic joints like a doll. In the lavish/tacky mirror behind them, Hugo Strange in a dressing gown, wielding a baseball bat. NARRATION: Six months ago. Valentine's Day. PANEL 1: Manikin in darkness, with a black eye and a bleeding nose. They wear a shock collar and are harshly lit against a light panel. OFFSCREEN: 'Fascinating.' PANEL 2: A hand gropes Manikin's crotch area - they're naked from the waist down. OFFSCREEN: 'Here I thought Falcone's men were all... well.' PANEL 3: Close-up on Manikin's bloody face, eyes cut off by the framing. OFFSCREEN: 'No matter, hm? Your instinct was right. Just not your destination.' Panels, in darkness. PANEL 1: Hugo standing in a light doorway. He's holding something. 'Who else knows you're here?' PANEL 2: Close-up of what he's got in his hand: a shock button. 'Answer quickly, now.' PANEL 3: Manikin's bloody face, defiant and disdainful. 'Fuck you,' they reply. PANELS 4, 5: Close-up of Hugo's mouth, then him pressing the button. 'A shame.' PANEL 6: Manikin is shocked, lightning surrounding them. Their eyes roll back and they sweat profusely. PANEL 7: Hugo in the doorway, smiling. 'I hate to damage perfectly fine goods. So let's try again.' PANELS 8, 9: The same profile shot of Manikin, sweat dripping off their face. In the second panel, they're smiling, saying 'You don't know who I am, do you? PANEL 1: Hugo, silhouetted in the foreground, observing a glaring Manikin, who we now see is straitjacketed and restrained against an odd set of panels that seem more German expressionist, form over function. They're hooked up to a machine that seems to be measuring their vitals... or delivering the shocks, like an ECT machine. The speech bubbles weave around Manikin. HUGO: 'Why, yes. You are probably orphaned, but certainly lacking a stable father figure. You are attempting to craft one inside yourself. Quite impressive on your own, truly. You turned to men like Falcone to validate your efforts. He made you feel useful. Filled the hole inside. For years you have associated PLEASURE with the pain of contorting your body into weaponry. You hope this will prevent you from going insane.' PANEL 2: This panel is smaller than the other. Close-up of Hugo's grinning face, along with spiral flourish behind him. He says, 'But let me ask you this. Do you know today's date?' PANEL 1: Manikin, with some weird cables behind them that absolutely look like fucking. Whether the fucking is Hugo with his dolls, or Falcone and Manikin, is up to the reader. 'Valentine's day,' they reply. 'He knew you'd be alone then.' PANEL 2: Hugo, silhouetted, shocks Manikin again, depicted as just a mess of scribbles of lightning. 'How interesting. And wrong.' PANELS 3-6: Shots of Hugo which get increasingly close to his face. He is holding a glass now. These panels envelop a shot of Manikin from behind, who envisions the interrogation as being at gunpoint. 'Do you remember being here before?' 'No.' 'How I captured you?' 'No.' 'Your name?' 'No.' (This speech bubble is smallest and most claustrophobic of all.) PANEL 1: Offscreen/past: 'Then, allow me to help you remember.' Darkness. Hugo's full-moon glasses are visible. Stars and thin spirals in the void. A metronome ticks, ticks, ticks. Caption: 'Before?' PANEL 2: Manikin's face with open mouth, looking a lot more docile, cupped by Hugo's hand. The rest of him is offscreen save for possibly his legs. Curtains fall behind them. PANEL 1: Hugo's 'therapy room', with the metronome visible in front of him, silhouetted (only his glasses are lit). The whole room is bleeding with ink, including a fanciful column with liquor and serving glasses on top, and that tacky mirror that was visible on the first page. HUGO: 'Memory loss is an INEXACT science.' PANEL 2: Manikin, eyes shut, looking down, back in the interrogation room, straitjacketed and hooked up to cables. They are surrounded everywhere by the mantra 'Not a person. Just a doll.' PANEL 3: Close-up of one half of Hugo's face, smirking. 'It's easier if the mind has something to fill the gaps.' PANEL 4: Manikin, distraught and close to screaming, still surrounded by the mantra. It's as though they need to yell over the noise in their head. 'What did you... what did you do to... WHAT DID YOU DO TO IT?!' PANEL 1: Closeup of Hugo's face, eyebrow raised, nothing behind him. He grins malevolently. ''IT'?' PANEL 2: Manikin open-mouthed, nose bleeding. Eyes cut off by the panel once more. PANEL 3: Manikin's face, much smaller in the frame, surrounded by darkness save for the panel they're restrained against, now somewhat coffin-shaped. They are distraught, not quite sure how this is possible. 'It-- it means... it's...' PANEL 4: Close-up of Hugo, showing his forehead down to his nose. His glasses are classic anime glasses - they reflect all the light, while his eyes are invisible. The background is completely dark. 'Stop fighting. Accept it and find peace.' PANELS 5-7: Various shots of Manikin accepting their training. Caption, repeated across each of these panels: 'Not a person, just a doll.' The first is a closeup of them looking vacant, seductive, wearing the lace collar they wore with their lingerie. Their eyes water, and Hugo's hands (wearing signet rings) cup their face and neck. The caption here covers their forehead. The second is Manikin sitting in Hugo's closet, surrounded by rejected plastic dolls. They are posed awkwardly as though discarded like a ragdoll, and they listen to their mantras through a tape recorder. The caption here covers their mouth. The third is Manikin aiming a gun at their prior employer, Don Falcone. The caption here covers their entire face. PANEL 1: Pulling out from the last shot of the previous page, another shot of the same action, Manikin aiming the gun at Falcone's head. The Gotham night skyline looms through the floor-to-ceiling window, while the frame is enveloped by thick curtains, pulled back with spiral clasps. Three boxes sit in front of him, labelled 'Mar', 'Apr', 'May'. Something looking like... hair? pokes out of each box. We now see Manikin's other hand holds a phone to Falcone's ear. HUGO (OVER THE PHONE): 'Thank you for your GENEROUS gift, Don Falcone. Please accept this gift of my own: that some weak links have been excised from your organisation... and that I have not directed ONE OF THEM to dispatch everyone in the building.' PANEL 2: Close-up of Falcone, frowning. Hugo, over the phone: 'Now, I trust that you'll leave us to our peace.' PANEL 3: The same close-up, but Falcone now looks more defeated. He replies: 'Consider our business terminated. But... one favour.' PANEL 4: Hugo, in darkness, sitting in his big armchair atop his ugly fucking tiger rug. He talks on his home phone. 'Yes?' PANEL 5: Top-down view of the contents of the boxes, on Falcone's polished wood desk. Confirmation that yes, they are indeed severed heads. FALCONE: 'Get these fucking heads out of my office.' PANEL 1: Hugo and Manikin, cuddling on the couch, a houseplant behind them. Manikin's mouth is out of shot. HUGO: 'It's your six-month anniversary, Manikin. That feels good, hm?' MANIKIN: 'Yes.' PANEL 2: A new shot of the same scene. Hugo tilts Manikin's chin. 'How fortunate that you fell into my lap.' MANIKIN (SMILING): 'Yes.' PANEL 3: Close-up of a lovestruck Manikin. They literally have heart pupils! HUGO: Come to bed. MANIKIN: 'YES.' (the speech bubble is a heart, even!) PANEL 4: CAPTION: 'Then.' It appears we've stepped back in time. A top-down shot of Hugo and Manikin in the 'therapy room', once more. Hugo has the metronome setup. Manikin reclines on the couch, naked, saying, 'I keep having this dream.' PANEL 1: Nearly takes up the entire page. The dream world, swirling with shadows. A chandelier hangs above. Manikin is literally a doll in a box, tied up with plastic cable ties with a 'try me' slit between their forcibly spread legs. A smile is plastered on their face. Hugo is in the foreground, approaching the doll box. OFFSCREEN: 'In the dream, I'm a doll. Looking out at the world through a plastic window. And you're always there. In the dream. Ready to try me.' HUGO: 'Well, a MANIKIN is a tutoring instrument. A tool with purpose. Much like a gun. Is a DOLL closer to your self-image? a NEEDLESS PLAYTHING? PANEL 2: Close-up of Manikin's smiling dollface, idealised. They seem to be wearing makeup, and a spiral is behind them. 'Dolls have more fun than weapons.' HUGO (OFFSCREEN): 'Then...' Full-page panel. It appears they have indeed gone to bed. Hugo sits Manikin atop his lap on the bed, cupping their ass in one hand and holding the small of their back. with the other. They embrace him with their arms, wearing lacy lingerie. The spiral of the previous panel is in the background, as are two discarded manikins behind the bed, both of them headless. OFFSCREEN: 'A doll you shall be.' END. one-page inked comic. panel 1: hugo strange has an arm around my self-insert, mat/manikin. he's speaking to deathstroke, whose arms are folded. hugo: 'though i have taken much care to secure the doll's subservience, its combat practice is unfortunately lacking, at least in my hands. so i would like you to spar with it. give it something deadlier with which to contend.' panel 2: deathstroke alone, same pose. 'and you don't mind if your doll gets broken?' panel 3: hugo and mat, same pose. hugo: 'its life, if you can call it that, is precious to me. but your training will keep it in peak condition. do anything short of murder if it makes the body stronger.' panel 4: montage of mat and deathstroke in combat training. deathstroke has the upper hand and puts a gun to mat's head. hugo voiceover from the previous scene: 'a word of advice. your usual methods of discipline may fail here. it is a shameless masochist. i had no interest in treating that proclivity when it made them easier to control. so, i'd rather you used it to your advantage. train out its weak points and reward it however makes it respond the best.' panel-in-panel: mat's bloodied face looking blissed out. they usually wear full-moon shades to match hugo's glasses), but they are broken here. deathstroke, again voiceover from the previous scene: 'that shouldn't be a problem. if anything, i'll enjoy having it around.' underneath the panel-in-panel is a close and personal shot of mat orally servicing deathstroke. their arms are tied. Black and white/grey ink sketch of Art the Clown, his face and clown suit splattered with blood. Black and white digital charcoal portrait. Hugo and Mat are doing ballet together. Dirty digital ink sketch with huge raked ink brush. Hugo whispers sweet nothings to Mat. A black and white gloomy 'portrait' of Hugo, sat presiding above his dolls Mat and Dollthing (draped over each other). A mirror looms behind them like a picture frame. A full-colour picture for a loved one, Star, a green-haired sweetheart! The Toymaker from Doctor Who (Neil Patrick Harris version) grasps their chin in his toyshop, leaning over his counter. Rough black and white sketch. Hugo kisses Mat's hand. Swirling ink portrait with abstract squiggly background. Mat in dramatic lighting, unseen hands touching their head and grasping their chin. Black and white sketch. Hugo and Mat cuddling on a couch, but the atmosphere is gloomy and forlorn. Black and white Yakuza 0 sketch with spiralling purple backdrop. Shimano tilts the chin of an exhausted, frightened Majima with a malevolent smile. Full colour ink/paint. Pegasus from Yu-Gi-Oh leans over a dead-eyed Kaiba, on a pretty red chaise longue. They are holding hands. Unfinished black and white sketch. Hugo sits with a glass of spirits in one hand and an arm round Mat, who is sitting in his lap wearing a Playboy bunny costume. Full colour. Hugo AS one of his lingerie-clad manikins, in a mildly suggestive pose. An ink sketch with Mat standing and smoking a cigarette. The ink is bleeding into shapes creating 'wings' behind them. Fisheye, the version of Mat belonging to Hazbin Hotel. Fisheye is a pilotfish demon, covered in mesmerising black-and-white stripes. They have a fishhook earring and flowing, 'underwater' style hair. A simple ink sketch portrait of Mat, smiling up at the camera. A simple reference sheet of Mat. mat has pale skin and brown undercut hair with bangs in the shape of an 'm', with lighter brown highlights towards the front of their hair. they have grey-brown eyes. they wear full-moon reflective shades and sometimes also have snakebite piercings. most of their clothes will be muted, greyscale or black, including when they're in lingerie. they are 5'7 and have a toned, light and masculine build. Outfit variation references for Mat - lacy lingerie and skimpy combat armour for Manikin, and a psychedelic colour scheme where they are blue for their Psychonauts version. A limited palette, inked 'collage' style of psychedelic interlocking patterns, half-there shapes (cat's eyes? snake eyes? flowers?), with Mat sitting in the middle smoking a cigarette and striking a cute pose. A black and white sketch of Max, a raven demon OC for Hazbin Hotel. Max's outfit is themed on cassette tapes with some nautical themes as well, and he has plastic tape tentacles. He also has notably a head of white hair (or perhaps additional feathers!) on top of his raven feathers. Hugo and Riddler in the Reevesverse. Hugo has a Giancarlo Esposito look about him, since he hasn't been cast yet. Riddler is in Arkham uniform; Hugo is injecting him with an unknown substance. A big buff Hugo in a cute catboy maid outfit holding a tray of drinks. Mat Finish, painted in green and red. An inked sketch for the Marlowe Lune Modern Gentleman redraw competition - a beautiful 20s-style trans man posing artfully with a cigarette holder and nice sock garters. My own take is black and white with lots of interlocking 'unreal' patterns. Greyscale sketch of Vox and Fisheye together in Vox's TV/surveillance room. Vox is much larger than Fisheye! caption: summary of my week (god i was meant to draw fucking machines this week). the author holding a game console controller being embraced by a grim reaper type while staring blankly forward. in the background, letters forming the word 'THE DISHES' in a melty style. a captioned panel, with the following text (black on a white background): "despite my first finished comics being autobiographical and mental health related, i've never actually published any of the sort. thanks to my own damage, i was discouraged by a meme post about cringy comic sins. like porn comics with sexless art styles, ugly political cartoons, and... this 'overdone' panel in every depression comic.' (the panel in question: a featureless person face down in a black void.) inside the same void, the following text: "but why can't we share our heavy-handed, 'clichéd' processing art? why does it carry less value for being unoriginal? isn't that the point - to connect to a human universal and desperately hope to be recognised? like, the metaphor we reach for in a crisis isn't going to be the clever, beautiful one. it's the pot noodle at the back of the cupboard. and that's how you survive to the next one." 3 panel ink comic. Panel 1: Hugo and Mat sit on a plane. Mat sits with headphones plugged into a cassette player. An attendant asks, 'Can I get you anything? Snacks, drinks?' Outside the panel is a caption of, presumably, the tape recording: 'And when we reach our destination, you will be mine.' Panel 2: Close-up of Hugo and Mat in the background. In the shadow of Mat is various brainwashing/hypnotic mantras around blank docility and obedience. Panel 3: Close-up of Hugo and Mat's hands, holding under the foldaway table. Hugo: 'Thank you, though.' Outside the panels again, the caption 'You are nothing until I tell you what to be.' A digital colour portrait of Megaera from Hades, with bright neon colours - her armour is outlined with a neon glow. A digital ink sketch of Charles Foster Offdensen from Metalocalypse, from the chest up. He rests his head on his closed fist. Sketch of Brock Samson, covered in blood in the outfit the Bride wears in Kill Bill. He is holding keys to the Russy Wagon. Sketch of Brock and Molotov from the Venture Bros. They're dressed as the Bride (Brock) and Elle Driver (Molotov) - Molotov holds a katana to Brock's throat while Brock has his Bowie knife to hers. An early reference sheet for Mat Finish, including them in a bondage harness and with painted toenails Bunny Lebowski style. Portrait of Mat, shirtless save for a bondage harness and lying on their stomach in a seductive posture. They cover their head partially with one hand while they lounge on a couch. Sketch of Majima and Minami from yakuza. Majima grins, holding a knife to Minami's throat while he holds his head in position. Minami, shirtless, blushes in anticipation. Sketch of Sagawa and Nishitani from Yakuza 0. Sagawa chokes a bloodied Nishitani while fucking his ass. Nishitani seems to be having fun. Sketch of Shimano and Sagawa, kissing while holding guns to each other's necks. Shimano grips his own huge cock in his other hand. Sketch of Shimano and Majima. Shimano eats out Majima's pussy (Majima is fairly young, probably just after the events of 0). Two sketch portraits of Hugo side by side - one in a sharp suit, one in a nice turtleneck. Sketch of Shimano and Majima. The sketch is unfinished but the places their tattoos should be are marked. The frame cuts off where their eyes would start, so you can just see their mouths kissing and a little of their noses. Shimano grips Majima's shoulder. Sketch of Herbert West and Carl Hill. It's top-down and mostly focused on a vulnerable Herbert, strapped to an operating table. Carl has his own severed head balanced bloodily on, presumably, his own torso. Carl's guts are wrapped around Herbert's torso and neck bondage-style (the same as in the last scene of the first Re-Animator film). Herbert is sweating, aroused, appears to have been lobotomised judging from the bloody bandage on one of his temples. Reevesverse Riddler is posing for a selfie with a bound-up, beaten and stripped Mat Finish. A messy colour sketch of a bloodied Malik Ishtar. A colour sketch of Noho Hank from Barry, in neon colours. Three panel sketch comic. Hugo is tending to a comic Riddler's wounds. Riddler looks with trepidation at Hugo's t-shirt. It says 'I like people on the table open'. Colour sketch portrait of Pegasus from Yu-Gi-Oh, his bangs curling dramatically over most of his face. Sketch portrait of Hugo with the moon out. He is wearing a suit and strokes his chin. Sketch of Mat kneeling, bound and blindfolded They smoke a cigarette. Silhouettes of cocks surround them akin to a firing squad. A drawing of Hugo like one of my French girls. He sits seductively holding a pen bleeding big Rorschach inkblots on the backdrop behind him. Sketch portrait of Hugo with heartbeat monitors in the background. Sketch portrait of Hugo leaning on his hand, wearing a pinstripe suit. A Hugo with cartoony proportions with his arms out, lightning and red scribbles crackling behind him. Cropped sketch portrait of Hugo - his glasses are only partly visible. He holds a pen to his mouth in a very Freudian way. A two-panel comic page showing hugo looking down over the spiralling, maddening staircases of Arkham. Portrait of Hugo from Prey, in his smoking jacket with a nice glass of whisky. A buff Hugo with a baseball bat, in his fake Batman costume. Strange sketch of Hugo holding a scalpel to the 'camera'. What we see seems to be cracked and slightly bizarre. The ink is white on black creating a slightly psychedelic effect. A chibi Hugo on a red background, sitting cutely. A painted portrait of Hugo, specifically the Gotham live action version. Hugo in his silly parka, again from Gotham. Low angle drawing of Hugo in a trenchcoat) holding a hand out in a looming, ominous cityscape (implied to be Arkham City). Hugo in Prey overlooking the Gotham skyline from his floor-to-ceiling apartment window. Hugo in a cozy dressing gown having a mug of tea. Hugo painting nails on a mannequin's detached hand. A neon sketch of Hugo, lounging in his Batman cosplay in the 'Alone on a Friday Night' meme pose but looking sad in spite of the bulge in his pants. A text caption reads: 'All alone on a Friday night... God, I'm pathetic.' Hugo in his trenchcoat from the Arkham City comics, his face dramatically shadowed. Side-view portrait of Hugo in a loose, smoky sketch style. He smokes a nice big fat cigar. A sharper portrait of Hugo with dramatic shadows. 3-panel of Hugo grinning and holding a gun to the viewer - gradually it appears from the change in angle that the viewer has dropped to their knees. Chibi Hugo in bed cuddling a Batman plushie. Hugo has a cup of coffee wearing a leather jacket. Hugo tunes his pocket watch, a spiral in the background. Hugo sits to one side with a swirl beside him. He is very lonely. Hugo in a check suit from the waist up. Messy sketches of Mat as Manikin - the first instance of their cross-shaped armour and lingerie. In the first sketch they hold knives and dangle from wires like a puppet. In the second sketch Hugo stands behind them and holds them close whispering in their ear. In both cases they look exhausted, blank and mindless. Mat and Hugo with interlocked arms. Mat has a gun, Hugo has a syringe. A heart is behind them in a grungy abstract background. Mat kneels in lingerie before Hugo, sitting above them and holding their face. They gape at him mindlessly. 3-panel comic. A TV and a Playstation. On the screen is the Psycho Mantis scene from Metal Gear Solid where he moves your PS1 controller by vibrating it. 'Now, put your controller on the ground', he says. But the player has their controller in between their legs like a vibrator. As though he can see them, he repeats, 'On the GROUND.'. Hugo grasps the chin of a hypnotised, drooling Mat, whose arms are tied to their own bondage harness. Hugo whispers to Mat, 'How helpful of you to provide your own restraints.'. Two sketched panels: Hugo and Mat are spooning in bed, under the covers. Caption: 'They're being cute! But what's underneath?' Underneath, Mat is restrained and gagged, listening to brainwashing audio. Caption: 'Ah, certified sicko mode. Carry on.' A 3-quarter bust portrait of Mat in their trademark turtleneck and bondage harness, akin to one you might find in a fighting game. 4-panel comic. panel 1: black screen, text only. person 1: 'if my understanding is correct, dr. [redacted]} you advocated strongly for the exclusive usage of our own operatives as test subjects. despite the risks to their physical and mental wellbeing. why? person 2: well, ma'am, if my understanding is correct, you would prefer we cracked a few of the enemy's eggs. except then, should any birds fly the nest, they've got our recipe. what then? title (in different, monospaced font): ACTION MEN IN PERIL panel 2: silhouettes of people surround a restrained man being jacked off by someone who holds 'subject notes' in the other hand. another silhouette behind him prepares a syringe. panel 3: a reverse shot of panel 2 with everyone silhouetted. a viewing window shows another silhouetted figure standing at the centre. the restrained man: please-- stop-- no more -- moRE -- MORE -- AH-- panel 4: dr. [redacted]} his face half in shadow, speaking into an old style microphone. he has a slight smile and a thought bubble shows him thinking about the sights in panel 2. "our experiments, like the rest of our operations, were essential for international security. ONLY our men could possibly have been involved.". Hugo and Mat have swapped outfits. Hugo is in a turtleneck and leather harness, with shiny leather gloves. Mat is in a three piece pinstripe suit, oversized for them. Panel 1: a lecture theatre. Hugo is standing at the foot, delivering a lecture. "That concludes today's lecture." Panel 2: Hugo holds the door for exiting students. "thank you to all those brave enough to volunteer today." Panel 3: Hugo blocks exit for mat, my self insert. "a moment, please. You realise my classes can't be audited?" Panel 4: close up of mats face. Mat says, "I'm sorry. I know. Registration was full. But your class was my first choice... my only choice, actually." Panel 5: the two of them face to face. Hugo: "how single-minded of you. Not the best approach for a college education. But then, that's not why you're here, is it?" Panel 6: Hugo snaps his fingers and grabs Mat by the head. "in fact, don't tell me. Sleep for me instead." Panel 7: Hugo holding mat gently by the back of the head. They lean on his chest, arms limp and blank faced. "you can tell me who you work for soon enough. But first..." Hugo's hand points towards a drawing. It's mat tied up in some bondage. Red lines indicate muscles and blue lines indicate bones, variably displayed throughout the drawing. He says, "and there's another hole I've been inside... and there... You were sedated for that one, so you probably don't remember..." Mat sits in lingerie in front of a mirror, Hugo behind them. He ties their 'corset' style collar around their neck. Mat smiles up (presumably at Hugo), wearing their new collar with the twinkle of the most utterly brainwashed love. An ink sketch comic. Hugo pours tea for Mat, saying, 'I've poisoned your tea, but you'll drink it for me anyway, won't you?' The words echo in Mat's background ominously; they bare their teeth. But, in the subsequent panel, they drink up. Caption: Of course. Without question. Hugo says 'Good. Now swallow and show me the cup.' Mat shows the cup is now empty. A full-page comic panel. Hugo walks with an arm around Mat who is blushing profusely. A swirly heart comes from them, indicating their arousal. Hugo: 'You trusted me that it was poison, and you were unable to resist drinking, even at risk to your life. You're blossoming into quite the perfect puppet. Have you figured out what I actually put in your tea? An ink sketch portrait of Robert California, with a swirly background. A black and white ink sketch redesign of Vox to be edgy, buff and vaguely 90s/y2k. He has a thick iMac style head with the speaker being his mouth, and spiky TV satellite shoulderpads. One arm has a power glove, the other has claws made from lightning. He has on a half-wrecked suit jacket giving big wrestling promoter vibes, and a chain necklace made from connection cables, as well as a cable knit sweater. He has a belt displaying live statistics (TV ratings) and skinny jeans. A series of concepts for Vox's genitalia, with close-ups of the examples. HDMI: Classic, reliable. One of the highest fidelity ways to get fucked. VGA cable: a POV shot of tightening the cable in an anonymous character's pussy. They exclaim, 'it's-- it's stuck!' to which Vox replies 'Just securing the connection, babe.' Another version is the red, white and yellow RCA cables. Interchangeable ports, less fiddly than the real thing. Small enough for ear fucking! Retractable with a button like one of those vacuums. There is a sketch of Vox plugging one cable into a hypnotised anon's pussy, another into their ear and one in their mouth. The final option is a shiny latex black version, with a screen on top like a smartwatch or The Bad iPod. it is seen with a spiral display hypnotising an anon. Cocknosis potential. He sells an equivalent as a VoxTek smart cockring. You can suck him off and play Candy Crush at the same time. it's a little robot! he wears a propeller hat. he is sitting on a circle covered in grass and flowers, with bugs around him. he has a picnic blanket and a plate with a jam sandwich. the background is abstract with cartoon clouds and sun. Design notes for Fisheye, my hazbin hotel oc. One drawing notes the barcode marking on their chin with the number VXTK69. caption: “fisheye is barcoded after signing with vox. Previously their chin has teardrops a la prison tattoos/the classic mat snakebites/blood dripping from chin. Their collar can also hide their direct affiliation with vox.” Another drawing shows their initial teardrop pattern on their chin. Another drawing shows fisheye hypnotised by vox, with red concentric eyes and pupils matching vox’s, blood dripping beneath the barcode. They are collared with the chains of their soul contract. Their stripes have been washed out in white. Caption: “when under vox’s control, fisheye loses the black in their palette (pilot fish can change colour in heightened sensory states). Their ruff collar and fishhook earring can emote depending on their current state.”. A gift for my partner, depicting their Hazbin Hotel angel OC, Harmony. Harmony has a pastel colour palette, a blue swirl for hair, big glasses and glowy rainbow wings. my hazbin ocs, max and mat. max is embracing mat in a hug, who is much smaller in stature and has literally been lifted off the ground to achieve this. max: you fucked shit up before they got you, i hope. mat: i thought i'd never see you again (heart) mat: ... so. since i died an adult-- max: it's still a no. sorry, kiddo. A messy sketch of Chairman Rose from Pokemon Sword and Shield. It's vox and my oc fisheye. He holds them in his lap on a chair, dribbling blood into their mouth from the dead pixels on his screen. They are transfixed by his hypnotic eye. black and white sketch. aligned with a famous shot from the movie secretary, vox has his assistant demon bent over his desk, poised to spank him. Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Fisheye. In the second mirror, Fisheye is on Vox's complex, with VoxTek logos and onlooking tentacles reaching out to them. The captions read: 'It's you!' and 'Despite everything, it's still you.' Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Manikin. The second mirror is one of Hugo's ornate antique mirrors. The captions read: 'It's you!' and 'Despite everything, it's still you.'

2023

Superhot fanart. Polygonal black and white digital portrait of a SUPERHOT player, wearing their VR headset. It is leaking a black fluid containing the text of the game's mantras, 'mind is software body is disposable the system will set me free'. Molotov from Venture Bros wearing an all-white outfit reminiscent of Elle Driver from Kill Bill. She poses and holds a parasol Hugo holds my tranced-out self-insert in his arms. POV shot (black and white paint/sketch). Minami from RGG lying shirtless, clearly having been cut up. Nishitani (offscreen) is digging a knife into the surface of his chest, while gripping his cock with the other hand. Majima is holding a knife to his throat. Mat Finish being choked and fucked by Charles Foster Offdensen offscreen. The drawing is black and white with harsh red accent lighting. Mat is stroking their clit with an enamoured, vacant look on their face. Charles looking down on someone with a serious look on his face. One arm reaches over. The drawing is black and white with harsh red accent lighting. Drawing of Evelyn Deavor from the Incredibles 2 in her own mind control goggles, naked and fucking herself. The background is psychedelic superimposed spirals similar to the ones she actually uses. Ryu Ga Gotoku fanart, inked with a painted, realistic colouring style. In low light, Watase is shirtless and tied up by Katsuya, who's in a suit. Katsuya grasps him by the throat and kisses him on the cheek. Watase's tattoos are on display. Black and white ink sketch. Man in a straitjacket behind bars sucks on a dildo slipped between the bars, held by a mystery person. Offscreen, the person holding the dildo says, 'subject almost ready for live trials'. Black and white ink portrait of Mat Finish, face covered in cum, smiling up at an unknown person (implied to be Hugo Strange, since they are wearing the lacy collar he gives them in my Hugo/Manikin timeline). Background is a thin spiral. An inked piece with blue and orange lighting. Mat stands horrified and teary in a corset, lingerie and lacy collar. Behind them, Hugo Strange (in a suit) smiles while he twiddles one of their nipples and holds them by the shoulder. Black and white ink sketch. Hugo and Mat are fucking on a bed, with Hugo's legs enveloping Mat. We can see his sexy sock garters. Mat is bunched up with their legs up. Hugo covers Mat's mouth with one hand and holds them with the other. Mat is saying 'please, please, plea--' but Hugo replies 'dolls do not speak without permission'. Mat on their knees in the Manikin lingerie, sucking on Hugo's fingers (Hugo is offscreen so we just see his sleeve and hand). Black and white ink drawing - mostly light ink on a black background, creating a dreamlike quality. Upper shot with a lot of the background of Hugo's office, with a big bookcase and glowing sconce light. Mat is naked and lying on a fainting couch. They are hypnotised by Hugo (mostly in shadow) with a pocket watch. He strokes their pussy. It's Vox in his TV room with a mystery demon (Fisheye, my OC) suspended by wires to the ceiling, with a big spiral playing on a ceiling monitor. They're transfixed and filled with wires - in their mouth, ears, and the socket on their groin. The atmosphere is gloomy. it's my oc getting fucked by 'eldritch' vox, with multiple screen 'heads', and whose body is just a mass of glowing blue/black wires, gills and shark muscle. there are cameras and screens all around them, they're restrained by his wire tentacles, and there is the classic hypno tentacle displaying vox's spiral right in front of their eyes, entrancing them. their nipples are being stimulated, their mouth full, their ear fucked. they have a port at their crotch with a huge 'cable' plugged into it, and a glowing voxtek 'womb tattoo' (though whether they have a womb is questionable). It's my hazbin oc fisheye getting earfucked by a shiny black, dripping tentacle. Blood drips from their mouth and their eyes are red. A red graphical starburst in the background explodes out of their ear. Their usb port nipples are on full show! it's eldritch vox and fisheye in a vague, glowy, glitchy environment. he only has the one head, a pulsating spiral screen. fisheye is tied up in vox's many many cable tentacles. their voxtek womb tattoo is visible. they're grinning and bleeding from the mouth. blood lines/dead pixels bleed down from vox's tentacles. Bust and full body of my OC Fisheye with their major details on show. They are black and white and stripy like a pilot fish. They have a barcode on their chin, sharp teeth, and complex facial markings. Their hair has a white 'halo' behind it (really more like an anglerfish bulb) and floats off as though perpetually submerged in water. They wear fishhook earrings and have sharp ears. The full body drawing shows their markings, a VoxTek womb tattoo, electronic port nipples and pussy, and sharp claws, as well as fins running all over their body. it's otto mentallis from psychonauts having a 'private moment' with a brain in his lab. that is, fucking it. he's leaning back in a big chair, with the brainframe looming behind him. this version has a pink/green/blue colour palette with a lot of hues having been flipped from his normal palette. it's otto as in the previous image, but in his canon colour scheme! It's Vox from Hazbin hotel! He's naked, with glowing nipples and an erect cock dripping glowing blue cum. The angle is positioned so the viewer is lower than Vox and as close as possible to his cock. Hugo and Mat in a fantasy autumnal scene, with some art nouveau stylings. The sun beats behind Hugo's head, angelic. Hugo is in his labcoat and holds a syringe, dripping an unknown red substance that turns into leaves. Mat's legs and arms are spread out; they are sweaty and naked save for a bondage harness. Hugo holds one of their eyes open - swirled, brainwashed. They have a surgery scar on their forehead. An addled, hypnotised Mat grasps onto an offscreen pair of legs. The legs belong to Otto Mentallis who in the next panel is smiling down on them. The background is gloomy and grey, spiralling... very unlike the actual rainbow of colour in his source material. Otto is hard, a clear tent beneath his pants. The hypnotised Mat begins to unfasten his trousers. But, Otto says, 'wait', grasping onto Mat's face. They drool from their mouth, with spirals in their eyes. He snaps his fingers to bring them out of trance. Mat, looking flustered and annoyed, sits in front of a cross-legged Otto, who is smirking ominously. One-page comic, inked and coloured in neon greens and reds. A Joker strongly based on the twinky one from Harleen gets socked in the mouth by what seems to be Batman's hand, blood exploding from his mouth. Joker, unimpressed, says 'Nope. Got nothing from that. Maybe don't quit your day job... oh wait. hahaha! Offscreen narration: 'I can put him worse places than Arkham. I can do what Wayne never could.' We now see that Joker is wearing no pants and is straddling his 'Batman', actually Hugo Strange dressed up as such (his beard is visible). Hugo holds Joker's throat. He squeezes Joker's throat, prompting Joker to make gagging noises. We see Joker's cock ejaculating. Offscreen narration: 'Correct the world. Permanently. By my fists. Hugo exhales. Joker says 'Hey!! I never said stop!' Title: Dollthing #1. A three panel comic strip. Panel 1: 2015. A faceless hairdresser points a mirror at the back of the protagonists head. They say, 'looks lovely, doesn't it? You're very brave, having it all lopped off'. The protagonist with the classic teenage transmasc bomber jacket, says, yeah, thanks. It looks great. They don't look enthused. Panel 2: 2022. a shadowy hallway. Protagonist is sobbing with lines of hopeless thought/mumbled desperation behind them in the mirror like they can't get a mastectomy and they'll never get on t. They are buzzing all their hair off, wearing a garbage bag tunic to catch the hair, though much of it is instead on the floor. Panel 3: 2024. Protagonist with shaved head in lingerie, taking a mirror selfie in a changing room. Thought bubble: it is doll! Of course! It is so simple! Dollthing #2. 2 panel comic. Dollthing is holding a lamp and its cable looking confused, in the dark. Offscreen someone says 'bottom!' Dollthing replies, 'yes?' Before realising they meant the base of the lamp. 'Oh.' They switch it on. it's dollthing #3! a two-panel comic. the titular character stops by a mirror and takes a moment to admire themselves. 'this face was made for the brainwashing chamber <3' Panel 1: Dollthing and Hugo Strange in matching lab coats, with a black background. They stand behind a subject with their skull sawn in half, brain exposed, bleeding profusely. Dollthing injects something into their brain. Dollthing: I modified the formula. This one should make the subject more docile. Hugo: good. Let's see it. Panel 2: Hugo, standing, head out of view, has Dollthing hypnotised with a pocket watch, while they jack him off through the fly of his suit pants. Dollthing wears some lacy lingerie, but is still bespectacled, to absolutely no effect (the pocket watch is too high to be seen in the lenses of their glasses). Hugo: my... Our other subjects could learn a lot from you. ❤️ TITLE: DEPRAVITY COMICS. The title is bleeding, and the picture is a full-page drawing in black and white ink. (All pages, including this one, are inked sharply in black and white.) It's night in Gotham, the full moon is out, and Hugo Strange is out on the rooftops dressed as Batman, proudly standing with hands on hips. His cowl envelops an androgynous adult dressed as Robin and saluting the camera, but holding a machine gun. SUBTITLE: Introducing MANIKIN. Hugo Strange's toy wonder! CONTENT WARNINGS: - Sexual abuse - Transphobia - Violence and torture - Brainwashing spoken about, like, incredibly lovingly Mature audiences only! DISCLAIMER: A Serpentine Malign Design. Transformative work, not for profit. NARRATION: I didn't always believe in a god. Not until he made me from scratch. FULL PAGE PANEL: Manikin is now kneeling invitingly in lingerie and stockings upon a tiger print rug, next to two other objects (houseplant and ottoman). They have plastic joints like a doll. In the lavish/tacky mirror behind them, Hugo Strange in a dressing gown, wielding a baseball bat. NARRATION: Six months ago. Valentine's Day. PANEL 1: Manikin in darkness, with a black eye and a bleeding nose. They wear a shock collar and are harshly lit against a light panel. OFFSCREEN: 'Fascinating.' PANEL 2: A hand gropes Manikin's crotch area - they're naked from the waist down. OFFSCREEN: 'Here I thought Falcone's men were all... well.' PANEL 3: Close-up on Manikin's bloody face, eyes cut off by the framing. OFFSCREEN: 'No matter, hm? Your instinct was right. Just not your destination.' Panels, in darkness. PANEL 1: Hugo standing in a light doorway. He's holding something. 'Who else knows you're here?' PANEL 2: Close-up of what he's got in his hand: a shock button. 'Answer quickly, now.' PANEL 3: Manikin's bloody face, defiant and disdainful. 'Fuck you,' they reply. PANELS 4, 5: Close-up of Hugo's mouth, then him pressing the button. 'A shame.' PANEL 6: Manikin is shocked, lightning surrounding them. Their eyes roll back and they sweat profusely. PANEL 7: Hugo in the doorway, smiling. 'I hate to damage perfectly fine goods. So let's try again.' PANELS 8, 9: The same profile shot of Manikin, sweat dripping off their face. In the second panel, they're smiling, saying 'You don't know who I am, do you? PANEL 1: Hugo, silhouetted in the foreground, observing a glaring Manikin, who we now see is straitjacketed and restrained against an odd set of panels that seem more German expressionist, form over function. They're hooked up to a machine that seems to be measuring their vitals... or delivering the shocks, like an ECT machine. The speech bubbles weave around Manikin. HUGO: 'Why, yes. You are probably orphaned, but certainly lacking a stable father figure. You are attempting to craft one inside yourself. Quite impressive on your own, truly. You turned to men like Falcone to validate your efforts. He made you feel useful. Filled the hole inside. For years you have associated PLEASURE with the pain of contorting your body into weaponry. You hope this will prevent you from going insane.' PANEL 2: This panel is smaller than the other. Close-up of Hugo's grinning face, along with spiral flourish behind him. He says, 'But let me ask you this. Do you know today's date?' PANEL 1: Manikin, with some weird cables behind them that absolutely look like fucking. Whether the fucking is Hugo with his dolls, or Falcone and Manikin, is up to the reader. 'Valentine's day,' they reply. 'He knew you'd be alone then.' PANEL 2: Hugo, silhouetted, shocks Manikin again, depicted as just a mess of scribbles of lightning. 'How interesting. And wrong.' PANELS 3-6: Shots of Hugo which get increasingly close to his face. He is holding a glass now. These panels envelop a shot of Manikin from behind, who envisions the interrogation as being at gunpoint. 'Do you remember being here before?' 'No.' 'How I captured you?' 'No.' 'Your name?' 'No.' (This speech bubble is smallest and most claustrophobic of all.) PANEL 1: Offscreen/past: 'Then, allow me to help you remember.' Darkness. Hugo's full-moon glasses are visible. Stars and thin spirals in the void. A metronome ticks, ticks, ticks. Caption: 'Before?' PANEL 2: Manikin's face with open mouth, looking a lot more docile, cupped by Hugo's hand. The rest of him is offscreen save for possibly his legs. Curtains fall behind them. PANEL 1: Hugo's 'therapy room', with the metronome visible in front of him, silhouetted (only his glasses are lit). The whole room is bleeding with ink, including a fanciful column with liquor and serving glasses on top, and that tacky mirror that was visible on the first page. HUGO: 'Memory loss is an INEXACT science.' PANEL 2: Manikin, eyes shut, looking down, back in the interrogation room, straitjacketed and hooked up to cables. They are surrounded everywhere by the mantra 'Not a person. Just a doll.' PANEL 3: Close-up of one half of Hugo's face, smirking. 'It's easier if the mind has something to fill the gaps.' PANEL 4: Manikin, distraught and close to screaming, still surrounded by the mantra. It's as though they need to yell over the noise in their head. 'What did you... what did you do to... WHAT DID YOU DO TO IT?!' PANEL 1: Closeup of Hugo's face, eyebrow raised, nothing behind him. He grins malevolently. ''IT'?' PANEL 2: Manikin open-mouthed, nose bleeding. Eyes cut off by the panel once more. PANEL 3: Manikin's face, much smaller in the frame, surrounded by darkness save for the panel they're restrained against, now somewhat coffin-shaped. They are distraught, not quite sure how this is possible. 'It-- it means... it's...' PANEL 4: Close-up of Hugo, showing his forehead down to his nose. His glasses are classic anime glasses - they reflect all the light, while his eyes are invisible. The background is completely dark. 'Stop fighting. Accept it and find peace.' PANELS 5-7: Various shots of Manikin accepting their training. Caption, repeated across each of these panels: 'Not a person, just a doll.' The first is a closeup of them looking vacant, seductive, wearing the lace collar they wore with their lingerie. Their eyes water, and Hugo's hands (wearing signet rings) cup their face and neck. The caption here covers their forehead. The second is Manikin sitting in Hugo's closet, surrounded by rejected plastic dolls. They are posed awkwardly as though discarded like a ragdoll, and they listen to their mantras through a tape recorder. The caption here covers their mouth. The third is Manikin aiming a gun at their prior employer, Don Falcone. The caption here covers their entire face. PANEL 1: Pulling out from the last shot of the previous page, another shot of the same action, Manikin aiming the gun at Falcone's head. The Gotham night skyline looms through the floor-to-ceiling window, while the frame is enveloped by thick curtains, pulled back with spiral clasps. Three boxes sit in front of him, labelled 'Mar', 'Apr', 'May'. Something looking like... hair? pokes out of each box. We now see Manikin's other hand holds a phone to Falcone's ear. HUGO (OVER THE PHONE): 'Thank you for your GENEROUS gift, Don Falcone. Please accept this gift of my own: that some weak links have been excised from your organisation... and that I have not directed ONE OF THEM to dispatch everyone in the building.' PANEL 2: Close-up of Falcone, frowning. Hugo, over the phone: 'Now, I trust that you'll leave us to our peace.' PANEL 3: The same close-up, but Falcone now looks more defeated. He replies: 'Consider our business terminated. But... one favour.' PANEL 4: Hugo, in darkness, sitting in his big armchair atop his ugly fucking tiger rug. He talks on his home phone. 'Yes?' PANEL 5: Top-down view of the contents of the boxes, on Falcone's polished wood desk. Confirmation that yes, they are indeed severed heads. FALCONE: 'Get these fucking heads out of my office.' PANEL 1: Hugo and Manikin, cuddling on the couch, a houseplant behind them. Manikin's mouth is out of shot. HUGO: 'It's your six-month anniversary, Manikin. That feels good, hm?' MANIKIN: 'Yes.' PANEL 2: A new shot of the same scene. Hugo tilts Manikin's chin. 'How fortunate that you fell into my lap.' MANIKIN (SMILING): 'Yes.' PANEL 3: Close-up of a lovestruck Manikin. They literally have heart pupils! HUGO: Come to bed. MANIKIN: 'YES.' (the speech bubble is a heart, even!) PANEL 4: CAPTION: 'Then.' It appears we've stepped back in time. A top-down shot of Hugo and Manikin in the 'therapy room', once more. Hugo has the metronome setup. Manikin reclines on the couch, naked, saying, 'I keep having this dream.' PANEL 1: Nearly takes up the entire page. The dream world, swirling with shadows. A chandelier hangs above. Manikin is literally a doll in a box, tied up with plastic cable ties with a 'try me' slit between their forcibly spread legs. A smile is plastered on their face. Hugo is in the foreground, approaching the doll box. OFFSCREEN: 'In the dream, I'm a doll. Looking out at the world through a plastic window. And you're always there. In the dream. Ready to try me.' HUGO: 'Well, a MANIKIN is a tutoring instrument. A tool with purpose. Much like a gun. Is a DOLL closer to your self-image? a NEEDLESS PLAYTHING? PANEL 2: Close-up of Manikin's smiling dollface, idealised. They seem to be wearing makeup, and a spiral is behind them. 'Dolls have more fun than weapons.' HUGO (OFFSCREEN): 'Then...' Full-page panel. It appears they have indeed gone to bed. Hugo sits Manikin atop his lap on the bed, cupping their ass in one hand and holding the small of their back. with the other. They embrace him with their arms, wearing lacy lingerie. The spiral of the previous panel is in the background, as are two discarded manikins behind the bed, both of them headless. OFFSCREEN: 'A doll you shall be.' END. one-page inked comic. panel 1: hugo strange has an arm around my self-insert, mat/manikin. he's speaking to deathstroke, whose arms are folded. hugo: 'though i have taken much care to secure the doll's subservience, its combat practice is unfortunately lacking, at least in my hands. so i would like you to spar with it. give it something deadlier with which to contend.' panel 2: deathstroke alone, same pose. 'and you don't mind if your doll gets broken?' panel 3: hugo and mat, same pose. hugo: 'its life, if you can call it that, is precious to me. but your training will keep it in peak condition. do anything short of murder if it makes the body stronger.' panel 4: montage of mat and deathstroke in combat training. deathstroke has the upper hand and puts a gun to mat's head. hugo voiceover from the previous scene: 'a word of advice. your usual methods of discipline may fail here. it is a shameless masochist. i had no interest in treating that proclivity when it made them easier to control. so, i'd rather you used it to your advantage. train out its weak points and reward it however makes it respond the best.' panel-in-panel: mat's bloodied face looking blissed out. they usually wear full-moon shades to match hugo's glasses), but they are broken here. deathstroke, again voiceover from the previous scene: 'that shouldn't be a problem. if anything, i'll enjoy having it around.' underneath the panel-in-panel is a close and personal shot of mat orally servicing deathstroke. their arms are tied. Black and white/grey ink sketch of Art the Clown, his face and clown suit splattered with blood. Black and white digital charcoal portrait. Hugo and Mat are doing ballet together. Dirty digital ink sketch with huge raked ink brush. Hugo whispers sweet nothings to Mat. A black and white gloomy 'portrait' of Hugo, sat presiding above his dolls Mat and Dollthing (draped over each other). A mirror looms behind them like a picture frame. A full-colour picture for a loved one, Star, a green-haired sweetheart! The Toymaker from Doctor Who (Neil Patrick Harris version) grasps their chin in his toyshop, leaning over his counter. Rough black and white sketch. Hugo kisses Mat's hand. Swirling ink portrait with abstract squiggly background. Mat in dramatic lighting, unseen hands touching their head and grasping their chin. Black and white sketch. Hugo and Mat cuddling on a couch, but the atmosphere is gloomy and forlorn. Black and white Yakuza 0 sketch with spiralling purple backdrop. Shimano tilts the chin of an exhausted, frightened Majima with a malevolent smile. Full colour ink/paint. Pegasus from Yu-Gi-Oh leans over a dead-eyed Kaiba, on a pretty red chaise longue. They are holding hands. Unfinished black and white sketch. Hugo sits with a glass of spirits in one hand and an arm round Mat, who is sitting in his lap wearing a Playboy bunny costume. Full colour. Hugo AS one of his lingerie-clad manikins, in a mildly suggestive pose. An ink sketch with Mat standing and smoking a cigarette. The ink is bleeding into shapes creating 'wings' behind them. Fisheye, the version of Mat belonging to Hazbin Hotel. Fisheye is a pilotfish demon, covered in mesmerising black-and-white stripes. They have a fishhook earring and flowing, 'underwater' style hair. A simple ink sketch portrait of Mat, smiling up at the camera. A simple reference sheet of Mat. mat has pale skin and brown undercut hair with bangs in the shape of an 'm', with lighter brown highlights towards the front of their hair. they have grey-brown eyes. they wear full-moon reflective shades and sometimes also have snakebite piercings. most of their clothes will be muted, greyscale or black, including when they're in lingerie. they are 5'7 and have a toned, light and masculine build. Outfit variation references for Mat - lacy lingerie and skimpy combat armour for Manikin, and a psychedelic colour scheme where they are blue for their Psychonauts version. A limited palette, inked 'collage' style of psychedelic interlocking patterns, half-there shapes (cat's eyes? snake eyes? flowers?), with Mat sitting in the middle smoking a cigarette and striking a cute pose. A black and white sketch of Max, a raven demon OC for Hazbin Hotel. Max's outfit is themed on cassette tapes with some nautical themes as well, and he has plastic tape tentacles. He also has notably a head of white hair (or perhaps additional feathers!) on top of his raven feathers. Hugo and Riddler in the Reevesverse. Hugo has a Giancarlo Esposito look about him, since he hasn't been cast yet. Riddler is in Arkham uniform; Hugo is injecting him with an unknown substance. A big buff Hugo in a cute catboy maid outfit holding a tray of drinks. Mat Finish, painted in green and red. An inked sketch for the Marlowe Lune Modern Gentleman redraw competition - a beautiful 20s-style trans man posing artfully with a cigarette holder and nice sock garters. My own take is black and white with lots of interlocking 'unreal' patterns. Greyscale sketch of Vox and Fisheye together in Vox's TV/surveillance room. Vox is much larger than Fisheye! caption: summary of my week (god i was meant to draw fucking machines this week). the author holding a game console controller being embraced by a grim reaper type while staring blankly forward. in the background, letters forming the word 'THE DISHES' in a melty style. a captioned panel, with the following text (black on a white background): "despite my first finished comics being autobiographical and mental health related, i've never actually published any of the sort. thanks to my own damage, i was discouraged by a meme post about cringy comic sins. like porn comics with sexless art styles, ugly political cartoons, and... this 'overdone' panel in every depression comic.' (the panel in question: a featureless person face down in a black void.) inside the same void, the following text: "but why can't we share our heavy-handed, 'clichéd' processing art? why does it carry less value for being unoriginal? isn't that the point - to connect to a human universal and desperately hope to be recognised? like, the metaphor we reach for in a crisis isn't going to be the clever, beautiful one. it's the pot noodle at the back of the cupboard. and that's how you survive to the next one." 3 panel ink comic. Panel 1: Hugo and Mat sit on a plane. Mat sits with headphones plugged into a cassette player. An attendant asks, 'Can I get you anything? Snacks, drinks?' Outside the panel is a caption of, presumably, the tape recording: 'And when we reach our destination, you will be mine.' Panel 2: Close-up of Hugo and Mat in the background. In the shadow of Mat is various brainwashing/hypnotic mantras around blank docility and obedience. Panel 3: Close-up of Hugo and Mat's hands, holding under the foldaway table. Hugo: 'Thank you, though.' Outside the panels again, the caption 'You are nothing until I tell you what to be.' A digital colour portrait of Megaera from Hades, with bright neon colours - her armour is outlined with a neon glow. A digital ink sketch of Charles Foster Offdensen from Metalocalypse, from the chest up. He rests his head on his closed fist. Sketch of Brock Samson, covered in blood in the outfit the Bride wears in Kill Bill. He is holding keys to the Russy Wagon. Sketch of Brock and Molotov from the Venture Bros. They're dressed as the Bride (Brock) and Elle Driver (Molotov) - Molotov holds a katana to Brock's throat while Brock has his Bowie knife to hers. An early reference sheet for Mat Finish, including them in a bondage harness and with painted toenails Bunny Lebowski style. Portrait of Mat, shirtless save for a bondage harness and lying on their stomach in a seductive posture. They cover their head partially with one hand while they lounge on a couch. Sketch of Majima and Minami from yakuza. Majima grins, holding a knife to Minami's throat while he holds his head in position. Minami, shirtless, blushes in anticipation. Sketch of Sagawa and Nishitani from Yakuza 0. Sagawa chokes a bloodied Nishitani while fucking his ass. Nishitani seems to be having fun. Sketch of Shimano and Sagawa, kissing while holding guns to each other's necks. Shimano grips his own huge cock in his other hand. Sketch of Shimano and Majima. Shimano eats out Majima's pussy (Majima is fairly young, probably just after the events of 0). Two sketch portraits of Hugo side by side - one in a sharp suit, one in a nice turtleneck. Sketch of Shimano and Majima. The sketch is unfinished but the places their tattoos should be are marked. The frame cuts off where their eyes would start, so you can just see their mouths kissing and a little of their noses. Shimano grips Majima's shoulder. Sketch of Herbert West and Carl Hill. It's top-down and mostly focused on a vulnerable Herbert, strapped to an operating table. Carl has his own severed head balanced bloodily on, presumably, his own torso. Carl's guts are wrapped around Herbert's torso and neck bondage-style (the same as in the last scene of the first Re-Animator film). Herbert is sweating, aroused, appears to have been lobotomised judging from the bloody bandage on one of his temples. Reevesverse Riddler is posing for a selfie with a bound-up, beaten and stripped Mat Finish. A messy colour sketch of a bloodied Malik Ishtar. A colour sketch of Noho Hank from Barry, in neon colours. Three panel sketch comic. Hugo is tending to a comic Riddler's wounds. Riddler looks with trepidation at Hugo's t-shirt. It says 'I like people on the table open'. Colour sketch portrait of Pegasus from Yu-Gi-Oh, his bangs curling dramatically over most of his face. Sketch portrait of Hugo with the moon out. He is wearing a suit and strokes his chin. Sketch of Mat kneeling, bound and blindfolded They smoke a cigarette. Silhouettes of cocks surround them akin to a firing squad. A drawing of Hugo like one of my French girls. He sits seductively holding a pen bleeding big Rorschach inkblots on the backdrop behind him. Sketch portrait of Hugo with heartbeat monitors in the background. Sketch portrait of Hugo leaning on his hand, wearing a pinstripe suit. A Hugo with cartoony proportions with his arms out, lightning and red scribbles crackling behind him. Cropped sketch portrait of Hugo - his glasses are only partly visible. He holds a pen to his mouth in a very Freudian way. A two-panel comic page showing hugo looking down over the spiralling, maddening staircases of Arkham. Portrait of Hugo from Prey, in his smoking jacket with a nice glass of whisky. A buff Hugo with a baseball bat, in his fake Batman costume. Strange sketch of Hugo holding a scalpel to the 'camera'. What we see seems to be cracked and slightly bizarre. The ink is white on black creating a slightly psychedelic effect. A chibi Hugo on a red background, sitting cutely. A painted portrait of Hugo, specifically the Gotham live action version. Hugo in his silly parka, again from Gotham. Low angle drawing of Hugo in a trenchcoat) holding a hand out in a looming, ominous cityscape (implied to be Arkham City). Hugo in Prey overlooking the Gotham skyline from his floor-to-ceiling apartment window. Hugo in a cozy dressing gown having a mug of tea. Hugo painting nails on a mannequin's detached hand. A neon sketch of Hugo, lounging in his Batman cosplay in the 'Alone on a Friday Night' meme pose but looking sad in spite of the bulge in his pants. A text caption reads: 'All alone on a Friday night... God, I'm pathetic.' Hugo in his trenchcoat from the Arkham City comics, his face dramatically shadowed. Side-view portrait of Hugo in a loose, smoky sketch style. He smokes a nice big fat cigar. A sharper portrait of Hugo with dramatic shadows. 3-panel of Hugo grinning and holding a gun to the viewer - gradually it appears from the change in angle that the viewer has dropped to their knees. Chibi Hugo in bed cuddling a Batman plushie. Hugo has a cup of coffee wearing a leather jacket. Hugo tunes his pocket watch, a spiral in the background. Hugo sits to one side with a swirl beside him. He is very lonely. Hugo in a check suit from the waist up. Messy sketches of Mat as Manikin - the first instance of their cross-shaped armour and lingerie. In the first sketch they hold knives and dangle from wires like a puppet. In the second sketch Hugo stands behind them and holds them close whispering in their ear. In both cases they look exhausted, blank and mindless. Mat and Hugo with interlocked arms. Mat has a gun, Hugo has a syringe. A heart is behind them in a grungy abstract background. Mat kneels in lingerie before Hugo, sitting above them and holding their face. They gape at him mindlessly. 3-panel comic. A TV and a Playstation. On the screen is the Psycho Mantis scene from Metal Gear Solid where he moves your PS1 controller by vibrating it. 'Now, put your controller on the ground', he says. But the player has their controller in between their legs like a vibrator. As though he can see them, he repeats, 'On the GROUND.'. Hugo grasps the chin of a hypnotised, drooling Mat, whose arms are tied to their own bondage harness. Hugo whispers to Mat, 'How helpful of you to provide your own restraints.'. Two sketched panels: Hugo and Mat are spooning in bed, under the covers. Caption: 'They're being cute! But what's underneath?' Underneath, Mat is restrained and gagged, listening to brainwashing audio. Caption: 'Ah, certified sicko mode. Carry on.' A 3-quarter bust portrait of Mat in their trademark turtleneck and bondage harness, akin to one you might find in a fighting game. 4-panel comic. panel 1: black screen, text only. person 1: 'if my understanding is correct, dr. [redacted]} you advocated strongly for the exclusive usage of our own operatives as test subjects. despite the risks to their physical and mental wellbeing. why? person 2: well, ma'am, if my understanding is correct, you would prefer we cracked a few of the enemy's eggs. except then, should any birds fly the nest, they've got our recipe. what then? title (in different, monospaced font): ACTION MEN IN PERIL panel 2: silhouettes of people surround a restrained man being jacked off by someone who holds 'subject notes' in the other hand. another silhouette behind him prepares a syringe. panel 3: a reverse shot of panel 2 with everyone silhouetted. a viewing window shows another silhouetted figure standing at the centre. the restrained man: please-- stop-- no more -- moRE -- MORE -- AH-- panel 4: dr. [redacted]} his face half in shadow, speaking into an old style microphone. he has a slight smile and a thought bubble shows him thinking about the sights in panel 2. "our experiments, like the rest of our operations, were essential for international security. ONLY our men could possibly have been involved.". Hugo and Mat have swapped outfits. Hugo is in a turtleneck and leather harness, with shiny leather gloves. Mat is in a three piece pinstripe suit, oversized for them. Panel 1: a lecture theatre. Hugo is standing at the foot, delivering a lecture. "That concludes today's lecture." Panel 2: Hugo holds the door for exiting students. "thank you to all those brave enough to volunteer today." Panel 3: Hugo blocks exit for mat, my self insert. "a moment, please. You realise my classes can't be audited?" Panel 4: close up of mats face. Mat says, "I'm sorry. I know. Registration was full. But your class was my first choice... my only choice, actually." Panel 5: the two of them face to face. Hugo: "how single-minded of you. Not the best approach for a college education. But then, that's not why you're here, is it?" Panel 6: Hugo snaps his fingers and grabs Mat by the head. "in fact, don't tell me. Sleep for me instead." Panel 7: Hugo holding mat gently by the back of the head. They lean on his chest, arms limp and blank faced. "you can tell me who you work for soon enough. But first..." Hugo's hand points towards a drawing. It's mat tied up in some bondage. Red lines indicate muscles and blue lines indicate bones, variably displayed throughout the drawing. He says, "and there's another hole I've been inside... and there... You were sedated for that one, so you probably don't remember..." Mat sits in lingerie in front of a mirror, Hugo behind them. He ties their 'corset' style collar around their neck. Mat smiles up (presumably at Hugo), wearing their new collar with the twinkle of the most utterly brainwashed love. An ink sketch comic. Hugo pours tea for Mat, saying, 'I've poisoned your tea, but you'll drink it for me anyway, won't you?' The words echo in Mat's background ominously; they bare their teeth. But, in the subsequent panel, they drink up. Caption: Of course. Without question. Hugo says 'Good. Now swallow and show me the cup.' Mat shows the cup is now empty. A full-page comic panel. Hugo walks with an arm around Mat who is blushing profusely. A swirly heart comes from them, indicating their arousal. Hugo: 'You trusted me that it was poison, and you were unable to resist drinking, even at risk to your life. You're blossoming into quite the perfect puppet. Have you figured out what I actually put in your tea? An ink sketch portrait of Robert California, with a swirly background. A black and white ink sketch redesign of Vox to be edgy, buff and vaguely 90s/y2k. He has a thick iMac style head with the speaker being his mouth, and spiky TV satellite shoulderpads. One arm has a power glove, the other has claws made from lightning. He has on a half-wrecked suit jacket giving big wrestling promoter vibes, and a chain necklace made from connection cables, as well as a cable knit sweater. He has a belt displaying live statistics (TV ratings) and skinny jeans. A series of concepts for Vox's genitalia, with close-ups of the examples. HDMI: Classic, reliable. One of the highest fidelity ways to get fucked. VGA cable: a POV shot of tightening the cable in an anonymous character's pussy. They exclaim, 'it's-- it's stuck!' to which Vox replies 'Just securing the connection, babe.' Another version is the red, white and yellow RCA cables. Interchangeable ports, less fiddly than the real thing. Small enough for ear fucking! Retractable with a button like one of those vacuums. There is a sketch of Vox plugging one cable into a hypnotised anon's pussy, another into their ear and one in their mouth. The final option is a shiny latex black version, with a screen on top like a smartwatch or The Bad iPod. it is seen with a spiral display hypnotising an anon. Cocknosis potential. He sells an equivalent as a VoxTek smart cockring. You can suck him off and play Candy Crush at the same time. it's a little robot! he wears a propeller hat. he is sitting on a circle covered in grass and flowers, with bugs around him. he has a picnic blanket and a plate with a jam sandwich. the background is abstract with cartoon clouds and sun. Design notes for Fisheye, my hazbin hotel oc. One drawing notes the barcode marking on their chin with the number VXTK69. caption: “fisheye is barcoded after signing with vox. Previously their chin has teardrops a la prison tattoos/the classic mat snakebites/blood dripping from chin. Their collar can also hide their direct affiliation with vox.” Another drawing shows their initial teardrop pattern on their chin. Another drawing shows fisheye hypnotised by vox, with red concentric eyes and pupils matching vox’s, blood dripping beneath the barcode. They are collared with the chains of their soul contract. Their stripes have been washed out in white. Caption: “when under vox’s control, fisheye loses the black in their palette (pilot fish can change colour in heightened sensory states). Their ruff collar and fishhook earring can emote depending on their current state.”. A gift for my partner, depicting their Hazbin Hotel angel OC, Harmony. Harmony has a pastel colour palette, a blue swirl for hair, big glasses and glowy rainbow wings. my hazbin ocs, max and mat. max is embracing mat in a hug, who is much smaller in stature and has literally been lifted off the ground to achieve this. max: you fucked shit up before they got you, i hope. mat: i thought i'd never see you again (heart) mat: ... so. since i died an adult-- max: it's still a no. sorry, kiddo. A messy sketch of Chairman Rose from Pokemon Sword and Shield. It's vox and my oc fisheye. He holds them in his lap on a chair, dribbling blood into their mouth from the dead pixels on his screen. They are transfixed by his hypnotic eye. black and white sketch. aligned with a famous shot from the movie secretary, vox has his assistant demon bent over his desk, poised to spank him. Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Fisheye. In the second mirror, Fisheye is on Vox's complex, with VoxTek logos and onlooking tentacles reaching out to them. The captions read: 'It's you!' and 'Despite everything, it's still you.' Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Manikin. The second mirror is one of Hugo's ornate antique mirrors. The captions read: 'It's you!' and 'Despite everything, it's still you.'

2022

Superhot fanart. Polygonal black and white digital portrait of a SUPERHOT player, wearing their VR headset. It is leaking a black fluid containing the text of the game's mantras, 'mind is software body is disposable the system will set me free'. Molotov from Venture Bros wearing an all-white outfit reminiscent of Elle Driver from Kill Bill. She poses and holds a parasol Hugo holds my tranced-out self-insert in his arms. POV shot (black and white paint/sketch). Minami from RGG lying shirtless, clearly having been cut up. Nishitani (offscreen) is digging a knife into the surface of his chest, while gripping his cock with the other hand. Majima is holding a knife to his throat. Mat Finish being choked and fucked by Charles Foster Offdensen offscreen. The drawing is black and white with harsh red accent lighting. Mat is stroking their clit with an enamoured, vacant look on their face. Charles looking down on someone with a serious look on his face. One arm reaches over. The drawing is black and white with harsh red accent lighting. Drawing of Evelyn Deavor from the Incredibles 2 in her own mind control goggles, naked and fucking herself. The background is psychedelic superimposed spirals similar to the ones she actually uses. Ryu Ga Gotoku fanart, inked with a painted, realistic colouring style. In low light, Watase is shirtless and tied up by Katsuya, who's in a suit. Katsuya grasps him by the throat and kisses him on the cheek. Watase's tattoos are on display. Black and white ink sketch. Man in a straitjacket behind bars sucks on a dildo slipped between the bars, held by a mystery person. Offscreen, the person holding the dildo says, 'subject almost ready for live trials'. Black and white ink portrait of Mat Finish, face covered in cum, smiling up at an unknown person (implied to be Hugo Strange, since they are wearing the lacy collar he gives them in my Hugo/Manikin timeline). Background is a thin spiral. An inked piece with blue and orange lighting. Mat stands horrified and teary in a corset, lingerie and lacy collar. Behind them, Hugo Strange (in a suit) smiles while he twiddles one of their nipples and holds them by the shoulder. Black and white ink sketch. Hugo and Mat are fucking on a bed, with Hugo's legs enveloping Mat. We can see his sexy sock garters. Mat is bunched up with their legs up. Hugo covers Mat's mouth with one hand and holds them with the other. Mat is saying 'please, please, plea--' but Hugo replies 'dolls do not speak without permission'. Mat on their knees in the Manikin lingerie, sucking on Hugo's fingers (Hugo is offscreen so we just see his sleeve and hand). Black and white ink drawing - mostly light ink on a black background, creating a dreamlike quality. Upper shot with a lot of the background of Hugo's office, with a big bookcase and glowing sconce light. Mat is naked and lying on a fainting couch. They are hypnotised by Hugo (mostly in shadow) with a pocket watch. He strokes their pussy. It's Vox in his TV room with a mystery demon (Fisheye, my OC) suspended by wires to the ceiling, with a big spiral playing on a ceiling monitor. They're transfixed and filled with wires - in their mouth, ears, and the socket on their groin. The atmosphere is gloomy. it's my oc getting fucked by 'eldritch' vox, with multiple screen 'heads', and whose body is just a mass of glowing blue/black wires, gills and shark muscle. there are cameras and screens all around them, they're restrained by his wire tentacles, and there is the classic hypno tentacle displaying vox's spiral right in front of their eyes, entrancing them. their nipples are being stimulated, their mouth full, their ear fucked. they have a port at their crotch with a huge 'cable' plugged into it, and a glowing voxtek 'womb tattoo' (though whether they have a womb is questionable). It's my hazbin oc fisheye getting earfucked by a shiny black, dripping tentacle. Blood drips from their mouth and their eyes are red. A red graphical starburst in the background explodes out of their ear. Their usb port nipples are on full show! it's eldritch vox and fisheye in a vague, glowy, glitchy environment. he only has the one head, a pulsating spiral screen. fisheye is tied up in vox's many many cable tentacles. their voxtek womb tattoo is visible. they're grinning and bleeding from the mouth. blood lines/dead pixels bleed down from vox's tentacles. Bust and full body of my OC Fisheye with their major details on show. They are black and white and stripy like a pilot fish. They have a barcode on their chin, sharp teeth, and complex facial markings. Their hair has a white 'halo' behind it (really more like an anglerfish bulb) and floats off as though perpetually submerged in water. They wear fishhook earrings and have sharp ears. The full body drawing shows their markings, a VoxTek womb tattoo, electronic port nipples and pussy, and sharp claws, as well as fins running all over their body. it's otto mentallis from psychonauts having a 'private moment' with a brain in his lab. that is, fucking it. he's leaning back in a big chair, with the brainframe looming behind him. this version has a pink/green/blue colour palette with a lot of hues having been flipped from his normal palette. it's otto as in the previous image, but in his canon colour scheme! It's Vox from Hazbin hotel! He's naked, with glowing nipples and an erect cock dripping glowing blue cum. The angle is positioned so the viewer is lower than Vox and as close as possible to his cock. Hugo and Mat in a fantasy autumnal scene, with some art nouveau stylings. The sun beats behind Hugo's head, angelic. Hugo is in his labcoat and holds a syringe, dripping an unknown red substance that turns into leaves. Mat's legs and arms are spread out; they are sweaty and naked save for a bondage harness. Hugo holds one of their eyes open - swirled, brainwashed. They have a surgery scar on their forehead. An addled, hypnotised Mat grasps onto an offscreen pair of legs. The legs belong to Otto Mentallis who in the next panel is smiling down on them. The background is gloomy and grey, spiralling... very unlike the actual rainbow of colour in his source material. Otto is hard, a clear tent beneath his pants. The hypnotised Mat begins to unfasten his trousers. But, Otto says, 'wait', grasping onto Mat's face. They drool from their mouth, with spirals in their eyes. He snaps his fingers to bring them out of trance. Mat, looking flustered and annoyed, sits in front of a cross-legged Otto, who is smirking ominously. One-page comic, inked and coloured in neon greens and reds. A Joker strongly based on the twinky one from Harleen gets socked in the mouth by what seems to be Batman's hand, blood exploding from his mouth. Joker, unimpressed, says 'Nope. Got nothing from that. Maybe don't quit your day job... oh wait. hahaha! Offscreen narration: 'I can put him worse places than Arkham. I can do what Wayne never could.' We now see that Joker is wearing no pants and is straddling his 'Batman', actually Hugo Strange dressed up as such (his beard is visible). Hugo holds Joker's throat. He squeezes Joker's throat, prompting Joker to make gagging noises. We see Joker's cock ejaculating. Offscreen narration: 'Correct the world. Permanently. By my fists. Hugo exhales. Joker says 'Hey!! I never said stop!' Title: Dollthing #1. A three panel comic strip. Panel 1: 2015. A faceless hairdresser points a mirror at the back of the protagonists head. They say, 'looks lovely, doesn't it? You're very brave, having it all lopped off'. The protagonist with the classic teenage transmasc bomber jacket, says, yeah, thanks. It looks great. They don't look enthused. Panel 2: 2022. a shadowy hallway. Protagonist is sobbing with lines of hopeless thought/mumbled desperation behind them in the mirror like they can't get a mastectomy and they'll never get on t. They are buzzing all their hair off, wearing a garbage bag tunic to catch the hair, though much of it is instead on the floor. Panel 3: 2024. Protagonist with shaved head in lingerie, taking a mirror selfie in a changing room. Thought bubble: it is doll! Of course! It is so simple! Dollthing #2. 2 panel comic. Dollthing is holding a lamp and its cable looking confused, in the dark. Offscreen someone says 'bottom!' Dollthing replies, 'yes?' Before realising they meant the base of the lamp. 'Oh.' They switch it on. it's dollthing #3! a two-panel comic. the titular character stops by a mirror and takes a moment to admire themselves. 'this face was made for the brainwashing chamber <3' Panel 1: Dollthing and Hugo Strange in matching lab coats, with a black background. They stand behind a subject with their skull sawn in half, brain exposed, bleeding profusely. Dollthing injects something into their brain. Dollthing: I modified the formula. This one should make the subject more docile. Hugo: good. Let's see it. Panel 2: Hugo, standing, head out of view, has Dollthing hypnotised with a pocket watch, while they jack him off through the fly of his suit pants. Dollthing wears some lacy lingerie, but is still bespectacled, to absolutely no effect (the pocket watch is too high to be seen in the lenses of their glasses). Hugo: my... Our other subjects could learn a lot from you. ❤️ TITLE: DEPRAVITY COMICS. The title is bleeding, and the picture is a full-page drawing in black and white ink. (All pages, including this one, are inked sharply in black and white.) It's night in Gotham, the full moon is out, and Hugo Strange is out on the rooftops dressed as Batman, proudly standing with hands on hips. His cowl envelops an androgynous adult dressed as Robin and saluting the camera, but holding a machine gun. SUBTITLE: Introducing MANIKIN. Hugo Strange's toy wonder! CONTENT WARNINGS: - Sexual abuse - Transphobia - Violence and torture - Brainwashing spoken about, like, incredibly lovingly Mature audiences only! DISCLAIMER: A Serpentine Malign Design. Transformative work, not for profit. NARRATION: I didn't always believe in a god. Not until he made me from scratch. FULL PAGE PANEL: Manikin is now kneeling invitingly in lingerie and stockings upon a tiger print rug, next to two other objects (houseplant and ottoman). They have plastic joints like a doll. In the lavish/tacky mirror behind them, Hugo Strange in a dressing gown, wielding a baseball bat. NARRATION: Six months ago. Valentine's Day. PANEL 1: Manikin in darkness, with a black eye and a bleeding nose. They wear a shock collar and are harshly lit against a light panel. OFFSCREEN: 'Fascinating.' PANEL 2: A hand gropes Manikin's crotch area - they're naked from the waist down. OFFSCREEN: 'Here I thought Falcone's men were all... well.' PANEL 3: Close-up on Manikin's bloody face, eyes cut off by the framing. OFFSCREEN: 'No matter, hm? Your instinct was right. Just not your destination.' Panels, in darkness. PANEL 1: Hugo standing in a light doorway. He's holding something. 'Who else knows you're here?' PANEL 2: Close-up of what he's got in his hand: a shock button. 'Answer quickly, now.' PANEL 3: Manikin's bloody face, defiant and disdainful. 'Fuck you,' they reply. PANELS 4, 5: Close-up of Hugo's mouth, then him pressing the button. 'A shame.' PANEL 6: Manikin is shocked, lightning surrounding them. Their eyes roll back and they sweat profusely. PANEL 7: Hugo in the doorway, smiling. 'I hate to damage perfectly fine goods. So let's try again.' PANELS 8, 9: The same profile shot of Manikin, sweat dripping off their face. In the second panel, they're smiling, saying 'You don't know who I am, do you? PANEL 1: Hugo, silhouetted in the foreground, observing a glaring Manikin, who we now see is straitjacketed and restrained against an odd set of panels that seem more German expressionist, form over function. They're hooked up to a machine that seems to be measuring their vitals... or delivering the shocks, like an ECT machine. The speech bubbles weave around Manikin. HUGO: 'Why, yes. You are probably orphaned, but certainly lacking a stable father figure. You are attempting to craft one inside yourself. Quite impressive on your own, truly. You turned to men like Falcone to validate your efforts. He made you feel useful. Filled the hole inside. For years you have associated PLEASURE with the pain of contorting your body into weaponry. You hope this will prevent you from going insane.' PANEL 2: This panel is smaller than the other. Close-up of Hugo's grinning face, along with spiral flourish behind him. He says, 'But let me ask you this. Do you know today's date?' PANEL 1: Manikin, with some weird cables behind them that absolutely look like fucking. Whether the fucking is Hugo with his dolls, or Falcone and Manikin, is up to the reader. 'Valentine's day,' they reply. 'He knew you'd be alone then.' PANEL 2: Hugo, silhouetted, shocks Manikin again, depicted as just a mess of scribbles of lightning. 'How interesting. And wrong.' PANELS 3-6: Shots of Hugo which get increasingly close to his face. He is holding a glass now. These panels envelop a shot of Manikin from behind, who envisions the interrogation as being at gunpoint. 'Do you remember being here before?' 'No.' 'How I captured you?' 'No.' 'Your name?' 'No.' (This speech bubble is smallest and most claustrophobic of all.) PANEL 1: Offscreen/past: 'Then, allow me to help you remember.' Darkness. Hugo's full-moon glasses are visible. Stars and thin spirals in the void. A metronome ticks, ticks, ticks. Caption: 'Before?' PANEL 2: Manikin's face with open mouth, looking a lot more docile, cupped by Hugo's hand. The rest of him is offscreen save for possibly his legs. Curtains fall behind them. PANEL 1: Hugo's 'therapy room', with the metronome visible in front of him, silhouetted (only his glasses are lit). The whole room is bleeding with ink, including a fanciful column with liquor and serving glasses on top, and that tacky mirror that was visible on the first page. HUGO: 'Memory loss is an INEXACT science.' PANEL 2: Manikin, eyes shut, looking down, back in the interrogation room, straitjacketed and hooked up to cables. They are surrounded everywhere by the mantra 'Not a person. Just a doll.' PANEL 3: Close-up of one half of Hugo's face, smirking. 'It's easier if the mind has something to fill the gaps.' PANEL 4: Manikin, distraught and close to screaming, still surrounded by the mantra. It's as though they need to yell over the noise in their head. 'What did you... what did you do to... WHAT DID YOU DO TO IT?!' PANEL 1: Closeup of Hugo's face, eyebrow raised, nothing behind him. He grins malevolently. ''IT'?' PANEL 2: Manikin open-mouthed, nose bleeding. Eyes cut off by the panel once more. PANEL 3: Manikin's face, much smaller in the frame, surrounded by darkness save for the panel they're restrained against, now somewhat coffin-shaped. They are distraught, not quite sure how this is possible. 'It-- it means... it's...' PANEL 4: Close-up of Hugo, showing his forehead down to his nose. His glasses are classic anime glasses - they reflect all the light, while his eyes are invisible. The background is completely dark. 'Stop fighting. Accept it and find peace.' PANELS 5-7: Various shots of Manikin accepting their training. Caption, repeated across each of these panels: 'Not a person, just a doll.' The first is a closeup of them looking vacant, seductive, wearing the lace collar they wore with their lingerie. Their eyes water, and Hugo's hands (wearing signet rings) cup their face and neck. The caption here covers their forehead. The second is Manikin sitting in Hugo's closet, surrounded by rejected plastic dolls. They are posed awkwardly as though discarded like a ragdoll, and they listen to their mantras through a tape recorder. The caption here covers their mouth. The third is Manikin aiming a gun at their prior employer, Don Falcone. The caption here covers their entire face. PANEL 1: Pulling out from the last shot of the previous page, another shot of the same action, Manikin aiming the gun at Falcone's head. The Gotham night skyline looms through the floor-to-ceiling window, while the frame is enveloped by thick curtains, pulled back with spiral clasps. Three boxes sit in front of him, labelled 'Mar', 'Apr', 'May'. Something looking like... hair? pokes out of each box. We now see Manikin's other hand holds a phone to Falcone's ear. HUGO (OVER THE PHONE): 'Thank you for your GENEROUS gift, Don Falcone. Please accept this gift of my own: that some weak links have been excised from your organisation... and that I have not directed ONE OF THEM to dispatch everyone in the building.' PANEL 2: Close-up of Falcone, frowning. Hugo, over the phone: 'Now, I trust that you'll leave us to our peace.' PANEL 3: The same close-up, but Falcone now looks more defeated. He replies: 'Consider our business terminated. But... one favour.' PANEL 4: Hugo, in darkness, sitting in his big armchair atop his ugly fucking tiger rug. He talks on his home phone. 'Yes?' PANEL 5: Top-down view of the contents of the boxes, on Falcone's polished wood desk. Confirmation that yes, they are indeed severed heads. FALCONE: 'Get these fucking heads out of my office.' PANEL 1: Hugo and Manikin, cuddling on the couch, a houseplant behind them. Manikin's mouth is out of shot. HUGO: 'It's your six-month anniversary, Manikin. That feels good, hm?' MANIKIN: 'Yes.' PANEL 2: A new shot of the same scene. Hugo tilts Manikin's chin. 'How fortunate that you fell into my lap.' MANIKIN (SMILING): 'Yes.' PANEL 3: Close-up of a lovestruck Manikin. They literally have heart pupils! HUGO: Come to bed. MANIKIN: 'YES.' (the speech bubble is a heart, even!) PANEL 4: CAPTION: 'Then.' It appears we've stepped back in time. A top-down shot of Hugo and Manikin in the 'therapy room', once more. Hugo has the metronome setup. Manikin reclines on the couch, naked, saying, 'I keep having this dream.' PANEL 1: Nearly takes up the entire page. The dream world, swirling with shadows. A chandelier hangs above. Manikin is literally a doll in a box, tied up with plastic cable ties with a 'try me' slit between their forcibly spread legs. A smile is plastered on their face. Hugo is in the foreground, approaching the doll box. OFFSCREEN: 'In the dream, I'm a doll. Looking out at the world through a plastic window. And you're always there. In the dream. Ready to try me.' HUGO: 'Well, a MANIKIN is a tutoring instrument. A tool with purpose. Much like a gun. Is a DOLL closer to your self-image? a NEEDLESS PLAYTHING? PANEL 2: Close-up of Manikin's smiling dollface, idealised. They seem to be wearing makeup, and a spiral is behind them. 'Dolls have more fun than weapons.' HUGO (OFFSCREEN): 'Then...' Full-page panel. It appears they have indeed gone to bed. Hugo sits Manikin atop his lap on the bed, cupping their ass in one hand and holding the small of their back. with the other. They embrace him with their arms, wearing lacy lingerie. The spiral of the previous panel is in the background, as are two discarded manikins behind the bed, both of them headless. OFFSCREEN: 'A doll you shall be.' END. one-page inked comic. panel 1: hugo strange has an arm around my self-insert, mat/manikin. he's speaking to deathstroke, whose arms are folded. hugo: 'though i have taken much care to secure the doll's subservience, its combat practice is unfortunately lacking, at least in my hands. so i would like you to spar with it. give it something deadlier with which to contend.' panel 2: deathstroke alone, same pose. 'and you don't mind if your doll gets broken?' panel 3: hugo and mat, same pose. hugo: 'its life, if you can call it that, is precious to me. but your training will keep it in peak condition. do anything short of murder if it makes the body stronger.' panel 4: montage of mat and deathstroke in combat training. deathstroke has the upper hand and puts a gun to mat's head. hugo voiceover from the previous scene: 'a word of advice. your usual methods of discipline may fail here. it is a shameless masochist. i had no interest in treating that proclivity when it made them easier to control. so, i'd rather you used it to your advantage. train out its weak points and reward it however makes it respond the best.' panel-in-panel: mat's bloodied face looking blissed out. they usually wear full-moon shades to match hugo's glasses), but they are broken here. deathstroke, again voiceover from the previous scene: 'that shouldn't be a problem. if anything, i'll enjoy having it around.' underneath the panel-in-panel is a close and personal shot of mat orally servicing deathstroke. their arms are tied. Black and white/grey ink sketch of Art the Clown, his face and clown suit splattered with blood. Black and white digital charcoal portrait. Hugo and Mat are doing ballet together. Dirty digital ink sketch with huge raked ink brush. Hugo whispers sweet nothings to Mat. A black and white gloomy 'portrait' of Hugo, sat presiding above his dolls Mat and Dollthing (draped over each other). A mirror looms behind them like a picture frame. A full-colour picture for a loved one, Star, a green-haired sweetheart! The Toymaker from Doctor Who (Neil Patrick Harris version) grasps their chin in his toyshop, leaning over his counter. Rough black and white sketch. Hugo kisses Mat's hand. Swirling ink portrait with abstract squiggly background. Mat in dramatic lighting, unseen hands touching their head and grasping their chin. Black and white sketch. Hugo and Mat cuddling on a couch, but the atmosphere is gloomy and forlorn. Black and white Yakuza 0 sketch with spiralling purple backdrop. Shimano tilts the chin of an exhausted, frightened Majima with a malevolent smile. Full colour ink/paint. Pegasus from Yu-Gi-Oh leans over a dead-eyed Kaiba, on a pretty red chaise longue. They are holding hands. Unfinished black and white sketch. Hugo sits with a glass of spirits in one hand and an arm round Mat, who is sitting in his lap wearing a Playboy bunny costume. Full colour. Hugo AS one of his lingerie-clad manikins, in a mildly suggestive pose. An ink sketch with Mat standing and smoking a cigarette. The ink is bleeding into shapes creating 'wings' behind them. Fisheye, the version of Mat belonging to Hazbin Hotel. Fisheye is a pilotfish demon, covered in mesmerising black-and-white stripes. They have a fishhook earring and flowing, 'underwater' style hair. A simple ink sketch portrait of Mat, smiling up at the camera. A simple reference sheet of Mat. mat has pale skin and brown undercut hair with bangs in the shape of an 'm', with lighter brown highlights towards the front of their hair. they have grey-brown eyes. they wear full-moon reflective shades and sometimes also have snakebite piercings. most of their clothes will be muted, greyscale or black, including when they're in lingerie. they are 5'7 and have a toned, light and masculine build. Outfit variation references for Mat - lacy lingerie and skimpy combat armour for Manikin, and a psychedelic colour scheme where they are blue for their Psychonauts version. A limited palette, inked 'collage' style of psychedelic interlocking patterns, half-there shapes (cat's eyes? snake eyes? flowers?), with Mat sitting in the middle smoking a cigarette and striking a cute pose. A black and white sketch of Max, a raven demon OC for Hazbin Hotel. Max's outfit is themed on cassette tapes with some nautical themes as well, and he has plastic tape tentacles. He also has notably a head of white hair (or perhaps additional feathers!) on top of his raven feathers. Hugo and Riddler in the Reevesverse. Hugo has a Giancarlo Esposito look about him, since he hasn't been cast yet. Riddler is in Arkham uniform; Hugo is injecting him with an unknown substance. A big buff Hugo in a cute catboy maid outfit holding a tray of drinks. Mat Finish, painted in green and red. An inked sketch for the Marlowe Lune Modern Gentleman redraw competition - a beautiful 20s-style trans man posing artfully with a cigarette holder and nice sock garters. My own take is black and white with lots of interlocking 'unreal' patterns. Greyscale sketch of Vox and Fisheye together in Vox's TV/surveillance room. Vox is much larger than Fisheye! caption: summary of my week (god i was meant to draw fucking machines this week). the author holding a game console controller being embraced by a grim reaper type while staring blankly forward. in the background, letters forming the word 'THE DISHES' in a melty style. a captioned panel, with the following text (black on a white background): "despite my first finished comics being autobiographical and mental health related, i've never actually published any of the sort. thanks to my own damage, i was discouraged by a meme post about cringy comic sins. like porn comics with sexless art styles, ugly political cartoons, and... this 'overdone' panel in every depression comic.' (the panel in question: a featureless person face down in a black void.) inside the same void, the following text: "but why can't we share our heavy-handed, 'clichéd' processing art? why does it carry less value for being unoriginal? isn't that the point - to connect to a human universal and desperately hope to be recognised? like, the metaphor we reach for in a crisis isn't going to be the clever, beautiful one. it's the pot noodle at the back of the cupboard. and that's how you survive to the next one." 3 panel ink comic. Panel 1: Hugo and Mat sit on a plane. Mat sits with headphones plugged into a cassette player. An attendant asks, 'Can I get you anything? Snacks, drinks?' Outside the panel is a caption of, presumably, the tape recording: 'And when we reach our destination, you will be mine.' Panel 2: Close-up of Hugo and Mat in the background. In the shadow of Mat is various brainwashing/hypnotic mantras around blank docility and obedience. Panel 3: Close-up of Hugo and Mat's hands, holding under the foldaway table. Hugo: 'Thank you, though.' Outside the panels again, the caption 'You are nothing until I tell you what to be.' A digital colour portrait of Megaera from Hades, with bright neon colours - her armour is outlined with a neon glow. A digital ink sketch of Charles Foster Offdensen from Metalocalypse, from the chest up. He rests his head on his closed fist. Sketch of Brock Samson, covered in blood in the outfit the Bride wears in Kill Bill. He is holding keys to the Russy Wagon. Sketch of Brock and Molotov from the Venture Bros. They're dressed as the Bride (Brock) and Elle Driver (Molotov) - Molotov holds a katana to Brock's throat while Brock has his Bowie knife to hers. An early reference sheet for Mat Finish, including them in a bondage harness and with painted toenails Bunny Lebowski style. Portrait of Mat, shirtless save for a bondage harness and lying on their stomach in a seductive posture. They cover their head partially with one hand while they lounge on a couch. Sketch of Majima and Minami from yakuza. Majima grins, holding a knife to Minami's throat while he holds his head in position. Minami, shirtless, blushes in anticipation. Sketch of Sagawa and Nishitani from Yakuza 0. Sagawa chokes a bloodied Nishitani while fucking his ass. Nishitani seems to be having fun. Sketch of Shimano and Sagawa, kissing while holding guns to each other's necks. Shimano grips his own huge cock in his other hand. Sketch of Shimano and Majima. Shimano eats out Majima's pussy (Majima is fairly young, probably just after the events of 0). Two sketch portraits of Hugo side by side - one in a sharp suit, one in a nice turtleneck. Sketch of Shimano and Majima. The sketch is unfinished but the places their tattoos should be are marked. The frame cuts off where their eyes would start, so you can just see their mouths kissing and a little of their noses. Shimano grips Majima's shoulder. Sketch of Herbert West and Carl Hill. It's top-down and mostly focused on a vulnerable Herbert, strapped to an operating table. Carl has his own severed head balanced bloodily on, presumably, his own torso. Carl's guts are wrapped around Herbert's torso and neck bondage-style (the same as in the last scene of the first Re-Animator film). Herbert is sweating, aroused, appears to have been lobotomised judging from the bloody bandage on one of his temples. Reevesverse Riddler is posing for a selfie with a bound-up, beaten and stripped Mat Finish. A messy colour sketch of a bloodied Malik Ishtar. A colour sketch of Noho Hank from Barry, in neon colours. Three panel sketch comic. Hugo is tending to a comic Riddler's wounds. Riddler looks with trepidation at Hugo's t-shirt. It says 'I like people on the table open'. Colour sketch portrait of Pegasus from Yu-Gi-Oh, his bangs curling dramatically over most of his face. Sketch portrait of Hugo with the moon out. He is wearing a suit and strokes his chin. Sketch of Mat kneeling, bound and blindfolded They smoke a cigarette. Silhouettes of cocks surround them akin to a firing squad. A drawing of Hugo like one of my French girls. He sits seductively holding a pen bleeding big Rorschach inkblots on the backdrop behind him. Sketch portrait of Hugo with heartbeat monitors in the background. Sketch portrait of Hugo leaning on his hand, wearing a pinstripe suit. A Hugo with cartoony proportions with his arms out, lightning and red scribbles crackling behind him. Cropped sketch portrait of Hugo - his glasses are only partly visible. He holds a pen to his mouth in a very Freudian way. A two-panel comic page showing hugo looking down over the spiralling, maddening staircases of Arkham. Portrait of Hugo from Prey, in his smoking jacket with a nice glass of whisky. A buff Hugo with a baseball bat, in his fake Batman costume. Strange sketch of Hugo holding a scalpel to the 'camera'. What we see seems to be cracked and slightly bizarre. The ink is white on black creating a slightly psychedelic effect. A chibi Hugo on a red background, sitting cutely. A painted portrait of Hugo, specifically the Gotham live action version. Hugo in his silly parka, again from Gotham. Low angle drawing of Hugo in a trenchcoat) holding a hand out in a looming, ominous cityscape (implied to be Arkham City). Hugo in Prey overlooking the Gotham skyline from his floor-to-ceiling apartment window. Hugo in a cozy dressing gown having a mug of tea. Hugo painting nails on a mannequin's detached hand. A neon sketch of Hugo, lounging in his Batman cosplay in the 'Alone on a Friday Night' meme pose but looking sad in spite of the bulge in his pants. A text caption reads: 'All alone on a Friday night... God, I'm pathetic.' Hugo in his trenchcoat from the Arkham City comics, his face dramatically shadowed. Side-view portrait of Hugo in a loose, smoky sketch style. He smokes a nice big fat cigar. A sharper portrait of Hugo with dramatic shadows. 3-panel of Hugo grinning and holding a gun to the viewer - gradually it appears from the change in angle that the viewer has dropped to their knees. Chibi Hugo in bed cuddling a Batman plushie. Hugo has a cup of coffee wearing a leather jacket. Hugo tunes his pocket watch, a spiral in the background. Hugo sits to one side with a swirl beside him. He is very lonely. Hugo in a check suit from the waist up. Messy sketches of Mat as Manikin - the first instance of their cross-shaped armour and lingerie. In the first sketch they hold knives and dangle from wires like a puppet. In the second sketch Hugo stands behind them and holds them close whispering in their ear. In both cases they look exhausted, blank and mindless. Mat and Hugo with interlocked arms. Mat has a gun, Hugo has a syringe. A heart is behind them in a grungy abstract background. Mat kneels in lingerie before Hugo, sitting above them and holding their face. They gape at him mindlessly. 3-panel comic. A TV and a Playstation. On the screen is the Psycho Mantis scene from Metal Gear Solid where he moves your PS1 controller by vibrating it. 'Now, put your controller on the ground', he says. But the player has their controller in between their legs like a vibrator. As though he can see them, he repeats, 'On the GROUND.'. Hugo grasps the chin of a hypnotised, drooling Mat, whose arms are tied to their own bondage harness. Hugo whispers to Mat, 'How helpful of you to provide your own restraints.'. Two sketched panels: Hugo and Mat are spooning in bed, under the covers. Caption: 'They're being cute! But what's underneath?' Underneath, Mat is restrained and gagged, listening to brainwashing audio. Caption: 'Ah, certified sicko mode. Carry on.' A 3-quarter bust portrait of Mat in their trademark turtleneck and bondage harness, akin to one you might find in a fighting game. 4-panel comic. panel 1: black screen, text only. person 1: 'if my understanding is correct, dr. [redacted]} you advocated strongly for the exclusive usage of our own operatives as test subjects. despite the risks to their physical and mental wellbeing. why? person 2: well, ma'am, if my understanding is correct, you would prefer we cracked a few of the enemy's eggs. except then, should any birds fly the nest, they've got our recipe. what then? title (in different, monospaced font): ACTION MEN IN PERIL panel 2: silhouettes of people surround a restrained man being jacked off by someone who holds 'subject notes' in the other hand. another silhouette behind him prepares a syringe. panel 3: a reverse shot of panel 2 with everyone silhouetted. a viewing window shows another silhouetted figure standing at the centre. the restrained man: please-- stop-- no more -- moRE -- MORE -- AH-- panel 4: dr. [redacted]} his face half in shadow, speaking into an old style microphone. he has a slight smile and a thought bubble shows him thinking about the sights in panel 2. "our experiments, like the rest of our operations, were essential for international security. ONLY our men could possibly have been involved.". Hugo and Mat have swapped outfits. Hugo is in a turtleneck and leather harness, with shiny leather gloves. Mat is in a three piece pinstripe suit, oversized for them. Panel 1: a lecture theatre. Hugo is standing at the foot, delivering a lecture. "That concludes today's lecture." Panel 2: Hugo holds the door for exiting students. "thank you to all those brave enough to volunteer today." Panel 3: Hugo blocks exit for mat, my self insert. "a moment, please. You realise my classes can't be audited?" Panel 4: close up of mats face. Mat says, "I'm sorry. I know. Registration was full. But your class was my first choice... my only choice, actually." Panel 5: the two of them face to face. Hugo: "how single-minded of you. Not the best approach for a college education. But then, that's not why you're here, is it?" Panel 6: Hugo snaps his fingers and grabs Mat by the head. "in fact, don't tell me. Sleep for me instead." Panel 7: Hugo holding mat gently by the back of the head. They lean on his chest, arms limp and blank faced. "you can tell me who you work for soon enough. But first..." Hugo's hand points towards a drawing. It's mat tied up in some bondage. Red lines indicate muscles and blue lines indicate bones, variably displayed throughout the drawing. He says, "and there's another hole I've been inside... and there... You were sedated for that one, so you probably don't remember..." Mat sits in lingerie in front of a mirror, Hugo behind them. He ties their 'corset' style collar around their neck. Mat smiles up (presumably at Hugo), wearing their new collar with the twinkle of the most utterly brainwashed love. An ink sketch comic. Hugo pours tea for Mat, saying, 'I've poisoned your tea, but you'll drink it for me anyway, won't you?' The words echo in Mat's background ominously; they bare their teeth. But, in the subsequent panel, they drink up. Caption: Of course. Without question. Hugo says 'Good. Now swallow and show me the cup.' Mat shows the cup is now empty. A full-page comic panel. Hugo walks with an arm around Mat who is blushing profusely. A swirly heart comes from them, indicating their arousal. Hugo: 'You trusted me that it was poison, and you were unable to resist drinking, even at risk to your life. You're blossoming into quite the perfect puppet. Have you figured out what I actually put in your tea? An ink sketch portrait of Robert California, with a swirly background. A black and white ink sketch redesign of Vox to be edgy, buff and vaguely 90s/y2k. He has a thick iMac style head with the speaker being his mouth, and spiky TV satellite shoulderpads. One arm has a power glove, the other has claws made from lightning. He has on a half-wrecked suit jacket giving big wrestling promoter vibes, and a chain necklace made from connection cables, as well as a cable knit sweater. He has a belt displaying live statistics (TV ratings) and skinny jeans. A series of concepts for Vox's genitalia, with close-ups of the examples. HDMI: Classic, reliable. One of the highest fidelity ways to get fucked. VGA cable: a POV shot of tightening the cable in an anonymous character's pussy. They exclaim, 'it's-- it's stuck!' to which Vox replies 'Just securing the connection, babe.' Another version is the red, white and yellow RCA cables. Interchangeable ports, less fiddly than the real thing. Small enough for ear fucking! Retractable with a button like one of those vacuums. There is a sketch of Vox plugging one cable into a hypnotised anon's pussy, another into their ear and one in their mouth. The final option is a shiny latex black version, with a screen on top like a smartwatch or The Bad iPod. it is seen with a spiral display hypnotising an anon. Cocknosis potential. He sells an equivalent as a VoxTek smart cockring. You can suck him off and play Candy Crush at the same time. it's a little robot! he wears a propeller hat. he is sitting on a circle covered in grass and flowers, with bugs around him. he has a picnic blanket and a plate with a jam sandwich. the background is abstract with cartoon clouds and sun. Design notes for Fisheye, my hazbin hotel oc. One drawing notes the barcode marking on their chin with the number VXTK69. caption: “fisheye is barcoded after signing with vox. Previously their chin has teardrops a la prison tattoos/the classic mat snakebites/blood dripping from chin. Their collar can also hide their direct affiliation with vox.” Another drawing shows their initial teardrop pattern on their chin. Another drawing shows fisheye hypnotised by vox, with red concentric eyes and pupils matching vox’s, blood dripping beneath the barcode. They are collared with the chains of their soul contract. Their stripes have been washed out in white. Caption: “when under vox’s control, fisheye loses the black in their palette (pilot fish can change colour in heightened sensory states). Their ruff collar and fishhook earring can emote depending on their current state.”. A gift for my partner, depicting their Hazbin Hotel angel OC, Harmony. Harmony has a pastel colour palette, a blue swirl for hair, big glasses and glowy rainbow wings. my hazbin ocs, max and mat. max is embracing mat in a hug, who is much smaller in stature and has literally been lifted off the ground to achieve this. max: you fucked shit up before they got you, i hope. mat: i thought i'd never see you again (heart) mat: ... so. since i died an adult-- max: it's still a no. sorry, kiddo. A messy sketch of Chairman Rose from Pokemon Sword and Shield. It's vox and my oc fisheye. He holds them in his lap on a chair, dribbling blood into their mouth from the dead pixels on his screen. They are transfixed by his hypnotic eye. black and white sketch. aligned with a famous shot from the movie secretary, vox has his assistant demon bent over his desk, poised to spank him. Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Fisheye. In the second mirror, Fisheye is on Vox's complex, with VoxTek logos and onlooking tentacles reaching out to them. The captions read: 'It's you!' and 'Despite everything, it's still you.' Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Manikin. The second mirror is one of Hugo's ornate antique mirrors. The captions read: 'It's you!' and 'Despite everything, it's still you.'

2021

Superhot fanart. Polygonal black and white digital portrait of a SUPERHOT player, wearing their VR headset. It is leaking a black fluid containing the text of the game's mantras, 'mind is software body is disposable the system will set me free'. Molotov from Venture Bros wearing an all-white outfit reminiscent of Elle Driver from Kill Bill. She poses and holds a parasol Hugo holds my tranced-out self-insert in his arms. POV shot (black and white paint/sketch). Minami from RGG lying shirtless, clearly having been cut up. Nishitani (offscreen) is digging a knife into the surface of his chest, while gripping his cock with the other hand. Majima is holding a knife to his throat. Mat Finish being choked and fucked by Charles Foster Offdensen offscreen. The drawing is black and white with harsh red accent lighting. Mat is stroking their clit with an enamoured, vacant look on their face. Charles looking down on someone with a serious look on his face. One arm reaches over. The drawing is black and white with harsh red accent lighting. Drawing of Evelyn Deavor from the Incredibles 2 in her own mind control goggles, naked and fucking herself. The background is psychedelic superimposed spirals similar to the ones she actually uses. Ryu Ga Gotoku fanart, inked with a painted, realistic colouring style. In low light, Watase is shirtless and tied up by Katsuya, who's in a suit. Katsuya grasps him by the throat and kisses him on the cheek. Watase's tattoos are on display. Black and white ink sketch. Man in a straitjacket behind bars sucks on a dildo slipped between the bars, held by a mystery person. Offscreen, the person holding the dildo says, 'subject almost ready for live trials'. Black and white ink portrait of Mat Finish, face covered in cum, smiling up at an unknown person (implied to be Hugo Strange, since they are wearing the lacy collar he gives them in my Hugo/Manikin timeline). Background is a thin spiral. An inked piece with blue and orange lighting. Mat stands horrified and teary in a corset, lingerie and lacy collar. Behind them, Hugo Strange (in a suit) smiles while he twiddles one of their nipples and holds them by the shoulder. Black and white ink sketch. Hugo and Mat are fucking on a bed, with Hugo's legs enveloping Mat. We can see his sexy sock garters. Mat is bunched up with their legs up. Hugo covers Mat's mouth with one hand and holds them with the other. Mat is saying 'please, please, plea--' but Hugo replies 'dolls do not speak without permission'. Mat on their knees in the Manikin lingerie, sucking on Hugo's fingers (Hugo is offscreen so we just see his sleeve and hand). Black and white ink drawing - mostly light ink on a black background, creating a dreamlike quality. Upper shot with a lot of the background of Hugo's office, with a big bookcase and glowing sconce light. Mat is naked and lying on a fainting couch. They are hypnotised by Hugo (mostly in shadow) with a pocket watch. He strokes their pussy. It's Vox in his TV room with a mystery demon (Fisheye, my OC) suspended by wires to the ceiling, with a big spiral playing on a ceiling monitor. They're transfixed and filled with wires - in their mouth, ears, and the socket on their groin. The atmosphere is gloomy. it's my oc getting fucked by 'eldritch' vox, with multiple screen 'heads', and whose body is just a mass of glowing blue/black wires, gills and shark muscle. there are cameras and screens all around them, they're restrained by his wire tentacles, and there is the classic hypno tentacle displaying vox's spiral right in front of their eyes, entrancing them. their nipples are being stimulated, their mouth full, their ear fucked. they have a port at their crotch with a huge 'cable' plugged into it, and a glowing voxtek 'womb tattoo' (though whether they have a womb is questionable). It's my hazbin oc fisheye getting earfucked by a shiny black, dripping tentacle. Blood drips from their mouth and their eyes are red. A red graphical starburst in the background explodes out of their ear. Their usb port nipples are on full show! it's eldritch vox and fisheye in a vague, glowy, glitchy environment. he only has the one head, a pulsating spiral screen. fisheye is tied up in vox's many many cable tentacles. their voxtek womb tattoo is visible. they're grinning and bleeding from the mouth. blood lines/dead pixels bleed down from vox's tentacles. Bust and full body of my OC Fisheye with their major details on show. They are black and white and stripy like a pilot fish. They have a barcode on their chin, sharp teeth, and complex facial markings. Their hair has a white 'halo' behind it (really more like an anglerfish bulb) and floats off as though perpetually submerged in water. They wear fishhook earrings and have sharp ears. The full body drawing shows their markings, a VoxTek womb tattoo, electronic port nipples and pussy, and sharp claws, as well as fins running all over their body. it's otto mentallis from psychonauts having a 'private moment' with a brain in his lab. that is, fucking it. he's leaning back in a big chair, with the brainframe looming behind him. this version has a pink/green/blue colour palette with a lot of hues having been flipped from his normal palette. it's otto as in the previous image, but in his canon colour scheme! It's Vox from Hazbin hotel! He's naked, with glowing nipples and an erect cock dripping glowing blue cum. The angle is positioned so the viewer is lower than Vox and as close as possible to his cock. Hugo and Mat in a fantasy autumnal scene, with some art nouveau stylings. The sun beats behind Hugo's head, angelic. Hugo is in his labcoat and holds a syringe, dripping an unknown red substance that turns into leaves. Mat's legs and arms are spread out; they are sweaty and naked save for a bondage harness. Hugo holds one of their eyes open - swirled, brainwashed. They have a surgery scar on their forehead. An addled, hypnotised Mat grasps onto an offscreen pair of legs. The legs belong to Otto Mentallis who in the next panel is smiling down on them. The background is gloomy and grey, spiralling... very unlike the actual rainbow of colour in his source material. Otto is hard, a clear tent beneath his pants. The hypnotised Mat begins to unfasten his trousers. But, Otto says, 'wait', grasping onto Mat's face. They drool from their mouth, with spirals in their eyes. He snaps his fingers to bring them out of trance. Mat, looking flustered and annoyed, sits in front of a cross-legged Otto, who is smirking ominously. One-page comic, inked and coloured in neon greens and reds. A Joker strongly based on the twinky one from Harleen gets socked in the mouth by what seems to be Batman's hand, blood exploding from his mouth. Joker, unimpressed, says 'Nope. Got nothing from that. Maybe don't quit your day job... oh wait. hahaha! Offscreen narration: 'I can put him worse places than Arkham. I can do what Wayne never could.' We now see that Joker is wearing no pants and is straddling his 'Batman', actually Hugo Strange dressed up as such (his beard is visible). Hugo holds Joker's throat. He squeezes Joker's throat, prompting Joker to make gagging noises. We see Joker's cock ejaculating. Offscreen narration: 'Correct the world. Permanently. By my fists. Hugo exhales. Joker says 'Hey!! I never said stop!' Title: Dollthing #1. A three panel comic strip. Panel 1: 2015. A faceless hairdresser points a mirror at the back of the protagonists head. They say, 'looks lovely, doesn't it? You're very brave, having it all lopped off'. The protagonist with the classic teenage transmasc bomber jacket, says, yeah, thanks. It looks great. They don't look enthused. Panel 2: 2022. a shadowy hallway. Protagonist is sobbing with lines of hopeless thought/mumbled desperation behind them in the mirror like they can't get a mastectomy and they'll never get on t. They are buzzing all their hair off, wearing a garbage bag tunic to catch the hair, though much of it is instead on the floor. Panel 3: 2024. Protagonist with shaved head in lingerie, taking a mirror selfie in a changing room. Thought bubble: it is doll! Of course! It is so simple! Dollthing #2. 2 panel comic. Dollthing is holding a lamp and its cable looking confused, in the dark. Offscreen someone says 'bottom!' Dollthing replies, 'yes?' Before realising they meant the base of the lamp. 'Oh.' They switch it on. it's dollthing #3! a two-panel comic. the titular character stops by a mirror and takes a moment to admire themselves. 'this face was made for the brainwashing chamber <3' Panel 1: Dollthing and Hugo Strange in matching lab coats, with a black background. They stand behind a subject with their skull sawn in half, brain exposed, bleeding profusely. Dollthing injects something into their brain. Dollthing: I modified the formula. This one should make the subject more docile. Hugo: good. Let's see it. Panel 2: Hugo, standing, head out of view, has Dollthing hypnotised with a pocket watch, while they jack him off through the fly of his suit pants. Dollthing wears some lacy lingerie, but is still bespectacled, to absolutely no effect (the pocket watch is too high to be seen in the lenses of their glasses). Hugo: my... Our other subjects could learn a lot from you. ❤️ TITLE: DEPRAVITY COMICS. The title is bleeding, and the picture is a full-page drawing in black and white ink. (All pages, including this one, are inked sharply in black and white.) It's night in Gotham, the full moon is out, and Hugo Strange is out on the rooftops dressed as Batman, proudly standing with hands on hips. His cowl envelops an androgynous adult dressed as Robin and saluting the camera, but holding a machine gun. SUBTITLE: Introducing MANIKIN. Hugo Strange's toy wonder! CONTENT WARNINGS: - Sexual abuse - Transphobia - Violence and torture - Brainwashing spoken about, like, incredibly lovingly Mature audiences only! DISCLAIMER: A Serpentine Malign Design. Transformative work, not for profit. NARRATION: I didn't always believe in a god. Not until he made me from scratch. FULL PAGE PANEL: Manikin is now kneeling invitingly in lingerie and stockings upon a tiger print rug, next to two other objects (houseplant and ottoman). They have plastic joints like a doll. In the lavish/tacky mirror behind them, Hugo Strange in a dressing gown, wielding a baseball bat. NARRATION: Six months ago. Valentine's Day. PANEL 1: Manikin in darkness, with a black eye and a bleeding nose. They wear a shock collar and are harshly lit against a light panel. OFFSCREEN: 'Fascinating.' PANEL 2: A hand gropes Manikin's crotch area - they're naked from the waist down. OFFSCREEN: 'Here I thought Falcone's men were all... well.' PANEL 3: Close-up on Manikin's bloody face, eyes cut off by the framing. OFFSCREEN: 'No matter, hm? Your instinct was right. Just not your destination.' Panels, in darkness. PANEL 1: Hugo standing in a light doorway. He's holding something. 'Who else knows you're here?' PANEL 2: Close-up of what he's got in his hand: a shock button. 'Answer quickly, now.' PANEL 3: Manikin's bloody face, defiant and disdainful. 'Fuck you,' they reply. PANELS 4, 5: Close-up of Hugo's mouth, then him pressing the button. 'A shame.' PANEL 6: Manikin is shocked, lightning surrounding them. Their eyes roll back and they sweat profusely. PANEL 7: Hugo in the doorway, smiling. 'I hate to damage perfectly fine goods. So let's try again.' PANELS 8, 9: The same profile shot of Manikin, sweat dripping off their face. In the second panel, they're smiling, saying 'You don't know who I am, do you? PANEL 1: Hugo, silhouetted in the foreground, observing a glaring Manikin, who we now see is straitjacketed and restrained against an odd set of panels that seem more German expressionist, form over function. They're hooked up to a machine that seems to be measuring their vitals... or delivering the shocks, like an ECT machine. The speech bubbles weave around Manikin. HUGO: 'Why, yes. You are probably orphaned, but certainly lacking a stable father figure. You are attempting to craft one inside yourself. Quite impressive on your own, truly. You turned to men like Falcone to validate your efforts. He made you feel useful. Filled the hole inside. For years you have associated PLEASURE with the pain of contorting your body into weaponry. You hope this will prevent you from going insane.' PANEL 2: This panel is smaller than the other. Close-up of Hugo's grinning face, along with spiral flourish behind him. He says, 'But let me ask you this. Do you know today's date?' PANEL 1: Manikin, with some weird cables behind them that absolutely look like fucking. Whether the fucking is Hugo with his dolls, or Falcone and Manikin, is up to the reader. 'Valentine's day,' they reply. 'He knew you'd be alone then.' PANEL 2: Hugo, silhouetted, shocks Manikin again, depicted as just a mess of scribbles of lightning. 'How interesting. And wrong.' PANELS 3-6: Shots of Hugo which get increasingly close to his face. He is holding a glass now. These panels envelop a shot of Manikin from behind, who envisions the interrogation as being at gunpoint. 'Do you remember being here before?' 'No.' 'How I captured you?' 'No.' 'Your name?' 'No.' (This speech bubble is smallest and most claustrophobic of all.) PANEL 1: Offscreen/past: 'Then, allow me to help you remember.' Darkness. Hugo's full-moon glasses are visible. Stars and thin spirals in the void. A metronome ticks, ticks, ticks. Caption: 'Before?' PANEL 2: Manikin's face with open mouth, looking a lot more docile, cupped by Hugo's hand. The rest of him is offscreen save for possibly his legs. Curtains fall behind them. PANEL 1: Hugo's 'therapy room', with the metronome visible in front of him, silhouetted (only his glasses are lit). The whole room is bleeding with ink, including a fanciful column with liquor and serving glasses on top, and that tacky mirror that was visible on the first page. HUGO: 'Memory loss is an INEXACT science.' PANEL 2: Manikin, eyes shut, looking down, back in the interrogation room, straitjacketed and hooked up to cables. They are surrounded everywhere by the mantra 'Not a person. Just a doll.' PANEL 3: Close-up of one half of Hugo's face, smirking. 'It's easier if the mind has something to fill the gaps.' PANEL 4: Manikin, distraught and close to screaming, still surrounded by the mantra. It's as though they need to yell over the noise in their head. 'What did you... what did you do to... WHAT DID YOU DO TO IT?!' PANEL 1: Closeup of Hugo's face, eyebrow raised, nothing behind him. He grins malevolently. ''IT'?' PANEL 2: Manikin open-mouthed, nose bleeding. Eyes cut off by the panel once more. PANEL 3: Manikin's face, much smaller in the frame, surrounded by darkness save for the panel they're restrained against, now somewhat coffin-shaped. They are distraught, not quite sure how this is possible. 'It-- it means... it's...' PANEL 4: Close-up of Hugo, showing his forehead down to his nose. His glasses are classic anime glasses - they reflect all the light, while his eyes are invisible. The background is completely dark. 'Stop fighting. Accept it and find peace.' PANELS 5-7: Various shots of Manikin accepting their training. Caption, repeated across each of these panels: 'Not a person, just a doll.' The first is a closeup of them looking vacant, seductive, wearing the lace collar they wore with their lingerie. Their eyes water, and Hugo's hands (wearing signet rings) cup their face and neck. The caption here covers their forehead. The second is Manikin sitting in Hugo's closet, surrounded by rejected plastic dolls. They are posed awkwardly as though discarded like a ragdoll, and they listen to their mantras through a tape recorder. The caption here covers their mouth. The third is Manikin aiming a gun at their prior employer, Don Falcone. The caption here covers their entire face. PANEL 1: Pulling out from the last shot of the previous page, another shot of the same action, Manikin aiming the gun at Falcone's head. The Gotham night skyline looms through the floor-to-ceiling window, while the frame is enveloped by thick curtains, pulled back with spiral clasps. Three boxes sit in front of him, labelled 'Mar', 'Apr', 'May'. Something looking like... hair? pokes out of each box. We now see Manikin's other hand holds a phone to Falcone's ear. HUGO (OVER THE PHONE): 'Thank you for your GENEROUS gift, Don Falcone. Please accept this gift of my own: that some weak links have been excised from your organisation... and that I have not directed ONE OF THEM to dispatch everyone in the building.' PANEL 2: Close-up of Falcone, frowning. Hugo, over the phone: 'Now, I trust that you'll leave us to our peace.' PANEL 3: The same close-up, but Falcone now looks more defeated. He replies: 'Consider our business terminated. But... one favour.' PANEL 4: Hugo, in darkness, sitting in his big armchair atop his ugly fucking tiger rug. He talks on his home phone. 'Yes?' PANEL 5: Top-down view of the contents of the boxes, on Falcone's polished wood desk. Confirmation that yes, they are indeed severed heads. FALCONE: 'Get these fucking heads out of my office.' PANEL 1: Hugo and Manikin, cuddling on the couch, a houseplant behind them. Manikin's mouth is out of shot. HUGO: 'It's your six-month anniversary, Manikin. That feels good, hm?' MANIKIN: 'Yes.' PANEL 2: A new shot of the same scene. Hugo tilts Manikin's chin. 'How fortunate that you fell into my lap.' MANIKIN (SMILING): 'Yes.' PANEL 3: Close-up of a lovestruck Manikin. They literally have heart pupils! HUGO: Come to bed. MANIKIN: 'YES.' (the speech bubble is a heart, even!) PANEL 4: CAPTION: 'Then.' It appears we've stepped back in time. A top-down shot of Hugo and Manikin in the 'therapy room', once more. Hugo has the metronome setup. Manikin reclines on the couch, naked, saying, 'I keep having this dream.' PANEL 1: Nearly takes up the entire page. The dream world, swirling with shadows. A chandelier hangs above. Manikin is literally a doll in a box, tied up with plastic cable ties with a 'try me' slit between their forcibly spread legs. A smile is plastered on their face. Hugo is in the foreground, approaching the doll box. OFFSCREEN: 'In the dream, I'm a doll. Looking out at the world through a plastic window. And you're always there. In the dream. Ready to try me.' HUGO: 'Well, a MANIKIN is a tutoring instrument. A tool with purpose. Much like a gun. Is a DOLL closer to your self-image? a NEEDLESS PLAYTHING? PANEL 2: Close-up of Manikin's smiling dollface, idealised. They seem to be wearing makeup, and a spiral is behind them. 'Dolls have more fun than weapons.' HUGO (OFFSCREEN): 'Then...' Full-page panel. It appears they have indeed gone to bed. Hugo sits Manikin atop his lap on the bed, cupping their ass in one hand and holding the small of their back. with the other. They embrace him with their arms, wearing lacy lingerie. The spiral of the previous panel is in the background, as are two discarded manikins behind the bed, both of them headless. OFFSCREEN: 'A doll you shall be.' END. one-page inked comic. panel 1: hugo strange has an arm around my self-insert, mat/manikin. he's speaking to deathstroke, whose arms are folded. hugo: 'though i have taken much care to secure the doll's subservience, its combat practice is unfortunately lacking, at least in my hands. so i would like you to spar with it. give it something deadlier with which to contend.' panel 2: deathstroke alone, same pose. 'and you don't mind if your doll gets broken?' panel 3: hugo and mat, same pose. hugo: 'its life, if you can call it that, is precious to me. but your training will keep it in peak condition. do anything short of murder if it makes the body stronger.' panel 4: montage of mat and deathstroke in combat training. deathstroke has the upper hand and puts a gun to mat's head. hugo voiceover from the previous scene: 'a word of advice. your usual methods of discipline may fail here. it is a shameless masochist. i had no interest in treating that proclivity when it made them easier to control. so, i'd rather you used it to your advantage. train out its weak points and reward it however makes it respond the best.' panel-in-panel: mat's bloodied face looking blissed out. they usually wear full-moon shades to match hugo's glasses), but they are broken here. deathstroke, again voiceover from the previous scene: 'that shouldn't be a problem. if anything, i'll enjoy having it around.' underneath the panel-in-panel is a close and personal shot of mat orally servicing deathstroke. their arms are tied. Black and white/grey ink sketch of Art the Clown, his face and clown suit splattered with blood. Black and white digital charcoal portrait. Hugo and Mat are doing ballet together. Dirty digital ink sketch with huge raked ink brush. Hugo whispers sweet nothings to Mat. A black and white gloomy 'portrait' of Hugo, sat presiding above his dolls Mat and Dollthing (draped over each other). A mirror looms behind them like a picture frame. A full-colour picture for a loved one, Star, a green-haired sweetheart! The Toymaker from Doctor Who (Neil Patrick Harris version) grasps their chin in his toyshop, leaning over his counter. Rough black and white sketch. Hugo kisses Mat's hand. Swirling ink portrait with abstract squiggly background. Mat in dramatic lighting, unseen hands touching their head and grasping their chin. Black and white sketch. Hugo and Mat cuddling on a couch, but the atmosphere is gloomy and forlorn. Black and white Yakuza 0 sketch with spiralling purple backdrop. Shimano tilts the chin of an exhausted, frightened Majima with a malevolent smile. Full colour ink/paint. Pegasus from Yu-Gi-Oh leans over a dead-eyed Kaiba, on a pretty red chaise longue. They are holding hands. Unfinished black and white sketch. Hugo sits with a glass of spirits in one hand and an arm round Mat, who is sitting in his lap wearing a Playboy bunny costume. Full colour. Hugo AS one of his lingerie-clad manikins, in a mildly suggestive pose. An ink sketch with Mat standing and smoking a cigarette. The ink is bleeding into shapes creating 'wings' behind them. Fisheye, the version of Mat belonging to Hazbin Hotel. Fisheye is a pilotfish demon, covered in mesmerising black-and-white stripes. They have a fishhook earring and flowing, 'underwater' style hair. A simple ink sketch portrait of Mat, smiling up at the camera. A simple reference sheet of Mat. mat has pale skin and brown undercut hair with bangs in the shape of an 'm', with lighter brown highlights towards the front of their hair. they have grey-brown eyes. they wear full-moon reflective shades and sometimes also have snakebite piercings. most of their clothes will be muted, greyscale or black, including when they're in lingerie. they are 5'7 and have a toned, light and masculine build. Outfit variation references for Mat - lacy lingerie and skimpy combat armour for Manikin, and a psychedelic colour scheme where they are blue for their Psychonauts version. A limited palette, inked 'collage' style of psychedelic interlocking patterns, half-there shapes (cat's eyes? snake eyes? flowers?), with Mat sitting in the middle smoking a cigarette and striking a cute pose. A black and white sketch of Max, a raven demon OC for Hazbin Hotel. Max's outfit is themed on cassette tapes with some nautical themes as well, and he has plastic tape tentacles. He also has notably a head of white hair (or perhaps additional feathers!) on top of his raven feathers. Hugo and Riddler in the Reevesverse. Hugo has a Giancarlo Esposito look about him, since he hasn't been cast yet. Riddler is in Arkham uniform; Hugo is injecting him with an unknown substance. A big buff Hugo in a cute catboy maid outfit holding a tray of drinks. Mat Finish, painted in green and red. An inked sketch for the Marlowe Lune Modern Gentleman redraw competition - a beautiful 20s-style trans man posing artfully with a cigarette holder and nice sock garters. My own take is black and white with lots of interlocking 'unreal' patterns. Greyscale sketch of Vox and Fisheye together in Vox's TV/surveillance room. Vox is much larger than Fisheye! caption: summary of my week (god i was meant to draw fucking machines this week). the author holding a game console controller being embraced by a grim reaper type while staring blankly forward. in the background, letters forming the word 'THE DISHES' in a melty style. a captioned panel, with the following text (black on a white background): "despite my first finished comics being autobiographical and mental health related, i've never actually published any of the sort. thanks to my own damage, i was discouraged by a meme post about cringy comic sins. like porn comics with sexless art styles, ugly political cartoons, and... this 'overdone' panel in every depression comic.' (the panel in question: a featureless person face down in a black void.) inside the same void, the following text: "but why can't we share our heavy-handed, 'clichéd' processing art? why does it carry less value for being unoriginal? isn't that the point - to connect to a human universal and desperately hope to be recognised? like, the metaphor we reach for in a crisis isn't going to be the clever, beautiful one. it's the pot noodle at the back of the cupboard. and that's how you survive to the next one." 3 panel ink comic. Panel 1: Hugo and Mat sit on a plane. Mat sits with headphones plugged into a cassette player. An attendant asks, 'Can I get you anything? Snacks, drinks?' Outside the panel is a caption of, presumably, the tape recording: 'And when we reach our destination, you will be mine.' Panel 2: Close-up of Hugo and Mat in the background. In the shadow of Mat is various brainwashing/hypnotic mantras around blank docility and obedience. Panel 3: Close-up of Hugo and Mat's hands, holding under the foldaway table. Hugo: 'Thank you, though.' Outside the panels again, the caption 'You are nothing until I tell you what to be.' A digital colour portrait of Megaera from Hades, with bright neon colours - her armour is outlined with a neon glow. A digital ink sketch of Charles Foster Offdensen from Metalocalypse, from the chest up. He rests his head on his closed fist. Sketch of Brock Samson, covered in blood in the outfit the Bride wears in Kill Bill. He is holding keys to the Russy Wagon. Sketch of Brock and Molotov from the Venture Bros. They're dressed as the Bride (Brock) and Elle Driver (Molotov) - Molotov holds a katana to Brock's throat while Brock has his Bowie knife to hers. An early reference sheet for Mat Finish, including them in a bondage harness and with painted toenails Bunny Lebowski style. Portrait of Mat, shirtless save for a bondage harness and lying on their stomach in a seductive posture. They cover their head partially with one hand while they lounge on a couch. Sketch of Majima and Minami from yakuza. Majima grins, holding a knife to Minami's throat while he holds his head in position. Minami, shirtless, blushes in anticipation. Sketch of Sagawa and Nishitani from Yakuza 0. Sagawa chokes a bloodied Nishitani while fucking his ass. Nishitani seems to be having fun. Sketch of Shimano and Sagawa, kissing while holding guns to each other's necks. Shimano grips his own huge cock in his other hand. Sketch of Shimano and Majima. Shimano eats out Majima's pussy (Majima is fairly young, probably just after the events of 0). Two sketch portraits of Hugo side by side - one in a sharp suit, one in a nice turtleneck. Sketch of Shimano and Majima. The sketch is unfinished but the places their tattoos should be are marked. The frame cuts off where their eyes would start, so you can just see their mouths kissing and a little of their noses. Shimano grips Majima's shoulder. Sketch of Herbert West and Carl Hill. It's top-down and mostly focused on a vulnerable Herbert, strapped to an operating table. Carl has his own severed head balanced bloodily on, presumably, his own torso. Carl's guts are wrapped around Herbert's torso and neck bondage-style (the same as in the last scene of the first Re-Animator film). Herbert is sweating, aroused, appears to have been lobotomised judging from the bloody bandage on one of his temples. Reevesverse Riddler is posing for a selfie with a bound-up, beaten and stripped Mat Finish. A messy colour sketch of a bloodied Malik Ishtar. A colour sketch of Noho Hank from Barry, in neon colours. Three panel sketch comic. Hugo is tending to a comic Riddler's wounds. Riddler looks with trepidation at Hugo's t-shirt. It says 'I like people on the table open'. Colour sketch portrait of Pegasus from Yu-Gi-Oh, his bangs curling dramatically over most of his face. Sketch portrait of Hugo with the moon out. He is wearing a suit and strokes his chin. Sketch of Mat kneeling, bound and blindfolded They smoke a cigarette. Silhouettes of cocks surround them akin to a firing squad. A drawing of Hugo like one of my French girls. He sits seductively holding a pen bleeding big Rorschach inkblots on the backdrop behind him. Sketch portrait of Hugo with heartbeat monitors in the background. Sketch portrait of Hugo leaning on his hand, wearing a pinstripe suit. A Hugo with cartoony proportions with his arms out, lightning and red scribbles crackling behind him. Cropped sketch portrait of Hugo - his glasses are only partly visible. He holds a pen to his mouth in a very Freudian way. A two-panel comic page showing hugo looking down over the spiralling, maddening staircases of Arkham. Portrait of Hugo from Prey, in his smoking jacket with a nice glass of whisky. A buff Hugo with a baseball bat, in his fake Batman costume. Strange sketch of Hugo holding a scalpel to the 'camera'. What we see seems to be cracked and slightly bizarre. The ink is white on black creating a slightly psychedelic effect. A chibi Hugo on a red background, sitting cutely. A painted portrait of Hugo, specifically the Gotham live action version. Hugo in his silly parka, again from Gotham. Low angle drawing of Hugo in a trenchcoat) holding a hand out in a looming, ominous cityscape (implied to be Arkham City). Hugo in Prey overlooking the Gotham skyline from his floor-to-ceiling apartment window. Hugo in a cozy dressing gown having a mug of tea. Hugo painting nails on a mannequin's detached hand. A neon sketch of Hugo, lounging in his Batman cosplay in the 'Alone on a Friday Night' meme pose but looking sad in spite of the bulge in his pants. A text caption reads: 'All alone on a Friday night... God, I'm pathetic.' Hugo in his trenchcoat from the Arkham City comics, his face dramatically shadowed. Side-view portrait of Hugo in a loose, smoky sketch style. He smokes a nice big fat cigar. A sharper portrait of Hugo with dramatic shadows. 3-panel of Hugo grinning and holding a gun to the viewer - gradually it appears from the change in angle that the viewer has dropped to their knees. Chibi Hugo in bed cuddling a Batman plushie. Hugo has a cup of coffee wearing a leather jacket. Hugo tunes his pocket watch, a spiral in the background. Hugo sits to one side with a swirl beside him. He is very lonely. Hugo in a check suit from the waist up. Messy sketches of Mat as Manikin - the first instance of their cross-shaped armour and lingerie. In the first sketch they hold knives and dangle from wires like a puppet. In the second sketch Hugo stands behind them and holds them close whispering in their ear. In both cases they look exhausted, blank and mindless. Mat and Hugo with interlocked arms. Mat has a gun, Hugo has a syringe. A heart is behind them in a grungy abstract background. Mat kneels in lingerie before Hugo, sitting above them and holding their face. They gape at him mindlessly. 3-panel comic. A TV and a Playstation. On the screen is the Psycho Mantis scene from Metal Gear Solid where he moves your PS1 controller by vibrating it. 'Now, put your controller on the ground', he says. But the player has their controller in between their legs like a vibrator. As though he can see them, he repeats, 'On the GROUND.'. Hugo grasps the chin of a hypnotised, drooling Mat, whose arms are tied to their own bondage harness. Hugo whispers to Mat, 'How helpful of you to provide your own restraints.'. Two sketched panels: Hugo and Mat are spooning in bed, under the covers. Caption: 'They're being cute! But what's underneath?' Underneath, Mat is restrained and gagged, listening to brainwashing audio. Caption: 'Ah, certified sicko mode. Carry on.' A 3-quarter bust portrait of Mat in their trademark turtleneck and bondage harness, akin to one you might find in a fighting game. 4-panel comic. panel 1: black screen, text only. person 1: 'if my understanding is correct, dr. [redacted]} you advocated strongly for the exclusive usage of our own operatives as test subjects. despite the risks to their physical and mental wellbeing. why? person 2: well, ma'am, if my understanding is correct, you would prefer we cracked a few of the enemy's eggs. except then, should any birds fly the nest, they've got our recipe. what then? title (in different, monospaced font): ACTION MEN IN PERIL panel 2: silhouettes of people surround a restrained man being jacked off by someone who holds 'subject notes' in the other hand. another silhouette behind him prepares a syringe. panel 3: a reverse shot of panel 2 with everyone silhouetted. a viewing window shows another silhouetted figure standing at the centre. the restrained man: please-- stop-- no more -- moRE -- MORE -- AH-- panel 4: dr. [redacted]} his face half in shadow, speaking into an old style microphone. he has a slight smile and a thought bubble shows him thinking about the sights in panel 2. "our experiments, like the rest of our operations, were essential for international security. ONLY our men could possibly have been involved.". Hugo and Mat have swapped outfits. Hugo is in a turtleneck and leather harness, with shiny leather gloves. Mat is in a three piece pinstripe suit, oversized for them. Panel 1: a lecture theatre. Hugo is standing at the foot, delivering a lecture. "That concludes today's lecture." Panel 2: Hugo holds the door for exiting students. "thank you to all those brave enough to volunteer today." Panel 3: Hugo blocks exit for mat, my self insert. "a moment, please. You realise my classes can't be audited?" Panel 4: close up of mats face. Mat says, "I'm sorry. I know. Registration was full. But your class was my first choice... my only choice, actually." Panel 5: the two of them face to face. Hugo: "how single-minded of you. Not the best approach for a college education. But then, that's not why you're here, is it?" Panel 6: Hugo snaps his fingers and grabs Mat by the head. "in fact, don't tell me. Sleep for me instead." Panel 7: Hugo holding mat gently by the back of the head. They lean on his chest, arms limp and blank faced. "you can tell me who you work for soon enough. But first..." Hugo's hand points towards a drawing. It's mat tied up in some bondage. Red lines indicate muscles and blue lines indicate bones, variably displayed throughout the drawing. He says, "and there's another hole I've been inside... and there... You were sedated for that one, so you probably don't remember..." Mat sits in lingerie in front of a mirror, Hugo behind them. He ties their 'corset' style collar around their neck. Mat smiles up (presumably at Hugo), wearing their new collar with the twinkle of the most utterly brainwashed love. An ink sketch comic. Hugo pours tea for Mat, saying, 'I've poisoned your tea, but you'll drink it for me anyway, won't you?' The words echo in Mat's background ominously; they bare their teeth. But, in the subsequent panel, they drink up. Caption: Of course. Without question. Hugo says 'Good. Now swallow and show me the cup.' Mat shows the cup is now empty. A full-page comic panel. Hugo walks with an arm around Mat who is blushing profusely. A swirly heart comes from them, indicating their arousal. Hugo: 'You trusted me that it was poison, and you were unable to resist drinking, even at risk to your life. You're blossoming into quite the perfect puppet. Have you figured out what I actually put in your tea? An ink sketch portrait of Robert California, with a swirly background. A black and white ink sketch redesign of Vox to be edgy, buff and vaguely 90s/y2k. He has a thick iMac style head with the speaker being his mouth, and spiky TV satellite shoulderpads. One arm has a power glove, the other has claws made from lightning. He has on a half-wrecked suit jacket giving big wrestling promoter vibes, and a chain necklace made from connection cables, as well as a cable knit sweater. He has a belt displaying live statistics (TV ratings) and skinny jeans. A series of concepts for Vox's genitalia, with close-ups of the examples. HDMI: Classic, reliable. One of the highest fidelity ways to get fucked. VGA cable: a POV shot of tightening the cable in an anonymous character's pussy. They exclaim, 'it's-- it's stuck!' to which Vox replies 'Just securing the connection, babe.' Another version is the red, white and yellow RCA cables. Interchangeable ports, less fiddly than the real thing. Small enough for ear fucking! Retractable with a button like one of those vacuums. There is a sketch of Vox plugging one cable into a hypnotised anon's pussy, another into their ear and one in their mouth. The final option is a shiny latex black version, with a screen on top like a smartwatch or The Bad iPod. it is seen with a spiral display hypnotising an anon. Cocknosis potential. He sells an equivalent as a VoxTek smart cockring. You can suck him off and play Candy Crush at the same time. it's a little robot! he wears a propeller hat. he is sitting on a circle covered in grass and flowers, with bugs around him. he has a picnic blanket and a plate with a jam sandwich. the background is abstract with cartoon clouds and sun. Design notes for Fisheye, my hazbin hotel oc. One drawing notes the barcode marking on their chin with the number VXTK69. caption: “fisheye is barcoded after signing with vox. Previously their chin has teardrops a la prison tattoos/the classic mat snakebites/blood dripping from chin. Their collar can also hide their direct affiliation with vox.” Another drawing shows their initial teardrop pattern on their chin. Another drawing shows fisheye hypnotised by vox, with red concentric eyes and pupils matching vox’s, blood dripping beneath the barcode. They are collared with the chains of their soul contract. Their stripes have been washed out in white. Caption: “when under vox’s control, fisheye loses the black in their palette (pilot fish can change colour in heightened sensory states). Their ruff collar and fishhook earring can emote depending on their current state.”. A gift for my partner, depicting their Hazbin Hotel angel OC, Harmony. Harmony has a pastel colour palette, a blue swirl for hair, big glasses and glowy rainbow wings. my hazbin ocs, max and mat. max is embracing mat in a hug, who is much smaller in stature and has literally been lifted off the ground to achieve this. max: you fucked shit up before they got you, i hope. mat: i thought i'd never see you again (heart) mat: ... so. since i died an adult-- max: it's still a no. sorry, kiddo. A messy sketch of Chairman Rose from Pokemon Sword and Shield. It's vox and my oc fisheye. He holds them in his lap on a chair, dribbling blood into their mouth from the dead pixels on his screen. They are transfixed by his hypnotic eye. black and white sketch. aligned with a famous shot from the movie secretary, vox has his assistant demon bent over his desk, poised to spank him. Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Fisheye. In the second mirror, Fisheye is on Vox's complex, with VoxTek logos and onlooking tentacles reaching out to them. The captions read: 'It's you!' and 'Despite everything, it's still you.' Two-panel comic page, akin to the Undertale scene. Mat looks in a mirror two times, once as themselves, and once as Manikin. The second mirror is one of Hugo's ornate antique mirrors. The captions read: 'It's you!' and 'Despite everything, it's still you.'